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Young Man At His Window
''Young Man at His Window'' (French: ''Jeune homme à sa fenêtre'') is a painting of 1876 by the French Impressionist Gustave Caillebotte (1848–1894). The oil on canvas painting measures . It is in the collection of the J. Paul Getty Museum in Los Angeles. Description The painting depicts the artist's brother, René Caillebotte, wearing informal clothes and standing at a balcony. He is standing at a window from the family home in the Rue de Miromesnil in Paris, looking outwards into Boulevard Malesherbes (the large, oblique cross-street in the background). It is a comparatively early work in Caillebotte's oeuvre and reveals his interest in urban Realism. In its theme of a figure seen from behind at an open window, the composition has precedents in German Romanticism, a notable example being Caspar David Friedrich's '' Woman at the Window'' (1822). Other examples include '' Goethe at the Window'' (1787) by Johann Heinrich Tischbein and ''The Morning Hour'' (1857–60) by M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Caillebotte
Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form. Early life Gustave Caillebotte was born on 19 August 1848 to an upper-class Parisian family living in the rue du Faubourg-Saint-Denis. His father, Martial Caillebotte (1799–1874), was the inheritor of the family's military textile business and was also a judge at the Tribunal de commerce de la Seine. Caillebotte's father was twice widowed before marrying Caillebotte's mother, Céleste Daufresne (1819–1878), who had two more sons after Gustave: René (1851–1876) and Martial (1853–1910). Caillebotte was born at home on rue du Faubourg-Saint-Denis in Paris and lived there until 1866, when his father had a home built on 77 rue de Miromesnil. Beginning in 1860, the Caillebotte family began regul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman By A Window
''Woman at a Window'' is an 1822 oil painting by the German Romantic artist Caspar David Friedrich. This painting is currently located in Alte Nationalgalerie, Berlin. The painting depicts an interior with a woman, seen from behind, peering out an opened window. Beyond the window, the masts of ships are visible. The woman in the piece is Friedrich's wife Caroline and the view from the window is from his studio overlooking the Elbe river in Dresden. Friedrich submitted his work to be exhibited at the Dresden Academy, however he did not complete the piece in time to be in the main exhibition. This painting employs the motif of the Rückenfigur, or a figure seen from behind, which is commonly associated with Friedrich who notoriously made use of this compositional device in many of his pieces. The Rückenfigur serves as a surrogate for the viewer to experience what they are witnessing. In this painting, the viewer is invited to look beyond the interior into the external world, as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Gustave Caillebotte
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman At A Window
''Woman at a Window'' is an 1822 oil painting by the German Romantic artist Caspar David Friedrich. This painting is currently located in Alte Nationalgalerie, Berlin. The painting depicts an interior with a woman, seen from behind, peering out an opened window. Beyond the window, the masts of ships are visible. The woman in the piece is Friedrich's wife Caroline and the view from the window is from his studio overlooking the Elbe river in Dresden. Friedrich submitted his work to be exhibited at the Dresden Academy, however he did not complete the piece in time to be in the main exhibition. This painting employs the motif of the Rückenfigur, or a figure seen from behind, which is commonly associated with Friedrich who notoriously made use of this compositional device in many of his pieces. The Rückenfigur serves as a surrogate for the viewer to experience what they are witnessing. In this painting, the viewer is invited to look beyond the interior into the external world, as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined ''J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his father die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Raboteurs De Parquet
''Les raboteurs de parquet'' (English title: ''The Floor Scrapers'') is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures . It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed. Composition Caillebotte's originality lays in his attempt to combine the careful drawing, modeling and exact tonal values encouraged by the Académie with vivid colors, bold perspectives, keen sense of natural light and modern subject matter of the Impressionist movement. Painted in 1875, this work illustrates Caillebotte's continued interest in perspective and everyday life. In the scene, the observer stands above three workers on hands and knees, scraping a wooden floor in a bourgeois apartment—now believed to be Caillebot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirk Varnedoe
John Kirk Train Varnedoe (January 18, 1946 – August 14, 2003) was an American art historian, the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, Professor of the History of Art at the Institute for Advanced Study in Princeton, New Jersey, and Professor of Fine Arts at the New York University Institute of Fine Arts. Biography Varnedoe was born and raised in Savannah, Georgia, and attended Savannah Country Day School. He studied at St. Andrew's School and Williams College, where he was a member of the Kappa Alpha Society. At Williams he began studying studio art, but soon switched to art history under the influence of Professor Lane Faison, and received his A.B. in 1967. He also played college football and, after graduating, returned to work as a coaching assistant and to lead art history discussion sections for a year. In 1972 Varnedoe earned a Ph.D. at Stanford under Rodin scholar Albert Elsen, with whom he collaborated on an exhibition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Von Schwind
image:Moritz von Schwind 2.jpg, 200px, Moritz von Schwind, c. 1860. Moritz von Schwind (21 January 1804 – 8 February 1871) was an Austrian painter, born in Vienna. Schwind's genius was lyrical—he drew inspiration from chivalry, folklore, and the songs of the people. Schwind died in Pöcking in Bavaria, and was buried in the Alter Südfriedhof in Munich. Life and career Moritz von Schwind received rudimentary training and spent a happy and carefree youth in Vienna. Among his companions was the composer Franz Schubert, Schubert, some of whose songs he illustrated. In 1828, the year of Schubert's death, he moved to Munich, where he befriended the painter Julius Schnorr von Karolsfeld, Schnorr and enjoyed the guidance of Peter von Cornelius, Cornelius, then director of the Academy. In 1834, he was commissioned to decorate Ludwig I of Bavaria, King Ludwig's new palace with wall paintings illustrating the works of the poet Tieck. He also found in the same place congenial sport for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Heinrich Tischbein
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, (3 October 1722, Haina – 22 August 1789, Kassel) was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations. His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility. Life His father was Johann Tischbein (1682-1764), a baker; five of whose eight children became painters. From 1736 to 1741, he studied wallpaper painting and, later, oil painting with Johann Georg von Freese (1701–1775), after which he worked in the service of small princely courts. In 1743, thanks to the sponsorship of Count Johann Philipp von Stadion, he was able to go to Paris and study with Carle van Loo. In 1749, he travelled to Venice to study with Giovanni Battista Piazzetta, then spent a year in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goethe At The Window
''Goethe at the Window'' is a 1786/7 watercolour by German painter Johann Heinrich Wilhelm Tischbein. It depicts the poet Johann Wolfgang von Goethe looking out of the window of the apartment in Rome he shared with the artist. The watercolour has been in the collection of the Freies Deutsches Hochstift since 1955. Background Tischbein moved to Italy in 1783, after receiving a stipendium from Duke Ernst II of Saxe-Gotha-Altenburg on the recommendation of Goethe. He remained there until 1799, and encountered Goethe upon the latter's "Italian Journey" of 1786–88. Tischbein shared a house on Rome's Via del Corso with the painters Friedrich Bury, Johann Heinrich Meyer, Johann Heinrich Lips and . Goethe lodged for over a year from October 1786 in the shared flat, which is now the Casa di Goethe museum. During this time, Tischbein made the ''Goethe at the Window'' watercolour and painted his more famous work ''Goethe in the Roman Campagna ''Goethe in the Roman Campagna'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar David Friedrich
Caspar David Friedrich (5 September 1774 – 7 May 1840) was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti- classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension". Friedrich was born in the town of Greifswald on the Baltic Sea in what was at the time Swedish Pomerania. He studied in Copenhagen until 1798, before settling in Dresden. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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