Yoshishige Saitō
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Yoshishige Saitō
Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, born May 4, 1904, in Hirosaki, died June 13, 2001 in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of ''Kara kara'' and ''Toro Wood''. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconstructed in the 1970s. In the immediate postwar years, Saitō’s return to art was slow, but by 1957, he established himself again in the art world as a prominent abstract arti ...
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Hirosaki
is a city located in western Aomori Prefecture, Japan. On 1 April 2020, the city had an estimated population of 168,739 in 71,716 households, and a population density of . The total area of the city is . Hirosaki developed as a castle town for the 100,000 ''koku'' Hirosaki Domain ruled by the Tsugaru clan. The city is currently a regional commercial center, and the largest producer of apples in Japan. The city government has been promoting the slogans "Apple Colored Town Hirosaki" and "Castle and Cherry Blossom and Apple Town" to promote the city image. The town is also noted for many western-style buildings dating from the Meiji period. Geography Hirosaki is located in western Aomori Prefecture, at the southern end of the Tsugaru plains of the Tsugaru Peninsula, southeast of Mount Iwaki and bordering on Akita Prefecture. The eastern and southern flanks of Mount Iwaki and its peak are within the city's borders. The Iwaki River flows from the west to the northeast through the ...
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Yuki Katsura
Yuki Katsura (桂ゆき, ''Katsura Yuki,'' also ''Katsura Yukiko,'' 10 October 1913 – 5 February 1991) was a Japanese artist whose career spanned from the prewar to the postwar eras. During her six-decade career, Katsura did not conform to one particular artistic genre or style, instead employing a variety of approaches including painting, mixed media collage, and caricature to depict a range of subjects using folkloric allegory, religious iconography, realism, and experiments into abstraction. She was trained in both Japanese and Western painting styles and traditions, which was a rare accomplishment for a woman of her time. Katsura engaged with subjects that responded to critical socio-political events in mid-century Japan, such as societal expectations for Japanese women, the militarization of Japan, the post-war occupation, the rise of nuclear power, and gender equality. Her diverse approaches, engagement with critical issues, and adherence to personal autonomy gained her cr ...
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Hard-edge Painting
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting. History of the term The term was coined by writer, curator and ''Los Angeles Times'' art critic Jules Langsner, along with Peter Selz, in 1959, to describe the work of painters from California, who, in their reaction to the more painterly or gestural forms of Abstract expressionism, adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity. This approach to abstract painting became widespread in the 1960s, though California was its creative center. Other, earlier, movements, or styles have also contained the quality of hard-edgedness, for instance the Precisionists also displayed this quality to a great degree in their work. Hard-edge can be seen to be assoc ...
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Guernica (Picasso)
''Guernica'' (; ) is a large 1937 oil painting by Spanish artist Pablo Picasso.Richardson (2016)Picasso, Pablo. Guernica.' Museo Reina Sofía. ''(Retrieved 2017-09-07.)'' It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting in history. It is exhibited in the Museo Reina Sofía in Madrid. The grey, black, and white painting, on a canvas tall and across, portrays the suffering wrought by violence and chaos. Prominent in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames. Picasso painted ''Guernica'' at his home in Paris in response to the 26 April 1937 bombing of Guernica, a Basque Country town in northern Spain that was bombed by Nazi Germany and Fascist Italy at the request of the Spanish Nationalists. Upon completion, ''Guernica'' was exhibited at the Spanish display at the 1937 Paris International Exposition, and then at other venues around the world. T ...
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Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907), and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), Guernica (Picasso)#Composition, a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimente ...
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Nobuo Sekine
was a Japanese sculptor who resided in both Tokyo, Japan, and Los Angeles, California. A graduate of Tama Art University, he was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and early 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, arranging them or interacting with them in mostly unaltered, ephemeral states. Sekine’s signature materials included earth, water, stone, oilclay, sponge, steel plates, among others. His ''Phase—Mother Earth'', consisting of a hole dug into the ground, 2.7 meters deep and 2.2 meters in diameter, with the excavated earth compacted into a cylinder of exactly the same dimensions, is considered to have initiated the Mono-ha movement. Later credited as the "big bang" Groom, Simon. "Encountering Mono-ha", ''Mono-ha: School of Things''. Kettle’s Yard, 2001, p.8 of the movement, the work not only attracted the attention of fellow Tama students but also Lee Ufa ...
