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You Can't Do That On Stage Anymore, Vol. 4
''You Can't Do That on Stage Anymore, Vol. 4'' is a two-CD set of live recordings by Frank Zappa, recorded between 1969 and 1988, and released in 1991. Track listing All tracks written by Frank Zappa, except where noted. Personnel Musicians * Frank Zappa – vocals on tracks 1-1, 1-2, 1-4 to 1-6, 1-8, 1-9, 2-4 to 2-7, 2-8 (sensitive vocal), 2-10 to 2-12, 2-16, and 2-18; lead guitar on tracks 1-4, 1-5, 1-7, 1-10 to 1-16, 2-1 (1st solo), 2-2, 2-3, 2-6, 2-07, 2-10, and 2-11 * Ray White – guitar on tracks 1-2, 1-4 to 1-9, 1-13, 2-1 to 2-6, 2-11, 2-16, and 2-18; vocals on tracks 1-2, 1-4 to 1-9, 2-1 to 2-6, 2-11, 2-16, and 2-18 * Ike Willis – guitar on tracks 1-2, 1-4 to 1-7, 1-9, 1-10, 1-13, 1-15, 2-3, 2-6, 2-11, and 2-16; vocals on tracks 1-2, 1-4 to 1-7, 1-9, 1-14, 2-3, 2-6, 2-7, 2-11, and 2-16 * Steve Vai – guitar on tracks 1-8, 2-1 (2nd solo), 2-2, 2-4, 2-5, and 2-18 * Lowell George – guitar on tracks 1-11, 2-8, and 2-12; vocals on tracks 2-8, and 2-12 * Mike Kene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Roxy Theatre
The Roxy Theatre (often just the Roxy) is a nightclub on the Sunset Strip in West Hollywood, California, owned by Lou Adler and his son, Nic. History The Roxy was opened on September 23, 1973, by Elmer Valentine and Lou Adler, along with original partners David Geffen, Elliot Roberts and Peter Asher. They took over the building previously occupied by a strip club owned by Chuck Landis called the Largo. (Adler was also responsible for bringing the stage play ''The Rocky Horror Show'' to the United States, and it opened its first American run at The Roxy Theatre in 1974, before it was made into the movie ''The Rocky Horror Picture Show'' the next year.) Neil Young and the Santa Monica Flyers (billed as Crazy Horse, a related ensemble) played the Roxy for the first three days it was open. Only three months later, the Genesis lineup with Peter Gabriel played several consecutive days at the Roxy, a run that some band members and many fans consider to be amongst their fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Torture Never Stops (song)
"The Torture Never Stops" is a song by Frank Zappa from the 1976 album ''Zoot Allures''. Other versions appear on ''Zappa in New York'', ''Thing-Fish'', ''You Can't Do That on Stage Anymore, Vol. 1'', ''You Can't Do That on Stage Anymore, Vol. 4'', ''The Best Band You Never Heard in Your Life'', '' FZ:OZ'', '' Cheap Thrills'', '' Buffalo'', ''Philly '76'', and ''Hammersmith Odeon''. Zappa played "The Torture Never Stops" in concert from 1975 to 1978, in 1981 and again in 1988. The song debuted in 1975 as "Why Doesn't Somebody Get Him a Pepsi?" though few of the instrument parts were similar to the album version. Critics have written that while performing the song, Zappa comes off as calm yet passive-aggressive. Michel Delville, in his essay ''Frank Zappa, Captain Beefheart and the Secret History of Maximalism'' contrasted the tone of "The Torture Never Stops" with Brian Eno's album '' Ambient 1: Music for Airports''. Rat Tomago A live solo from the song, called "Rat Tomago", w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabellón Municipal De Deportes La Casilla
Pabellon Municipal de Deportes La Casilla is a 5,000-seat arena in Bilbao, Spain, primarily used for basketball. It was the home arena of Bilbao Basket Club Basket Bilbao Berri S.A.D., commonly known as Bilbao Basket (), also known as Surne Bilbao Basket for sponsorship reasons, is a professional basketball club based in Bilbao, Spain. The team plays in the Liga ACB. Their home arena is the Bilba .... References External links * Indoor arenas in Spain Basketball venues in Spain Sports venues in the Basque Country (autonomous community) Buildings and structures in Bilbao Sport in Bilbao Bilbao Basket {{Spain-sports-venue-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Norworth
John Godfrey Knauff (January 5, 1879 – September 1, 1959), known professionally as Jack Norworth, was an American songwriter, singer and vaudeville performer. Biography Norworth is credited as writer of a number of Tin Pan Alley hits. He wrote the lyrics to "Take Me Out to the Ball Game" in 1908, his longest-lasting hit. It wasn't until 1940 that he witnessed a major league baseball game. The song placed at number 8 on the "Songs of the Century" list selected by the National Endowment for the Arts and the Recording Industry Association of America. His "Shine On, Harvest Moon" was a bigger hit at the time. There is some disagreement about his involvement in its creation. Broadway historian John Kenrick credits Edward Madden and Gus Edwards, while the family of Follies songwriter Dave Stamper claims he wrote the song while working as the pianist for Nora Bayes, the officially credited co-writer with Norworth. Another possibility for the music could lie with George Gershwin, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take Me Out To The Ball Game
