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Yang Likun
Yang Likun (杨丽坤, April 24, 1941 - July 21, 2000) was a Chinese Yi actress. She is best known for playing the lead role in the romantic comedy film ''Five Golden Flowers'' (1959), and winning the Silver Eagle Award for Best Actress for her portrayal of Jin Hua in the film. Early life Yang was born on April 24, 1942, in Mohei, Ning'er County, Yunnan Province. She was an ethnic Yi, of the ethnic minority in China. From a young age, she loved literature and art. Career In 1954, Yang joined the Yunnan Provincial Song and Dance Troupe as a solo dancer. In 1959, at the age of 18, Yang was selected by Wang Jiayi, the director of Changchun Film Studio, to star as the female lead, Jin Hua, in the romantic comedy film ''Five Golden Flowers'', which reflected the socialist construction of the Bai people during the Great Leap Forward. The film was released in December 1959 and became an immediate sensation, being screened in 46 countries. It won the Silver Eagle Award for Best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Pictorial
The ''China Pictorial'', known in Chinese as ''Renmin Huabao'' () is a Chinese monthly magazine first published in 1950. The title of the magazine was handwritten by Mao Zedong. It was one of four publications allowed during the Cultural Revolution in China. The magazine was instrumental to promote the revolution. In addition to the Chinese edition, there are other editions in different languages, including English, Korean, Japanese, Arabic, French, German, Italian, and Russian. In 1960, seventeen editions were published after 10 years of existence.China Pictorial , ChinaCulture.org, 8 August 2008 History [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashima (film)
Ashima (; la, Asima) is an ancient Semitic goddess. Ancient Middle East Ashima was a West Semitic goddess of fate related to the Akkadian goddess Shimti ("fate"), who was a goddess in her own right but also a title of other goddesses such as Damkina and Ishtar. Damkina, for example, was titled ''banat shimti'', "creator of fate". The name Ashima could be translated as "the name, portion, or lot" depending on context. It is related to the same root as the Arabian ''qisma'' and the Turkish '' kismet''. Asima was one of several deities worshipped in the individual cities of Samaria who are mentioned specifically by name in 2 Kings () in the Hebrew Bible. Julian Obermann suggests a close association with between the concept of "name" and "fate or purpose" from the West Semitic root "šm" and cites several examples in the Ugaritic text in which the naming of a person or object determines future function which is a familiar theme in many mythologies. Godfrey Rolles Driver translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Weishi
Sun Weishi ( zh, s=孙维世; 30 November 1921 – 15 October 1968) was the first female director of modern spoken drama (''Huaju'') in Chinese history. Sun's father was killed by the Kuomintang (KMT) in 1927, and Sun was eventually adopted by Zhou Enlai, who later became the first premier of the People's Republic of China. While in Yan'an, Sun aroused the enmity of Mao's wife, Jiang Qing, beginning a rivalry between the two that lasted throughout Sun's life until her ultimate death at Jiang's hands. During World War II, Sun lived in Moscow, studying theater. Lin Biao was also in Moscow at the time and proposed to Sun before returning to China in 1942, but Sun rejected him. Lin married another woman, Ye Qun, in 1943. Ye held a lifelong grudge against Sun for her earlier relationship with Lin. After the end of World War II, Sun returned to China and became active in acting and directing in Chinese theater. In 1950, shortly after the founding of the People's Republic of China, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shangguan Yunzhu
Shangguan Yunzhu (; 2 March 1920 – 23 November 1968) was a Chinese actress active from the 1940s to the 1960s. She was considered one of the most talented and versatile actresses in China, and was named one of the 100 best actors of the 100 years of Chinese cinema in 2005. Born Wei Junluo, she fled to Shanghai when her hometown Jiangyin was attacked by the Japanese during the Second Sino-Japanese War. In Shanghai she became a drama and film actress, and her career took off after the end of the war. She starred in several prominent leftist films such as '' Spring River Flows East'', ''Crows and Sparrows'', and ''Women Side by Side''. After the Communist victory in mainland China in 1949, her career was set back when her husband was embroiled in the anti-capitalist Five-anti Campaign, but she later portrayed a wide variety of characters in many films. Shangguan was married three times and had three children, but all her marriages ended in divorce. She was said to have had an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qin Yi
Qin Yi (; 4 February 1922 – 9 May 2022) was a Chinese actress. She gained fame for her stage performances in the war-time capital Chongqing during the Second Sino-Japanese War. After the war, she became one of China's most popular film actresses throughout the 1950s and the 1960s, and was recognised as one of the country's top four actresses. Premier Zhou Enlai called her the "most beautiful woman in China". Early life and theatre career Qin Yi was born on 4 February 1922 to a wealthy Shanghai family. Her name at birth was Qin Dehe (). She was one of the many daughters in the family. She enjoyed watching movies and Ruan Lingyu (1910–1935) was her favourite actress. After the Japanese invasion of China in 1937, Qin fled to Wuhan and became active in anti-Japanese activities. When Wuhan also fell to the Japanese, she fled to the war-time capital Chongqing in 1938, and received actor training at the China Movie Studio. She joined several theatre groups, and acted in dozens of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunming
