You Still Believe In Me
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You Still Believe In Me
"You Still Believe in Me" is a song by American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Initially conceived as "In My Childhood", it was the first songwriting collaboration between Brian Wilson, the group's ''de facto'' leader, and songwriter Tony Asher. Wilson sang the lead vocal. The lyrics are about a man who, while acknowledging his irresponsible behavior and unfaithfulness, is impressed by the unwavering loyalty of his lover, who is left shouldering the stability of their relationship. Wilson's then-wife Marilyn surmised that this choice of subject matter was indebted to the couple's marital struggles at the time. One of the first songs produced for ''Pet Sounds'', Wilson recorded the track between October 1965 and February 1966 with the aid of his bandmates, Asher, and 13 session musicians who variously played harpsichord, clarinets, 12-string electric guitars, timpani, finger cymbals, pianos, basses, and bicycle horn. Wilson and Asher created th ...
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The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ...
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She Knows Me Too Well
"She Knows Me Too Well" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys, about a man who is engrossed and obsessed in his own jealousy and insecurity. It was released on the 1965 album ''The Beach Boys Today!'', initially serving as the B-side of their " When I Grow Up (To Be a Man)" single in 1964.Badman, Keith. ''The Beach Boys. The Definitive Diary of America's Greatest Band: On Stage and in the Studio'' Backbeat Books, San Francisco, California, 2004. p. 63 It was one of the first songs that Brian wrote while under the influence of marijuana. Composition Brian considered the song a tribute to Burt Bacharach. According to Allmusic, "This song can essentially be called 'son of "Don't Worry Baby".' It's built around the same kinds of Spector-inspired chord changes and also has a similar sense of vulnerability." According to ''PopMatters'', Interpreting its lyrics, David Leaf believed the song "is another of the important musical ...
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I Know There's An Answer
"I Know There's an Answer" (alternately known as "Hang On to Your Ego") is a song by American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Written by Brian Wilson, Terry Sachen, and Mike Love, the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically, it is distinguished for its colorful arrangement, unorthodox structure, and bass harmonica solo. The instrumentation also includes guitars, tack piano, banjo, clarinets, flutes, electric keyboards, and timpani. Wilson, Love, and Al Jardine trade the lead vocal, for which the melody spans two octaves. Wilson and Sachen wrote lyrics to the song that criticized people who abuse LSD as a form of escapism. After Love voiced objections to its drug references, Wilson allowed him to revise the message to be about finding meaning within oneself. Although the references to "ego" were eliminated, the key line "they trip through the day and waste all their thoughts at night" rema ...
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Sloop John B
"Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's ''The American Songbag'' in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B". In 1966, the Beach Boys recorded a folk rock adaptation that was produced and arranged by their ''de facto'' leader, Brian Wilson. Released as the second single from their album ''Pet Sounds'', the record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits. In 2011, the Beach Boys' version of "Sloop John B" was ranked on ''Rolling Stone''s list of "The 500 Greatest Songs of All Time". Earli ...
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I'm Waiting For The Day
"I'm Waiting for the Day" is a song by the American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Written primarily by Brian Wilson, the lyrics describe a man who is "waiting for the day" when the woman he loves will be ready to commit to a relationship with him. Wilson, alongside co-author Mike Love, are the only Beach Boys who appear on the recording. Musically, the arrangement is characterized for its dynamic use of textures and word painting. Wilson produced the track in March 1966 with the aid of 17 studio musicians who variously played timpani, bongos, drums, flutes, English horn, electric guitar, two basses, strings, and an altered tack piano. Background and lyrics "I'm Waiting for the Day" was copyrighted by Wilson as a solo composition in February 1964. When the song was published on ''Pet Sounds'', it was credited to Wilson and Mike Love, who revised eight words in Wilson's original lyric. Asked in 2014 about the song, Wilson said that "there really ...
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B Major
B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera ''Rigoletto'' is in the ke ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: *Lur (prehistoric) *Shofar *Roman horns: ** Cornu **Buccina * Dung chen *Dord * Sringa * Nyele *Wazza *Alphorn *Cornett *Serpent * Ophicleide *Natural horn **Bugle **Post horn *French horn *Vienna horn *Wagner tuba *Saxhorns, including: **Alto horn (UK: tenor horn), pitched in E ** Baritone horn, pitched in B * Valved bugles, including ** c ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Wouldn't It Be Nice
"Wouldn't It Be Nice" is a song by the American rock music, rock band the Beach Boys and the opening track from their 1966 album ''Pet Sounds''. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop. The song was inspired by Wilson's confused infatuations for his sister-in-law, who projected an "innocent aura" that he wished to capture in "Wouldn't It Be Nice". Lyrically, the song describes a young couple who feel empowered by their monogamous relationship and fantasize about the romantic freedom they would earn as adults. Like the other tracks on ''Pet Sounds'', it subverted listeners' expectations, as past Beach Boys songs had normally celebrated superficial ...
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Timothy White (writer)
Timothy White (January 25, 1952 – June 27, 2002) was an American rock music journalist and editor. White began his journalism career as a writer for the Associated Press, but soon gravitated towards music writing. He was an editor for the rock magazine ''Crawdaddy'' in the late 1970s and a senior editor for ''Rolling Stone'' magazine in the early 1980s, where he wrote an article detailing the destruction of Bob Hope's face in a logging accident when Hope was in his teens, accounting for Hope's unusual nose and jaw. White was editor-in-chief of ''Billboard'' beginning in 1991. On White’s watch, ''Billboard'' dramatically revamped its music charts, employing computerized sales data from SoundScan that produced the first statistically precise barometer of consumer tastes. The new charts shocked the industry, showing that fans were often more fascinated by comparatively unknown rap, metal, alternative rock and country acts than pompous superstars. Initially, music compan ...
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Kenny Rogers
Kenneth Ray Rogers (August 21, 1938 – March 20, 2020) was an American singer, songwriter, and actor. He was inducted into the Country Music Hall of Fame in 2013. Rogers was particularly popular with country audiences but also charted more than 120 hit singles across various genres, topping the country and pop album charts for more than 200 individual weeks in the United States alone. He sold more than 100 million records worldwide during his lifetime, making him one of the best-selling music artists of all time. His fame and career spanned multiple genres: jazz, folk, pop, rock, and country. He remade his career and was one of the most successful cross-over artists of all time. In the late 1950s, Rogers began his recording career with the Houston-based group the Scholars, who first released "The Poor Little Doggie". After some solo releases, including 1958's "That Crazy Feeling", Rogers then joined a group with the jazz singer Bobby Doyle. In 1966, he became a member ...
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