"Take Me Out to the Ball Game" is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the unofficial anthem of North American baseball, although neither of its authors had attended a game prior to writing the song. The song's chorus is traditionally sung as part of the seventh-inning stretch of a baseball game. Fans are generally encouraged to sing along, and at some ballparks, the words "home team" are replaced with the team name. History of the song Jack Norworth, while riding a subway train, was inspired by a sign that said "Baseball Today – Polo Grounds". In the song, Katie's (and later Nelly's) beau calls to ask her out to see a show. She accepts the date, but only if her date will take her out to the baseball game. The words were set to music by Albert Von Tilzer. (Norworth and Von Tilzer finally saw their first Major League Baseball games 32 and 20 years later, respectively.) The song was first sung by Norworth's then-wife Nora Bayes an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black Page
"The Black Page #1" is a piece by American composer Frank Zappa known for being extraordinarily difficult to play. Originally written for the drum kit and melodic percussion (as "The Black Page Drum Solo"), the piece was later rearranged in several versions, including the "easy teenage New York version" (commonly referred to as "The Black Page #2") and a so-called "new-age version", among others. Drummer Terry Bozzio said of the piece: On the double live album ''Zappa in New York'' (recorded 12/1976, released 3/1978), Zappa noted the "statistical density" of the piece. It is written in common time with extensive use of tuplets, including tuplets inside tuplets. At several points there is a quarter note triplet ( sixth notes) in which each beat is counted with its own tuplet of 5, 5 and 6; at another is a half note triplet ( third notes) in which the second beat is a quintuplet (actually a tuplet of 7), and the third beat is divided into tuplets of 4 and 5. The song ends with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miller Theatre
Miller Theatre at Columbia University is located on the Morningside Heights campus of Columbia University. It is a performing arts producer dedicated to developing and presenting new music. In 1988, the former McMillin Theater was renovated and renamed the Kathryn Bache Miller Kathryn Bache Miller (April 19, 1896 – October 15, 1979) was an American art collector and philanthropist. Early life Bache was born in 1896, she was the daughter of investment banker Jules S. Bache and Florence Rosalie Scheftel (1869– ... Theatre with George Steel as its first executive director. The current director, Melissa Smey, took over from Steel in 2009. Miller Theatre is particularly known for its Composer Portraits Series. Each concert in the series focuses on the work of a single composer. References External links Miller Theatre{{Columbia Music venues in Manhattan Columbia University campus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Arts Center Concert Hall
The Randolph W. Bromery Center for the Arts at the University of Massachusetts Amherst (FAC) is an arts center located just north of downtown Amherst, Massachusetts and contains a concert hall and a contemporary art gallery. The building is a 646-foot-long bridge of studio art space, raised up 30 feet from the ground creating a monumental gateway for a campus. The Fine Arts Center serves as a cultural library and regional resource center for the citizens of the Pioneer Valley and the students and faculty from the University of Massachusetts. It also attracts scholars, faculty, students, and families interested in relocating to a community with this type of rich environment. History In the late 1960s, Kevin Roche and John Dinkeloo were asked to design first-class art, music, and theater spaces for the sons and daughters of working men and women of Massachusetts. The structure was constructed between 1972 and 1974 and opened in 1975. Description The Fine Arts Center is a 646-foo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, '' Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was ''Four for Trane'' in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudd Club
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for underground music and counterculture events. It was opened by Steve Maas, Diego Cortez and Anya Phillips. History The Mudd Club was founded by filmmaker Steve Maas, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Maas named the club after Samuel Alexander Mudd, the physician who treated John Wilkes Booth in the aftermath of Abraham Lincoln's assassination. To secure the space for the venue, which was a loft owned by artist Ross Bleckner, Maas described the future venue as essentially an art bar cabaret, like Mickey Ruskin's One University Place, itself based on Ruskin's successful Max's Kansas City. Mudd Club featured a bar, gender-neutral bathrooms, and an art gallery curated by Keith Haring on the fourth floor.Gruen, John (ed). ''Keith Haring: The Authorized Biography'', Prentic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