Kunming (; ), also known as Yunnan-Fu, is the capital and largest city of Yunnan province, China. It is the political, economic, communications and cultural centre of the province as well as the seat of the provincial government. The headquarters of many of Yunnan's large businesses are in Kunming. It was important during World War II as a Chinese military center, American air base, and transport terminus for the Burma Road. In the middle of the Yunnan–Guizhou Plateau, Kunming is at an altitude of above sea level and a latitude just north of the Tropic of Cancer. As of 2020 census, Kunming had a total population of 8,460,088 inhabitants, of whom 5,604,310 lived in its built-up (or metro) area made of all urban districts but Jinning, not conurbated yet. It is at the northern edge of Dian Lake, surrounded by temples and lake-and-limestone hill landscapes. Kunming consists of an old, previously walled city, a modern commercial district, residential zones and university areas. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society. The Revolution marked the effective commanding return of Mao –who was still the Chairman of the Chinese Communist Party (CCP)– to the centre of power, after a period of self-abstention and ceding to less radical leadership in the aftermath of the Mao-led Great Leap Forward debacle and the Great Chinese Famine (1959–1961). The Revolution failed to achieve its main goals. Launching the movement in May 1966 with the help of the Cultural Revolution Group, Mao charged that bourgeois elements had infiltrated the government and society with the aim of restoring capitalism. Mao called on young people to "bombard the headqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanghai Film Studio
The Shanghai Film Studio (), one of the three biggest film studios in China, is the film division of the Shanghai Film Group Corporation in Shanghai, China. It is responsible for the production of Chinese films and TV programs. History Shanghai is the birthplace of Chinese cinema. As the first open trading port as well as the most prosperous city before the 20th century, Shanghai possessed sufficient resources for the development of Chinese movies. At that time, a lot of the earliest and most influential film workshops were situated there. Before 1949, most Chinese films were produced in Shanghai, which equipped Shanghai with abundant experience, talents and physical solutions in film production. All these served as the basis for the establishment of the Shanghai Film Studio. The Shanghai Film Studio was founded on November 16th, 1949, the first director being Linren Yu. In 1953, it merged with some private film studios and was reformed into the Shanghai Joint Film Studio, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Culture Of The People's Republic Of China
The Ministry of Culture (MOC) was a ministry of the government of the People's Republic of China which was dissolved on 19 March 2018. The responsibilities of the MOC, which were assumed by the Ministry of Culture and Tourism, encompassed cultural policy and activities in the country, including managing national museums and monuments; promoting and protecting the arts (including censorship of visual, folk, theatrical, musical, dance, architectural, literary, televisual and cinematographic works); and managing the national archives and regional culture centers. Its headquarters were in Chaoyang District, Beijing. Duties The duty of the ministry was to digitize and preserve public domain works, and make them available and accessible to every citizen. China had millions of public domain works, including but not limited to books, pictures, music and films. List of ministers See also *China Arts and Entertainment Group *Ministries of the People's Republic of China Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashma
Ashma or Ashima ( Sani: ; Nuosu: ; ) is a long narrative poem of the Sani people, who are centred in southwest China, in the area of Kunming, Yunnan Province. During the 1950s, as the Chinese government undertook a classification process for its non-Han minority nationalities, the Sani applied for independent status, but they were turned down and are now classified as part of the Yi people. Originally part of a long-standing Sani oral tradition, transmitted from generation to generation by recitation or song, ''Ashma'' was transcribed in 1813 from a Sani elder by ethnographer Wang Wei and published with other folk tales in a scroll entitled "Tales from the Mountains." It tells the romantic story of a Sani girl named Ashma, whose name literally means more precious than gold." The poem itself is known among the Sani as "the song of our ethics" said to reflect the Sani national character in demonstrating that light will finally overcome darkness, and kindness and beauty will ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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