You Can't Do That On Stage Anymore, Vol. 2
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You Can't Do That On Stage Anymore, Vol. 2
''You Can't Do That on Stage Anymore, Vol. 2'' is a live album by Frank Zappa. Despite the subtitle 'The Helsinki Concert', the album is not one complete concert, but was, in fact, assembled from two (and possibly three) different concerts performed in Helsinki in 1974. The working title for this album was ''The Helsinki Tapes'', a title more accurately reflecting the fact that the album was composed of performances from more than one show. It is the only album of the series ''You Can't Do That on Stage Anymore'' that includes only one Frank Zappa Band, and only one location of concert. All other albums mix different bands and different time periods in the stage career of Frank Zappa. The track listing is similar to that of ''Roxy & Elsewhere'' (1974), as are the core band personnel. The performance includes a double-speed version of "Village of the Sun", sandwiched between a later version of "RDNZL", the first being recorded in 1972, and "Echidna's Arf (Of You)", and "Montan ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Whipping Post (song)
"Whipping Post" is a song by The Allman Brothers Band. Written by Gregg Allman, the five-minute studio version first appeared on their 1969 debut album ''The Allman Brothers Band''. The song was regularly played live and was the basis for much longer and more intense performances. p. 15. This was captured in the Allman Brothers' 1971 double live album ''At Fillmore East'', where a 22-minute, 40-second rendition of the song takes up the entire final side. It was this recording that garnered "Whipping Post" spots on both the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and ''Rolling Stone''s list of "The 500 Greatest Songs of All Time", which wrote, "the song is best appreciated in the twenty-three-minute incarnation on ''At Fillmore East''." Composition and studio version Gregg Allman was 21 years old when the song was first recorded. Its writing dates back to late March 1969, when The Allman Brothers Band was first formed. Gregg had failed to make a name ...
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Ruth Underwood
Ruth Underwood (born Ruth Komanoff; May 23, 1946) is an American musician best known for playing xylophone, marimba, vibraphone, and other percussion instruments in Frank Zappa and the Mothers of Invention. She collaborated with the Mothers of Invention from 1968 to 1977. Life and career Underwood began her music training in the classical tradition, studying both at Ithaca College under Warren Benson and at Juilliard under Saul Goodman (timpani) and Morris Goldenberg (percussion). Throughout 1967, she kept a regular attendance at the Garrick Theater in New York City when Frank Zappa and The Mothers of Invention were the resident band. This resulted in her association with Zappa, beginning in December 1967. In May 1969 she married keyboardist/saxophonist Ian Underwood, a fellow Zappa musician. They divorced in 1986. Professionally she used both her birth name, Ruth Komanoff, and her married name. Underwood performed in more than 30 recordings with Zappa or Mothers. Examples of ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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George Duke
George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album '' The Jean-Luc Ponty Experience with the George Duke Trio''. He was known primarily for 32 solo albums, of which '' A Brazilian Love Affair'' from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa. Biography George M. Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. "I don't remember it too well, but my mother told me I went crazy. I ran around saying 'Get me a piano, get me a piano!'" He began his formal pia ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Napoleon Murphy Brock
Napoleon Murphy Brock (born June 7, 1945) is an American singer, saxophonist and flute player who is best known for his work with Frank Zappa in the 1970s, including the albums '' Apostrophe (')'', ''Roxy & Elsewhere'', ''One Size Fits All'', and ''Bongo Fury''. He contributed notable vocal performances to the Zappa songs "Village of the Sun," "Cheepnis," and "Florentine Pogen." Career Brock's musical career began in the San Francisco South Bay Area in the late 1960s with a seven and eight piece band he had organized named "Communication Plus". He was the lead singer, songwriter, and arranger of the band's strongly R&B-influenced rock performances. He also played the saxophone and flute. He played in a variety of local clubs including The Brass Rail, The Mecca, and Gary R. Schmidt's, The Odyssey Room. He was discovered playing for a dance band in Hawaii in the early 1970s by Zappa's road manager. The participation of George Duke and Jean-Luc Ponty convinced Brock to join the ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ...
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Satumaa
"Satumaa" (roughly, in English "The Fabled Land" or "The Fairytale Land") is the quintessential Finnish tango. It was written by Unto Mononen, and published in 1955. The most famous recording is probably the one made by Reijo Taipale in 1962. The lyrics tell a story of a distant land beyond the sea – a happy paradise – however, the narrator can only reach it in his thoughts. The song has been recorded countless times, mainly by male Finnish tango singers. An unusual take on "Satumaa" (and perhaps one more likely to be known outside of Finland) appears on a Frank Zappa live album from a Helsinki concert in 1974. Requested at short notice, the band plays the song from sheet music with the (non-Finnish-speaking) vocalist Napoleon Murphy Brock trying his best to read the Finnish lyrics. You Can't Do That on Stage Anymore, Vol. 2 (1974) by Frank Zappa Disc 2, track 3. Dweezil Zappa and his ensemble Zappa plays Zappa played a part of the song on their 6 June 2009 and 29 November 20 ...
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Cheepnis
"Cheepnis" is a song by Frank Zappa and The Mothers, which is a tribute to low-budget monster movies. The song first appeared on Zappa's 1974 live album ''Roxy & Elsewhere''. On the Roxy recording Zappa introduces the song with a spoken monologue about his love of the 1956 film ''It Conquered The World'' and horror movies in general. Zappa also says that "cheapness, in the case of a monster movie, has nothing to do with the budget of the film, although it helps". Description The lyrics describe a monster, named "Frunobulax", a very large poodle dog. The poodle is a recurring theme in Zappa songs and is an example of "conceptual continuity" in his work. In ''The Real Frank Zappa Book'', Zappa reveals that Frunobulax was inspired by his pet sheepdog Fruney. Cheepnis was also a part of Zappa's unreleased "Hunchentoot" stage musical written in 1972. This show also included tracks later released on ''The Grand Wazoo'' (1972) and ''Sleep Dirt ''Sleep Dirt'' is an album by Frank Z ...
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