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Yamunakalyani
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It brings out Bhakthi, Sringara, Gambheera and Shantha rasas. Raga Lakshana Yamunakalyani / Yaman kalyan / Yaman Kalyani is a Sampoorna Bhashanga Raga.It is said to be borrowed from Hindustani music and is the Carnatic adaptation of the Hindustani raga: Yaman Kalyan. Its arohana- avarohana is as follows: *Arohana: *Avarohana: The swaras are Shadjam, Chathusruthi Rishabham, Antara Gandharam, Panchamam, Prathi Madhyamam, Chathusruthi Dhaivatham, Kakali Nishadam. Shudha Madhyama is seen in avarohana, but it must be used sparingly. Usually the avarohana is sung with a brief instance of M1 between G3 and R2. The jeeva swaras are– R, G, M, D and N. S, G, P and N forms the Graha swaras. M1 is the anya swara. The characteristic phrases of this raga are NDNR -NRNG – DNRG. PMRGR – GMR SNRS(Ranjaka prayogas). Another ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna Ni Begane Baaro
Krishna Nee Begane Baro is a famous classical song in Kannada language. It is composed in Raga Yamunakalyani by Vyasatirtha. The Tala is ''Misra chapu''. Composer and Singer Vyasaraya Tirtha or Vyasatirtha (1460–1539) (also known as Vyasaraja, Vyasaraayaru), a Haridasa, was born at Bannur in the Mysore District of Karnataka state. He is regarded as one of the foremost dialecticians in the history of Indian philosophy. He belonged to the Dvaita school of Madhvacharya. He along with Jayatirtha, helped in systematizing Dvaita into an established school of Vedic thought. Vyasatirtha's genius lay in his clear understanding and exposition of all his opposing schools of thought, for which even his opponents admired him. He was a master at debate and dialogue in logic and philosophy. Lyrics Lyrics in Latin script Krishna Nee Begane Baro Begane Baro Mukhavanne Toro Krishna Nee Begane Baro Kalalanduge Gejje, Neelada Bavuli Neelavarnane Natyavanaduta Baro Krishna Nee Begane Baro Ud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhadrachala Ramadasu
Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a saint-poet and a composer of Carnatic music. He is a famous ''Vaggeyakara'' (classical composer) from the Telugu classical era. He was born in the village of Nelakondapalli in Khammam district, and orphaned as a teenager. He spent his later years in Bhadrachalam and 12 years in solitary confinement at the Golconda prison during the Qutb Shahi-rule. Different mythical stories about his life circulate in the Telugu tradition. He is renowned for constructing the famous Sita Ramachandraswamy Temple and pilgrimage center on the banks of river Godavari at Bhadrachalam. His devotional ''kirtana'' lyrics to Rama illustrate the classical Pallavi, Anupallavi and Caranam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellarum Innattu Mannar
''Ellarum Innattu Mannar'' () is a 1960 Indian Tamil language film directed by T. Prakash Rao. The film stars Gemini Ganesan and B. Saroja Devi, with M. N. Nambiar, M. N. Rajam and K. A. Thangavelu in supporting roles. Plot Valiyan Kodu is a Kingdom ruled by Suhadevar. His daughter is Kanchana. The king is a sickly person. Divan Alavandhar administers the State. He has two sons. Veeramani is his own son and Thirumeni is his adopted son. Divan plans to Veeramani to marry Kanchana and become the ruler of Valiyan Kodu. Valluvan Kundram is a village adjacent but outside the Kingdom. People of Valluvan Kundram consider Thangadurai as their chief. He is a patriotic person working for the welfare of the village. He has a younger brother named Thambidurai. They both had a sister named Angayarkanni. Thangadurai's wife is Idhyarani. The Head of the family is Chelliah, an uncle of Thangadurai. A conflict begins between Valiyan Kodu and Valluvan Kundram when a statue of Tiruvalluvar is f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soolamangalam Rajalakshmi
Soolamangalam Jayalakshmi ( ta, சூலமங்கலம் ஜெயலட்சுமி) and Soolamangalam Rajalakshmi ( ta, சூலமங்கலம் ராஜலட்சுமி), popularly known as Soolamangalam Sisters ( ta, சூலமங்கலம் சகோதரிகள்) were Carnatic music sister-pair vocalists and musicians known for their devotional songs in Tamil. They were early singers in the trend of duo singing in Carnatic music, which started in the 1950s, with performers like Radha Jayalakshmi, and later continued by Bombay Sisters, Ranjani-Gayatri, Mambalam Sisters, Bangalore Sisters and Priya Sisters. The Soolamangalam Sisters are best known for singing the Kanda Shasti Kavasam, a hymn on the Hindu god Muruga. Early life and background Born in Soolamangalam, a village with musical heritage in Thanjavur district of Tamil Nadu, of Karnam Ramaswmai Ayyar and Janaki Ammal, the sisters had their training in music from K. G. Murthi of Soola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paar Magaley Paar
''Paar Magaley Paar'' (; ) is a 1963 Indian Tamil-language drama film directed by A. Bhimsingh and written by Valampuri Somanathan. Based on the play ''Petral Thaan Pillaiya'' by Pattu, which in turn was based on the Hindi film '' Parvarish'' (1958), it stars Sivaji Ganesan, M. R. Radha, Sowcar Janaki and C. R. Vijayakumari. The film was released on 12 July 1963. Plot Zamindar Sivalingam is married to Lakshmiammal and takes his family's prestige and heritage very seriously. Dancer Sulochana and Lakshmiammal have baby girls at the same time in the same hospital. Sivalingam is not in town at the time of the delivery and his close friend Ramaswamy takes care of Lakshmiammal. When the babies are taken for cleaning by the nurses, there is a short circuit and both nurses die. There is no way of identifying the babies. Sulochana who was abandoned by her husband, leaves the hospital. The doctor brings both babies to Lakshmiammal and she is not able to identify her baby either. Siv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanga Padhumai
