You Can't Do That On Stage Anymore, Vol. 1
''You Can't Do That on Stage Anymore, Vol. 1'' is a double disc live album by Frank Zappa. It was released in 1988 (see 1988 in music) under the label Rykodisc. It was the beginning of a six-volume, 12-CD set Zappa assembled of live performances throughout his career. Shortly before the CD release, Zappa released a two-LP sampler of the series with similar artwork to the volume 1 CD. The liner notes to the second volume included some corrections to the date information of the first volume that Zappa received from fans, and further corrections and additions have come since then using available recordings. Track listing All songs written by Zappa unless otherwise noted. Personnel *Frank Zappa – engineer, keyboards, vocals, producer, main performer, guitar *Mark Volman – vocals *Howard Kaylan – vocals * Chad Wackerman – drums, vocals * Ike Willis – guitar, vocals *Lowell George – guitar, vocals *Ray White – guitar, vocals *Adrian Belew – guitar, vocals *Warren ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olympiahalle
Olympiahalle is a multi-purpose arena located in Am Riesenfeld in Munich, Germany, part of Olympiapark. The arena is used for concerts, sporting events, exhibitions or trade fairs. The seating capacity for the arena varies from 12,150 up to 14,000. History In the past, it served as a part-time home for the defunct ice hockey team EC Hedos München. Olympiahalle opened in 1972 and was the venue for gymnastics and handball events at the 1972 Summer Olympics. The current seating capacity of 15,500 was set after a massive overhaul was completed in 2009. A new VIP area, a restaurant and an underground second arena ("Kleine Olympiahalle") with a capacity of up to 4,000 was integrated in the new complex. The stage area was also rebuilt, which contributed to the increased seating capacity and at the same time allowed faster access for stage crews. By February 2020, the air conditioning, other technology and lighting were modernised, and the original look from 1972 in the hall itsel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palladium (New York City)
The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue. Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the Academy operated as a cinema through the early 1970s. Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with The Band live radio broadcast, and continued to serve as a concert hall into the following decade. In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the buildin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hemmerleinhalle
The Hemmerleinhalle was a music venue with a capacity for 3500 people, located in Neunkirchen am Brand, Germany. Many well-known artists performed at the venue such as Kiss, Bon Jovi, Black Sabbath, Slayer, Metallica, Iron Maiden in 1980, 1982, 2x in 1983, Rush, AC/DC, The Kinks, Whitesnake, Ozzy Osbourne, Frank Zappa and Thin Lizzy Thin Lizzy are an Irish hard rock band formed in Dublin in 1969. Their music reflects a wide range of influences, including blues, soul music, psychedelic rock and traditional Irish folk music, but is generally classified as hard rock or som .... It opened in 1973 and closed in 1988. References Music venues in Germany Former music venues in Germany Forchheim (district) Event venues established in 1973 1973 establishments in West Germany 1988 disestablishments in West Germany {{music-venue-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Torture Never Stops (song)
"The Torture Never Stops" is a song by Frank Zappa from the 1976 album ''Zoot Allures''. Other versions appear on ''Zappa in New York'', ''Thing-Fish'', ''You Can't Do That on Stage Anymore, Vol. 1'', ''You Can't Do That on Stage Anymore, Vol. 4'', ''The Best Band You Never Heard in Your Life'', '' FZ:OZ'', '' Cheap Thrills'', '' Buffalo'', ''Philly '76'', and ''Hammersmith Odeon''. Zappa played "The Torture Never Stops" in concert from 1975 to 1978, in 1981 and again in 1988. The song debuted in 1975 as "Why Doesn't Somebody Get Him a Pepsi?" though few of the instrument parts were similar to the album version. Critics have written that while performing the song, Zappa comes off as calm yet passive-aggressive. Michel Delville, in his essay ''Frank Zappa, Captain Beefheart and the Secret History of Maximalism'' contrasted the tone of "The Torture Never Stops" with Brian Eno's album '' Ambient 1: Music for Airports''. Rat Tomago A live solo from the song, called "Rat Tomago", w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Plastic People
