Yellow Magic Orchestra (album)
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Yellow Magic Orchestra (album)
''Yellow Magic Orchestra'' is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc. The album was an early example of synth-pop, a genre that the band helped pioneer. It contributed to the development of electro, hip hop, techno, and bleep techno. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds, and its sampling of video game sounds. The album sold 250,000 copies in Japan and entered the ''Billboard'' 200 a ...
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Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
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Asian People
Asian people (or Asians, sometimes referred to as Asiatic people)United States National Library of Medicine. Medical Subject Headings. 2004. November 17, 200Nlm.nih.gov: ''Asian Continental Ancestry Group'' is also used for categorical purposes. are the people of Asia. The term may also refer to their descendants. Meanings by region Anglophone Africa and Caribbean In parts of anglophone Africa, especially East Africa and in parts of the Caribbean, the term "Asian" is more commonly associated with people of South Asian origin, particularly Indians, Pakistanis, Bangladeshis and Sri Lankans. In South Africa the term "Asian" is also usually synonymous with the Indian race group. East Asians in South Africa, including Chinese were classified either as Coloureds or as honorary whites. Arab States of the Persian Gulf In the Arab states of the Persian Gulf, the term "Asian" generally refers to people of South Asian and Southeast Asian descent due to the large Indian, Pakistan ...
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Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ...
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Exoticism
Exoticism (from "exotic") is a trend in European art and design, whereby artists became fascinated with ideas and styles from distant regions and drew inspiration from them. This often involved surrounding foreign cultures with mystique and fantasy which owed more to European culture than to the exotic cultures themselves: this process of glamorisation and stereotyping is called "exoticisation". History of exoticism The word "exotic" is rooted in the Greek word ''exo'' ("outside") and means, literally, "from outside". It was coined during Europe's Age of Discovery, when "outside" seemed to grow larger each day, as Western ships sailed the world and dropped anchor off other continents. The first definition of "exotic" in most modern dictionaries is "foreign", but while all things exotic are foreign, not everything foreign is exotic. Since there is no outside without an inside, the foreign only becomes exotic when imported – brought from the outside in. From the early 17th century, ...
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Subversion
Subversion () refers to a process by which the values and principles of a system in place are contradicted or reversed in an attempt to transform the established social order and its structures of power, authority, hierarchy, and social norms. Subversion can be described as an attack on the public morale and, "the will to resist intervention are the products of combined political and social or class loyalties which are usually attached to national symbols. Following penetration, and parallel with the forced disintegration of political and social institutions of the state, these tendencies may be detached and transferred to the political or ideological cause of the aggressor". Subversion is used as a tool to achieve political goals because it generally carries less risk, cost, and difficulty as opposed to open belligerency. Furthermore, it is a relatively cheap form of warfare that does not require large amounts of training. A subversive is something or someone carrying the potential ...
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Exotica
Exotica is a musical genre, named after the 1957 Martin Denny album of the same name that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon "Si" Waronker, Liberty Records co-founder board chairman. The musical colloquialism ''exotica'' means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers. History Les Baxter's album ''Ritual of the Savage'' (''Le Sacre du Sauvage'') was released in 1952 and would become a cornerstone of exotica. Thi ...
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Martin Denny
Martin Denny (April 10, 1911 – March 2, 2005) was an American pianist and composer best known as the "father of exotica." In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture. Biography Denny was born in New York City and raised in Los Angeles. He studied classical piano and toured South America for four and a half years in the 1930s with the Don Dean Orchestra. This tour began Denny's fascination with Latin rhythms. Denny collected a large number of ethnic instruments from all over the world, which he used to spice up his stage performances. After serving in the United States Army Air Forces in World War II, Denny returned to Los Angeles, in 1945 where he studied piano and composition under Dr. Wesley La Violette and orchestration under Arthur Lange at the Los Angeles Con ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Ryuichi Sakamoto
is a Japanese composer, pianist, singer, record producer and actor who has pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album '' Thousand Knives'' in 1978. Two years later, he released the album ''B-2 Unit''. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympic ...
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Yukihiro Takahashi
Yukihiro Takahashi (高橋 幸宏 ''Takahashi Yukihiro'', born June 6, 1952) is a Japanese musician, singer, record producer and actor, who is best known internationally as the drummer and lead vocalist of the Yellow Magic Orchestra, and as the former drummer of the Sadistic Mika Band. He is currently a member of the group METAFIVE. Biography Yukihiro Takahashi first came to prominence as the drummer of the Sadistic Mika Band in the early 1970s, and became known to western audiences after this band (led by Kazuhiko Katō, formerly of The Folk Crusaders) toured and recorded in the United Kingdom. After the Sadistic Mika Band disbanded, some of the members (including Takahashi) formed another band called The Sadistics, who released several albums. Takahashi recorded his first solo album, ''Saravah'', in 1977. In 1978, Takahashi joined Ryuichi Sakamoto and Haruomi Hosono to form the Yellow Magic Orchestra. Throughout the 1980s, Takahashi also released a large number of solo albums, ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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