''Thanga Padhumai'' () is a 1959 Indian Tamil language film starring Sivaji Ganesan and Padmini. The film was co-written and directed by A. S. A. Samy, produced by M. Somasundaram under Jupiter Pictures, and musical score by Viswanathan–Ramamoorthy. ''Thanga Pathumai'' proved to be a hit in its re-release, and won National Film Award for Best Feature Film in Tamil for the year 1959. Plot Manivannan is a physician, but a simpleton. Selvi, daughter of a rich trader of Uraiyur was modelled on Kannagi as the personification of female virtues. The emeralds in the eyes of Kannagi Devi statue at Uraiyur are precious and attract the princess Raja Vadana of the neighbouring kingdom. To get the gems, the commander Balakumaran and Raja Vadana send their dancer Maya Mohini to dance at the Uraiyur festival. Maya Mohini captures the eye of Manivannan much to the fury of his wife and father in law. She is insulted and sent away during the dance, and earns the pity of Manivannan who leaves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirkazhi Govindarajan
Sirkazhi Govindarajan (19 January 1933 – 24 March 1988) was an Indian Tamil Carnatic vocalist and a leading playback singer of Indian cinema. Early life Govindarajan, was born on 19 January 1933 at Sirkazhi (a small town in present day Mayiladuthurai district, Tamil Nadu Tamil Nadu (; , TN) is a States and union territories of India, state in southern India. It is the List of states and union territories of India by area, tenth largest Indian state by area and the List of states and union territories of India ...; famed birthplace of Sambandar, one of the 63 Nayanars of the Saiva faith) to Siva Chidambaram and Avayambal Ammal. At the age of eight, Govindarajan began to perform at the Tirupurasundari Temple on the occasion of the Gnana Paal Festival. Musical education He graduated from the Tamil Isai Sangam, Tamil Isai College in Chennai (Madras) in 1949 with the degree 'Isaimani'. He also graduated with the Degree of 'Sangeetha Vidwan'. At the same time, he start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maganey Kel
''Maganey Kel'' () is a 1965 Indian Tamil language film directed by Mukta V. Srinivasan. The film stars S. S. Rajendran, C. L. Anandan, and Pushpalatha. Plot Soundtrack Music was composed by the duo Viswanathan–Ramamoorthy, while the lyrics were penned by Pattukkottai Kalyanasundaram Pattukkottai Kalyanasundaram (13 April 1930 – 8 October 1959) also known as Pattukottaiyar was an Indian Tamil poet and lyricist. Considered to be the most popular Tamil lyricist of the 1950s, he is particularly remembered for the phil .... References External links * * 1960s Tamil-language films Films directed by Muktha Srinivasan Films scored by Viswanathan–Ramamoorthy Indian black-and-white films {{1960s-Tamil-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Policekaran Magal
''Policekaran Magal'' () is a 1962 Indian Tamil-language drama film directed by C. V. Sridhar. Based on B. S. Ramiah's play of the same name, it stars Balaji, Muthuraman, Vijayakumari, Santha Kumari and Pushpalatha. The film was released on 7 September 1962 and was a success. It was later remade in Telugu as ''Constable Koothuru'' (1963) and in Malayalam as '' Vyaamoham'' (1978). Plot Kumarasami, an honest police constable, has a son Chinnaiah and a daughter Janaki. Prabhu, son of a rich affluent person is a friend of Chinnaiah who often visit his house. Prabhu falls in love with Janaki to which she equally reciprocates. She meets Prabhu secretly without the knowledge of both her father and brother. One day, Prabhu's notorious friends commit a murder and they flee the scene via Prabhu's car. At the same point of time, Prabhu meets his love in a temple and promises to marry her. Meanwhile, Prabhu's father plans to marry his son to one of his relatives. Prabhu initially disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bale Pandiya (1962 Film)
''Bale Pandiya'' () is a 1962 Indian Tamil-language comedy film produced and directed by B. R. Panthulu. The film stars Sivaji Ganesan, M. R. Radha and Devika, with K. Balaji, Vasanthi and Sandhya in supporting roles. It revolves around the title character having to evade a lookalike wanting to kill him for insurance money. The story of ''Bale Pandiya'' was written by Maa. Raa. and Joshi, while the screenplay was written by Dada Mirasi. Cinematography was handled by V. Ramamoorthy, and the editing by R. Devarajan. The music was scored by Viswanathan–Ramamoorthy. The film features Ganesan in three distinct roles, and Radha in two. Production began in early May 1962, ended in the middle of the month, and the film was released on the 26th of the same month. Plot Pandiya, a young man, decides to commit suicide, as he has been driven out of his house by his sister-in-law. Kabali, the head of a robber gang, saves him and brings him to his house. Kabali and his accomplice Marud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