"Plastic People" is the first track of the Mothers of Invention album '' Absolutely Free''. It also was featured on the ''You Can't Do That On Stage Anymore (Volume 1)'' compilation as Track 1 on disc 2, along with a "Louie, Louie/Plastic People"-like version titled "Ruthie-Ruthie" as Track 10 on disc 1. It was also featured on the 1998 ''Mystery Disc'' release. The title was the inspiration for the name of the Czech band Plastic People of the Universe. The tune is loosely based on Richard Berry's 1957 classic "Louie Louie". The song is a manifesto against conformity and materialistic culture, with Frank Zappa finally asking, "Go home/and check yourself/you think we're singing 'bout someone else?" It is sampled throughout the GZA single "Cold World" from the ''Liquid Swords ''Liquid Swords'' is the second solo studio album by American rapper and Wu-Tang Clan member GZA, released on November 7, 1995, by Geffen Records. Recording sessions for the album began midway through ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Don't Eat The Yellow Snow Suite
"Don't Eat the Yellow Snow" is a suite by the American musician Frank Zappa, made up of the first four tracks of his 1974 album '' Apostrophe (')'': "Don't Eat the Yellow Snow", "Nanook Rubs It", "St. Alfonzo's Pancake Breakfast", and "Father O'Blivion". Each song in the suite is loosely connected, although the songs are not all connected by one overall story/theme. The suite was only played in full from 1973 to 1974 and 1978 to 1980. "Saint Alfonzo's Pancake Breakfast" contains Zappa's percussionist Ruth Underwood on marimba who added a very distinct sound to many of his songs in the early 1970s. In keeping with the arctic theme of the song, after the first lyric "Dreamed I was an Eskimo" there is a musical quotation from the 1947 jazz tune "Midnight Sun". Story "Don't Eat the Yellow Snow" is a song about a man who dreams that he was an Eskimo named Nanook. His mother warns him "Watch out where the huskies go, and don't you eat that yellow snow." The song directly transitions ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roxy Theatre (West Hollywood)
The Roxy Theatre (often just the Roxy) is a nightclub on the Sunset Strip in West Hollywood, California, owned by Lou Adler and his son, Nic. History The Roxy was opened on September 23, 1973, by Elmer Valentine and Lou Adler, along with original partners David Geffen, Elliot Roberts and Peter Asher. They took over the building previously occupied by a strip club owned by Chuck Landis called the Largo. (Adler was also responsible for bringing the stage play ''The Rocky Horror Show'' to the United States, and it opened its first American run at The Roxy Theatre in 1974, before it was made into the movie ''The Rocky Horror Picture Show'' the next year.) Neil Young and the Santa Monica Flyers (billed as Crazy Horse, a related ensemble) played the Roxy for the first three days it was open. Only three months later, the Genesis lineup with Peter Gabriel played several consecutive days at the Roxy, a run that some band members and many fans consider to be amongst their finest ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I'm The Slime
"I'm the Slime" is a 1973 single by Frank Zappa and The Mothers from the studio album ''Over-Nite Sensation''. The single version is a different mix and edit from the version on the album. Live recordings of the song can be found on ''Zappa in New York'' and ''You Can't Do That on Stage Anymore, Vol. 1'', the latter version having been performed and recorded on the same night as the majority of tracks appearing on 1974's '' Roxy and Elsewhere''. "I'm the Slime" and its b-side version of "Montana" were put on Zappa's best of ''Strictly Commercial''. It was performed in concert from 1973 to 1977 and 1984. Lyrics and meaning The song contains two parts; the first part is a riddle of insults in the form of "what am I?" "I am gross and perverted. I'm obsessed 'n deranged. I have existed for years, but very little has changed. I'm the tool of the government and industry too, for I am destined to rule and regulate you. I may be vile and pernicious, but you can't look away. I make yo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Capitol Theatre (Passaic)
The Capitol Theatre was an entertainment venue located at the intersection of Monroe Street and Central Avenue in Passaic, New Jersey. Opened in 1921 as a vaudeville house, the Capitol later served as a movie theater, and then as a venue for rock concerts. Throughout the 1970s and 1980s, the 3,200-seat theatre was a popular stop on many major rock artist's tours. The venue was known for its in-house video system which resulted in a number of good quality, black and white video bootlegs. After it closed, the building fell into disrepair and it was demolished in April 1991. A shopping center known as Capitol Plaza occupies the site now. History Vaudeville and films The Capitol Theatre opened on October 7, 1921 with sold-out a concert by the U.S. Marine Band, which helped raise funds for a pipe organ in the city's high school. By the 1960s, it was known as the Capitol Cinema, and by 1970s the theater was showing adult films. Rock venue On June 27, 1971, the popular Fillmore ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |