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Yes, I Have No 4 Beat Today
''Yes, I Have No 4 Beat Today - Toshiko Akiyoshi with Brazilian Friends'' is a jazz album recorded by pianist Toshiko Akiyoshi in 1995 and released by Nippon Crown Records. Track listing #" Once I Loved" ( Jobim) – 8:42 #"Pollination" (Akiyoshi) – 7:22 #" Tico Tico" ( Abreu, Drake, Oliveira) – 3:33 #"Air" ( Bach) – 6:18 #" One Note Samba" (Jobim) – 5:57 #"Star Eyes" ( Raye, De Paul) – 8:17 #" Amapola" (LaCalle Lacalle is a surname. Notable people with the surname include: * Alfi Conteh-Lacalle (born 1985), Spanish–Sierra Leonean footballer *Andrés García La Calle (1909–1980), squadron leader of the 1st fighter squadron of the Spanish Republic and l ..., Roldan, Gamse) – 5:30 #"Warning, Success May Be Hazardous To Your Health" (Akiyoshi) – 6:22 Personnel * Toshiko Akiyoshi – piano *Lincoln Goines – bass *Duduka da Fonseca – drums *Valtinho Anastacio – percussion *Ivo Araujo – percussion ( surdo, chocalho, repinique) *Scott Wendho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lew Tabackin
Lewis Barry Tabackin (born March 26, 1940) is an American jazz tenor saxophonist and flutist. He is married to pianist Toshiko Akiyoshi with whom he has co-led large ensembles since the 1970s. Biography Tabackin started learning flute at age 12, followed by tenor saxophone at age 15. He has cited Al Cohn and Coleman Hawkins as influences on saxophone, while his flute role models include classical players such as William Kincaid, Julius Baker, and Jean-Pierre Rampal. Tabackin studied flute at the University of the Arts (Philadelphia), Philadelphia Conservatory of Music and also studied music with composer Vincent Persichetti. In 1962 he graduated from the Conservatory and after serving with the United States Army, U.S. Army worked with Tal Farlow. He also worked with Chuck Israels in New York City and a band that included Elvin Jones, Donald Byrd, and Roland Hanna. Later he was a member of ''The Dick Cavett Show'' band and The Tonight Show Band with Doc Severinsen. He moved from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repinique
A repinique is a two-headed German drum used in samba '' baterias'' (percussion ensembles). It is used in the Rio de Janeiro and São Paulo Carnival baterias and in the baterias of Bahia, where it is known as ''repique''. It is equivalent to the tik-tik in the non-Brazilian drum kit or to the tenor drum in marching bands. It is tuned very high to produce a tone that cuts through the sound of the rest of the bateria and it is a lead and solo instrument. Typically its body is made of metal. The heads, made of nylon, are tightened through the use of metal tuning rods. The instrument is usually smaller in diameter than the Brazilian caixa (snare drum) but several inches longer in height and lacking a snare. It is carried using a shoulder strap attached to one of the tuning rods. In Rio-style samba it is played with one wooden stick and one hand. In Bahia it is played with two wooden sticks usually but in some cases also like the Rio-style (the ''bloco afro'' Ilê Aiyê for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a large bass drum used in many kinds of Brazilian music, such as Axé/Samba-reggae and samba, where it plays the lower parts from a percussion section. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep.Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat the drums using hard or soft mallets. The floor tom of a drum kit is often used as the more modern substitute of the surdo, especially in Brazilian Latin jazz. Rio-style Carnival samba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph LaCalle
José María Lacalle García, known in Anglo America as Joseph M. Lacalle (November 17, 1859 – June 11, 1937) was a clarinetist, composer, conductor and music critic. He is best known for composing the song " Amapola". His surname is misspelled LaCalle in some sources. Biography and career José María Lacalle García was born in Cadiz, Spain, and emigrated to the United States in 1884, sailing from the Port of Havana, Cuba, to the Port of New York on the S/S ''Newport' He performed on woodwind instruments with a number of popular bands including the John Philip Sousa Band, the Patrick Gilmore Band, the 7th Regiment Band, the Hoadley Musical Society Amateur Orchestra, and the Columbia Spanish Band. He conducted his own band, the Lacalle Band, and the 23rd Regiment Band. Lacalle directed instrumental groups for Columbia between 1917 and 1929, and participated in early recordings for other recording companies. Lacalle composed numerous songs and marches, including "Twenty- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amapola (song)
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. Recordings "Amapola" was first recorded instrumentally by Cuban Orquesta Francesa de A. Moreno for Columbia in February 1923. Spanish tenor Miguel Fleta made the first vocal recording in 1925. In 1935, the Lecuona Cuban Boys released their rendition of the song as a single, recorded in 1935 in Paris. Japanese singer Noriko Awaya released her version of the song in 1937. A popular recorded version was made later by the Jimmy Dorsey Orchestra with vocalists Helen O'Connell and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene De Paul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Star Eyes (song)
"Star Eyes" is a song from the 1943 film ''I Dood It'', written by Gene de Paul and Don Raye. It was performed in the film by Helen O'Connell and Bob Eberly accompanied by Jimmy Dorsey's orchestra. Jimmy Dorsey was the first to release the song. Other recordings Charlie Parker recorded "Star Eyes" in 1951 for Verve Records. Owing to Parker's influence, the song has become a popular vehicle for jazz musicians and is considered a jazz standard. It has been recorded by Johnny Mathis, Carmen McRae, Sarah Vaughan, Art Pepper, Lee Konitz, Lennie Niehaus, Donald Byrd, Bud Powell, Tina Brooks, Milt Jackson, Bill Evans, McCoy Tyner, Chet Baker, Sonny Stitt, Dexter Gordon, Freddie Hubbard, Joni James, Anita O'Day, and Chris Potter, among others. Film appearances The song first appeared in the 1943 MGM film ''I Dood It'' performed by Jimmy Dorsey and His Orchestra. His recording was released as a s78 single on Decca Records. See also * List of 1940s jazz standards Jazz standards are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Note Samba
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album ''O Amor, o Sorriso e a Flor''. The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The first eight measures consist of D, followed by four measures of G, and then four measures of D. This is followed by eight measures of a more conventional, scalar melody line. This well-known song first reached a wide audience on the Grammy-winning bossa nova LP ''Jazz Samba'' (Getz/Byrd/Betts), which reached the number one spot on the ''Billboard'' 200 in 1963. Jazz Samba#Chart positions Another well-known release is the Sergio Mendes-Brasi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zequinha De Abreu
José Gomes de Abreu, better known as Zequinha de Abreu (September 19, 1880 – January 22, 1935), was a Brazilian musician and composer. Abreu was born in Santa Rita do Passa Quatro, São Paulo state. He is best known for the famous choro tune "Tico-Tico no Fubá" (1917), whose original title was "Tico-Tico no Farelo". Other well-known tunes he wrote were "Branca" and "Tardes em Lindóia." Tico-Tico is played in various melodic versions all over the world. Abreu died in São Paulo São Paulo (, ; Portuguese for ' Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the Ga ..., aged 54. External links Website Zequinha de Abreu References * 1880 births 1935 deaths People from Santa Rita do Passa Quatro Brazilian composers {{Brazil-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
