You Make Me Sick
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You Make Me Sick
"You Make Me Sick" is a song by American singer Pink for her debut studio album ''Can't Take Me Home'' (2000). It was written by Brainz Dimilo, Anthony President, and Mark Tabb, while production was helmed by Dimilo, President and Babyface. It was released as the third and final single from ''Can't Take Me Home'' on November 27, 2000, by LaFace Records and Arista Records. A moderate chart success, it peaked at number 33 on the US ''Billboard'' Hot 100 and number nine on the UK Singles Chart. The accompanying music video for "You Make Me Sick" was filmed in late 2000 and was directed by Dave Meyers, whom Pink collaborated with previously on the first two music videos from ''Can't Take Me Home''. Critical reception Allmusic highlighted the song. Q magazine did the same. Chart performance The song was a top-10 success in the United Kingdom, reaching number nine, and in New Zealand, reaching number 10. The song peaked at number 25 in Australia, where it sold over 35,000 copies a ...
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Pink (singer)
Alecia Beth Moore Hart (born September 8, 1979), known professionally as Pink (stylized as P!nk), is an American singer, songwriter, actress and dancer. She was originally a member of the girl group Choice. In 1995, LaFace Records saw potential in Pink and offered her a solo recording contract. Her R&B-influenced debut studio album '' Can't Take Me Home'' (2000) was certified double-platinum in the United States and spawned two ''Billboard'' Hot 100 top-ten songs: " There You Go" and " Most Girls". She gained further recognition with the collaborative single " Lady Marmalade" from the ''Moulin Rouge!'' soundtrack, which topped many charts worldwide. Refocusing her sound to pop rock with her second studio album ''Missundaztood'' (2001), the album sold more than 13 million copies worldwide and yielded the international hit songs " Get the Party Started", " Don't Let Me Get Me", and " Just Like a Pill". While Pink's third studio album, '' Try This'' (2003), sold significantly ...
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Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, " In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with " Changes" and " Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles wer ...
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Music Videos Directed By Dave Meyers (director)
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz th ...
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LaFace Records Singles
LaFace Records was an American record label based in Atlanta, Georgia, that operated as a unit of Sony Music Entertainment from 2008 to 2011 and was historically a part of Bertelsmann Music Group from 1989 to 2004. It was most active and achieved its greatest commercial success during the 1990s, dealing largely in the field of urban music. It was originally distributed by its co-creator Arista Records from 1989 through 2001, after which it was shuttered and absorbed into Arista. In 2004, the label was rebooted, and it began operating through Jive Records until both were absorbed into RCA Records in 2011. Today, the label's back catalog and reissues are managed by Legacy Recordings. Company history LaFace was formed in 1989 as a joint venture between the producing duo Antonio "L.A." Reid & Kenneth "Babyface" Edmonds, and Arista Records. The combined nicknames of the duo's successful production company inspired the name of the label. LaFace went on to become a successful label t ...
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Arista Records Singles
Arista may refer to: Organizations * Arista Networks, a software defined networking company * Arista Records, an American record label, division of Sony Music **Arista Nashville, a record label specializing in country music * Arista (honor society), the name of New York public school chapters of the National Honor Society People * Íñigo Arista of Pamplona (ca 790–851), first King of Pamplona *Mariano Arista José Mariano Arista (26 July 1802 – 7 August 1855) was a Mexican soldier and politician. He was in command of the Mexican forces at the opening battles of the Mexican American War: the Battle of Palo Alto and the Battle of Resaca de la P ... (1802–1855), President of Mexico * Noelani Arista, Hawaiian and American historian Other * Arista (1956 automobile), a French automobile produced from 1952 to 1967 * Arista (1912 automobile), a French automobile produced from 1912 to 1915 *Arista, one of Ariel's elder sisters from ''The Little Mermaid'' series * Ari ...
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Fnac
Fnac () is a large French retail chain selling culture, cultural and consumer electronics, electronic products, founded by André Essel and Max Théret in 1954. Its head office is in ''Le Flavia'' in Ivry-sur-Seine near Paris. It is an abbreviation of Fédération Nationale d’Achats des Cadres ("National Purchasing Federation for Cadre (politics), Cadres"). It merged with Darty in 2016 to become Groupe Fnac Darty. Core values The company's founders were André Essel and Max Théret. Fnac was founded in 1954. Fnac holds "forums" throughout the year, which are opportunities for customers to have dialogue with people such as Pedro Almodóvar, George Lucas, and David Cronenberg, discussions with authors including Paul Auster, Pierre Bourdieu, and Françoise Giroud in addition to concerts. Musicians playing in these concerts have included Yann Tiersen, Ben Harper, Keane (band), Keane and David Bowie. Each year a "book fair" is held with discussions among writers, politicians and th ...
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Urban Contemporary Music
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood O ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by th ...
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