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Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross Russell (jazz)
Ross Moody Russell (March 18, 1909 – January 31, 2000) was an American jazz producer and writer. He was the founder of Dial Records. Russell wrote pulp fiction in the 1930s. His heroes were Dashiell Hammett and, especially, Raymond Chandler, on whom he wrote an unfinished study. He also worked as a reporter, at one point writing on Luis Russell while on tour. He was in the United States Merchant Marine during World War II. He served in the North Atlantic and was shipwrecked on Novaya Zemlya far above the Arctic Circle. His accounts of this episode appeared in ''Life'' magazine and two other periodicals. Later, he had long duty in the South Pacific. After the War, he founded his own record store, the Tempo Music Shop, in Hollywood. In 1946, he formed Dial Records in order to record Charlie Parker, who was in Los Angeles at the time. He also recorded Dizzy Gillespie, Erroll Garner, Howard McGhee, Dodo Marmarosa, Dexter Gordon, Wardell Gray and Earl Coleman. Russell retained all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dean Benedetti
Dean Benedetti (born Dino Alipio Benedetti, June 28, 1922 - January 20, 1957) was a saxophone player known for the amateur live recordings he made of fellow saxophonist Charlie Parker. Biography As a tenor saxophonist and band leader in California, Benedetti first heard a record of Parker in the spring of 1945. Deeply influenced by what he heard, Benedetti began to study Parker, transcribing solos, building them into set pieces, and working bop into his own playing. A two-week engagement at Los Angeles's Hi-De-Ho Club in early 1947, recorded on discs, was the start of Benedetti's pursuit of Parker. In 1948, Benedetti headed to New York with bandmate Jimmy Knepper, and recorded Charlie Parker on March 31, and July 7, both of these on a Sears tape recorder. While in New York, Benedetti began to use heroin. Unable to break into the New York music scene, he returned to his parents home in California in 1948. Trying to finance their way back to the East coast, Benedetti and Knepp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spotlite Records
Spotlite Records is a British jazz record company and label. It was founded in 1968 by British producer Tony Williams, originally as an outlet for Charlie Parker's Dial recordings. It has reissued other Dial masters, and undertaken new recordings featuring artists such as, Don Rendell, Al Haig Alan Warren Haig (July 19, 1922 – November 16, 1982) was an American jazz pianist, best known as one of the pioneers of bebop. Biography Haig was born in Newark, New Jersey and raised in nearby Nutley. In 1940, he majored in piano at Obe ... and Peter King. The origins of Spotlite Records grew out of a discography of Charlie Parker that Tony Williams produced in the early 1960s. This led to correspondence with Ross Russell, the proprietor of Dial Records, who subsequently gave Williams the rights to reproduce the Dial sessions under the Spotlite label. Friendship with Ross Russell, with encouragement from Williams resulted in Russell completing the writing and publication of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Priestley
Brian Priestley (born 10 July 1940)Many sources list Priestley's year of birth as 1946, but this is inaccurate. See Priestley's entry in ''The Rough Guide to Jazz'' anon his revised Charlie Parker study. is an English jazz writer, pianist and arranger. Biography He was born in Manchester, England. Priestley began studying music at the age of eight. In the 1960s he gained a degree in modern languages from Leeds University, while playing in student bands. In the mid-1960s, he began contributing to the jazz press and was responsible for entries in ''Jazz on Record: A Critical Guide to the First Fifty Years, 1917–67 '' (1968), edited by Albert McCarthy. In 1969, Priestley moved to London and began playing piano with bands led by Tony Faulkner and Alan Cohen. Priestley helped transcribe Duke Ellington's ''Black, Brown and Beige'', and ''Creole Rhapsody'' for Cohen, and formed his own Special Septet featuring Digby Fairweather and Don Rendell. His compositions include ''Blooz For D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Tape
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the Audio mixing (recorded music), final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or Replication (optical media), replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply Equalization (audio), equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Porter (drummer)
Roy Lee Porter (July 30, 1923 – January 24, 1998) was an American jazz drummer. Early life Born in Walsenburg, Colorado, Porter moved to Colorado Springs when he was eight and began playing drums in rhythm and blues bands while a teenager. He attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student. He joined Milt Larkin's band in 1943, replacing Joe Marshall.Campbell, Robert L. and Leonard J. Bukowski, and Armin Büttner "The Tom Archia Discography" Retrieved July 3, 2013. Career After military service, Porter settled in Los Angeles, and his services were soon in demand by some of the pioneers of |
Vic McMillan
Vic (; es, Vic or Pancracio Celdrán (2004). Diccionario de topónimos españoles y sus gentilicios (5ª edición). Madrid: Espasa Calpe. p. 843. ISBN 978-84-670-3054-9. «Vic o Vich (viquense, vigitano, vigatán, ausense, ausetano, ausonense): Ciudad barcelonesa, cabeza del partido judicial situada cerca de los ríos Ter y Méder, en la Plana de Vich.») is the capital of the ''comarca'' of Osona, in the province of Barcelona, Catalonia, Spain. Vic is located from Barcelona and from Girona. Geography Vic lies in the middle of the Plain of Vic, equidistant from Barcelona and the Pyrenees. Vic has persistent fog in winter as a result of a thermal inversion, with temperatures as low as -10 °C, an absolute record of -24 °C and episodes of cold and severe snowstorms. For this reason the natural vegetation includes the pubescent oak typical of the sub-Mediterranean climates of eastern France, Northern Italy and the Balkans. Names Originally known as ''Auso'', it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arvin Garrison
Arvin Charles Garrison (August 17, 1922 – July 30, 1960) was an American jazz guitarist. He was born in Toledo, Ohio, Toledo, Ohio, and spent most of his life there. Garrison taught himself ukulele at age nine and played guitar for dances and local functions beginning at the age of twelve. He led his own band at a hotel in Albany, New York, Albany, New York, in 1941. He married a double bassist and performed with her in a group under her name, the Vivien Garry Trio. They recorded one album. In 1946, Garrison recorded sessions with Charlie Parker and Dizzy Gillespie in Los Angeles, sharing the studio with Miles Davis, Dodo Marmarosa, and Lucky Thompson. As part of the Earle Spencer orchestra, he played in a guitar section that included Irving Ashby and Barney Kessel. In the 1950s he returned to Toledo and played locally. In 1960, while he was swimming, he died when he had an epileptic seizure in the water. Discography * Vivien Garry Quartet, ''Central Avenue Breakdown Vol. 1'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dodo Marmarosa
Michael "Dodo" Marmarosa (December 12, 1925 – September 17, 2002) was an American jazz pianist, composer, and arranger. Originating in Pittsburgh, Pennsylvania, Marmarosa became a professional musician in his mid-teens, and toured with several major big bands, including those led by Tommy Dorsey, Gene Krupa, and Artie Shaw into the mid-1940s. He moved to Los Angeles in 1945, where he became increasingly interested and involved in the emerging bebop scene. During his time on the West Coast, he recorded in small groups with leading bebop and swing musicians, including Howard McGhee, Charlie Parker, and Lester Young, as well as leading his own bands. Marmarosa returned to Pittsburgh due to health reasons in 1948. He began performing much less frequently, and had a presence only locally for around a decade. Friends and fellow musicians had commented from an early stage that Marmarosa was an unusual character. His mental stability was probably affected by being beaten into a coma wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