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Tarō Okamoto
was a Japanese artist, art theorist, and writer. He is particularly well known for his avant-garde paintings and public sculptures and murals, and for his theorization of traditional Japanese culture and avant-garde artistic practices. Biography Early life (1911–1929) Taro Okamoto was the son of cartoonist Okamoto Ippei and writer Okamoto Kanoko. He was born in Takatsu, in Kawasaki, Kanagawa Prefecture. In 1927, at the age of sixteen, Okamoto began to take lessons in oil painting from the artist Wada Eisaku. In 1929, Okamoto entered the Tokyo School of Fine Arts (today Tokyo University of the Arts) in the oil painting department. Time in Europe (1929–1940) In 1929, Okamoto and his family accompanied his father on a trip to Europe to cover the London Naval Treaty of 1930. While in Europe, Okamoto spent time in the Netherlands, Belgium, and Paris, where he rented a studio in Montparnasse and enrolled in a lycée in Choisy-le-Roi. After his parents returned to Japan i ...
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Kiyoji Ōtsuji
was a Japanese photographer, photography theorist, and educator. He was active in the avant-garde art world in Japan after World War II, both creating his own experimental photographs, and taking widely circulated documentary photographs of other artists and art projects. He became an authority in Japanese photography, extensively publishing commentaries and educating future generations of photographers. Biography Early life: 1923–1945 Ōtsuji was born in the Kōtō ward of Tokyo on July 27, 1923. He first became interested in photography when he purchased back issues of the photography periodical ''Photo Times'' from a used book store. Through ''Photo Times'' he first encountered avant-garde photography from Europe, the United States, and Japan, and was deeply inspired by the photography criticism of Shūzō Takiguchi and Abe Nobuya. In 1942, Ōtsuji enrolled in the art department at the Tokyo Professional School of Photography (today Tokyo Polytechnic University). In 194 ...
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Aimitsu
Ai-Mitsu ( ja, 靉光) (June 24, 1907 - January 19, 1946) was a Japanese artist and painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai .... He was also known as Akemitsu or his birth name, Nichiro Ishimura (). He is usually identified as a Surrealist although he also painted works that can be classified in other styles and genres. He was born into a small landowning family in 1907 in Hiroshima, and given the name Nichiro Ishimura, which he later changed to Ai-Mitsu when he moved to Tokyo to pursue his career as an artist. In 1934 he married Kie, a teacher of the deaf who helped support him through his struggles as an artist. His most famous work is "Landscape with an Eye" (1938), currently held in the collection of the National Museum of Modern Art, Tokyo. It consists of shap ...
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Jiro Yoshihara
was a Japanese painter, art educator, curator, and businessman. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge ''Circles'' beginning in the 1960s, Yoshihara’s oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings, ceramics, watercolors, and stage design. Yoshihara was a key figure of postwar Japanese art and culture through his work as painter, art educator, promoter of the arts, and networker between the arts, commerce, and industry in the Kansai region and beyond, and, especially, as the leader of the postwar avant-garde art collective Gutai Art Association, which he co-founded in 1954. Under Yoshihara’s guidance, Gutai explored radically experimental approaches, including outdoor exhibitions, performances, onstage presentations, and interactive works. Fueled by Yoshihara’s global ambitions, Gutai developed artistic strategies to communicate internationally and insert themselves ...
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Takeo Yamaguchi
Takeo Yamaguchi (山口長男, ''Yamaguchi Takeo'', born November 23, 1902, in Seoul, Korea, died April 23, 1983, in Tokyo, Japan) was an avant-garde Japanese painter of monochrome A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochrom ... Art Informel works. About Yamaguchi studied Western painting at the Tokyo Art School. Upon graduation in 1927, he moved to Paris to study European painting. He developed his mature style during the mid-1950s, with a focus on flatness.https://www.guggenheim.org/artwork/artist/Takeo-Yamaguchi Takeo Yamaguchi, Solomon R. Guggenheim Foundation Yamaguchi's ''Yellow Eyes'', painted in 1959, sold for US$948,500 at Sotheby's Contemporary Art Evening Sale in New York on May 18, 2017, which set a record for the highest price paid for the artist's work. Exhibitio ...
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