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You'll Never Walk Alone
"You'll Never Walk Alone" is a show tune from the 1945 Rodgers and Hammerstein musical ''Carousel''. In the second act of the musical, Nettie Fowler, the cousin of the protagonist Julie Jordan, sings "You'll Never Walk Alone" to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, stabs himself with a knife whilst trying to run away after attempting a robbery with his mate Jigger and dies in her arms. The song is reprised in the final scene to encourage a graduation class of which Louise (Billy and Julie's daughter) is a member. The now invisible Billy, who has been granted the chance to return to Earth for one day in order to redeem himself, watches the ceremony and is able to silently motivate Louise and Julie to join in with the song. The song is also sung at association football clubs around the world, where it is performed by a massed chorus of supporters on match day; this tradition developed at Liverpool F.C. after the chart success of the 1963 sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show Tune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Clayton
Jan Clayton (August 26, 1917 – August 28, 1983) was a film, musical theater, and television actress. She starred in the popular 1950s TV series ''Lassie''. Born near Alamogordo, New Mexico, the only child of two schoolteachers, Clayton started singing by age four. Career Clayton was a Metro-Goldwyn-Mayer starlet in the early 1940s, appearing in several films, none of them particularly notable, except for an unbilled role in 1948 as a singing inmate in ''The Snake Pit''. She appeared in the role of Julie Jordan in the original 1945 Broadway production of Rodgers and Hammerstein's classic ''Carousel''. Clayton can be heard on the original cast recordings of both ''Carousel'' (1945) and the 1946 Broadway revival of Kern's 1927 musical play ''Show Boat''. The ''Show Boat'' album was the first American production of the show to be recorded with its original cast. In May 1954, Clayton guest-starred in ABC's sitcom ''Where's Raymond?'', starring Ray Bolger as a song-and-dance man, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm The One (Gerry And The Pacemakers Song)
"I'm the One" is a song by Liverpudlian band Gerry and the Pacemakers, released as a single in January 1964. It was a top-ten hit in the UK and also charted in the US. Release In 1963, Gerry and the Pacemakers became the first group to top the UK charts with their first three singles. For their fourth single, they decided to release a song penned by lead singer Gerry Marsden. However, it didn't manage to continue their chart-topping streak, as on all the major UK charts, it was held off the top by another Liverpudlian group, the Searchers with " Needles and Pins". Whilst Gerry and the Pacemakers would only go on to achieve another two top-ten hits in the UK (" Don't Let the Sun Catch You Crying" and " Ferry Cross the Mersey"), they did enjoy some success in North America as part of the British Invasion; although, in the US "I'm the One" did not perform particularly well, failing to make the ''Cash Box'' Top 100 and only peaking at number 82 on the ''Billboard'' Hot 100. "I'm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Like It (Gerry And The Pacemakers Song)
"I Like It" is the second single by Liverpudlian band Gerry and the Pacemakers. Like Gerry Marsden's first number one "How Do You Do It", it was written by Mitch Murray. The song reached number one in the UK Singles Chart on 20 June 1963, where it stayed for four weeks. It reached No. 17 in the American charts in 1964. ''Cash Box ''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an onli ...'' described it as "a happy-go-lucky jump'er that Gerry arsdensolo vocals in ear-arresting style." References External linksGerry Marsden official site {{DEFAULTSORT:I Like It (Gerry and the Pacemakers song) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Martin
Sir George Henry Martin (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the " Fifth Beatle" because of his extensive involvement in each of the Beatles' original albums. AllMusic has described him as the "world's most famous record producer". Martin's formal musical expertise and interest in novel recording practices complemented the Beatles' rudimentary musical education and relentless quest for new musical sounds to record. Most of the Beatles' orchestral arrangements and instrumentation were written or performed by Martin, and he played piano or keyboards on a number of their records. Martin's collaboration with the Beatles resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album ''Sgt. Pepper's Lonely Hearts Club Band''—the first rock album to win a Grammy Award for Album of the Year. Martin's career spanned more than six decades in music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurie Records
Laurie Records was a record label established in New York City in 1958 by brothers Robert and Gene Schwartz, and Allan I. Sussel. Among the recording artists on Laurie's roster were Dion and the Belmonts (both together and as separate acts), The Chiffons, The Jarmels, The Mystics, Bobby Goldsboro, and The Royal Guardsmen. History Sussel's earlier record company, Jamie Records (named after his elder daughter), had been unsuccessful, and as a result, Sussel (1924–2003) joined forces with Gene Schwartz (1920–1999) to found Laurie Records, named after his other daughter, Laura Sue Sussel. By the early 1960s, Elliot Greenberg, an arranger and friend of Schwartz's, gained a 12% ownership of the company, and Gene's younger brother Bob Schwartz also became involved. Songwriter Ernie Maresca also played an active role in the company. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia (EMI)
Columbia Graphophone Co. Ltd. was one of the earliest gramophone companies in the United Kingdom. Founded in 1917 as an offshoot of the American Columbia Phonograph Company, it became an independent British-owned company in 1922 in a management buy-out after the parent company went into receivership. In 1925 it acquired a controlling interest in its American parent company to take advantage of a new electrical recording process. The British firm also controlled the US operations from 1925 until 1931. That year Columbia Graphophone in the UK merged with the Gramophone Company (which sold records under the HMV label) to form EMI. At the same time, Columbia divested itself of its American branch, which was eventually absorbed by Columbia Broadcasting System ( CBS) in 1938. As Columbia Records, it became a successful British label in the 1950s and 1960s, and was eventually replaced by the newly created EMI Records, as part of a label consolidation. This in turn was absorbed by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Pop
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common. Although harpsichords had been deployed for a number of pop hits since the 1940s, starting in the 1960s, some record producers increasingly placed the instrument in the foreground of their arrangements. Inspired partly by the Beatles' song " In My Life" (1965), various groups were incorporating baroque and classical instrumentation by early 1966. The term "baroque rock" was coined in promotional material for the Left Banke, who used harpsichords and violins in their arrangements and whose 1966 song " Walk Away Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merseybeat
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
