You Must Believe In Spring (Frank Morgan Album)
''You Must Believe in Spring'' is an album by saxophonist Frank Morgan featuring duets with various pianists which was recorded in 1992 and released on the Antilles label. accessed December 18, 2018 Reception The review by AllMusic's Ron Wynn said: "Morgan's biting, yet sensitive and rich alto has rightly been traced to Charlie Parker, but Morgan long ago rid his style of any imitative excesses. He was excellently supported on this program of duets by an amazing lineup of rotating pianists".Track listing # " But Beautiful" ([...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Frank Morgan (musician)
Frank Morgan (December 23, 1933 – December 14, 2007) was a jazz saxophonist with a career spanning more than 50 years. He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads. Biography Early life (1933–1947) Frank Morgan was born in Minneapolis, Minnesota in 1933, but spent most of his childhood living with his grandmother in Milwaukee, Wisconsin while his parents were on tour. Morgan's father Stanley was a guitarist with Harlan Leonard and the Rockets and The Ink Spots, and his mother, Geraldine, was a 14-year-old student when she gave birth to him. Morgan took up his father's instrument at an early age, but lost interest the moment he saw Charlie Parker take his first solo with the Jay McShann band at the Paradise Theater in Detroit, Michigan. Stanley introduced them backstage, where Parker offered Morgan advice about starting out on the alto sax, and they met at a music store th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Paul Weston
Paul Weston (born Paul Wetstein; March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", " Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University. At Dartmouth he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and did some arrangements while he recovered. He sold his first arrangements to Joe Haymes i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Come Sunday
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled '' Black, Brown and Beige''. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as '' The Carnegie Hall Concerts: January 1943''). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity. Notable recordings *Duke Ellington – '' Black, Brown and Beige'' (rel. 1946), recording of 1943 Carnegie Hall concert *Duke Ellington – '' Black, Brown and Beige'' (1958, with Mahalia Jackson) * Abbey Lincoln – '' Abbey is Blue'' (1959) *Dizzy Gill ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Michel Legrand
Michel Jean Legrand (; 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for two of the films of French New Wave director Jacques Demy, ''The Umbrellas of Cherbourg'' (1964) and ''The Young Girls of Rochefort'' (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song "The Windmills of Your Mind" from '' The Thomas Crown Affair'' (1968), and additional Oscars for ''Summer of '42'' (1971) and Barbra Streisand's '' Yentl'' (1983). Life and career Legrand was born in Paris to his father, Raymond Legrand, who was himself a conductor and composer, and his mother, Marcelle Ter-Mikaëlian, who was the sister of conductor Jacques Hélian. Raymond and Marcelle were married in 1929. His maternal grandfather was Armenian. Legrand composed more than two hundred fi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
My Heart Stood Still
"My Heart Stood Still" is a 1927 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart. It was written for the Charles Cochran revue ''One Dam' Thing after Another'', which opened at the London Pavilion on May 19, 1927. The show starred Jessie Matthews, Douglas Byng, Lance Lister, and Richard Dolman, running for 237 performances. Background In March 1927, Rodgers and Hart had traveled to Paris from London to meet with the arranger Robert Russell Bennett, also an American, to try to persuade him to orchestrate the songs for their upcoming London revue, One Dam' Thing After Another. On their way back to Paris from a sightseeing expedition to Versailles, a truck came within a hair of demolishing the cab the two songwriters, along with their two female companions, were riding in. As the truck rattled by, one of the young women cried out in apparent fright, “Oh! My heart stood still!” Without losing a beat, Hart, apparently unaffected by what must have been a nerv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |