You're On Your Own, Kid
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You're On Your Own, Kid
"You're on Your Own, Kid" is a song by American singer-songwriter Taylor Swift, taken from her tenth studio album, ''Midnights'' (2022). Written and produced by Swift and Jack Antonoff, the song combines alternative rock, pop rock, and synth-pop styles; it has an upbeat production containing muted guitars and synthesizers that gradually build up. In the lyrics, a narrator reflects on her coming of age of how she dealt with an unrequited love, ambitions to leave her town, and struggles with her social image and self-image. The song was met with unanimous critical acclaim, receiving praise for both it's vulnerability and hopeful message towards it's conclusion. Critics interpreted "You're on Your Own, Kid" as Swift's reflection of her journey to fame, past relationships, her discography as well as an eating disorder she suffered. The song charted in the top 10 of charts in Australia, Canada, Malaysia, the Philippines, Singapore, and the United States, and peaked at number seven on ...
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Taylor Swift
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Her discography spans multiple genres, and her vivid songwriting—often inspired by her personal life—has received critical praise and wide media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville at age 14 to become a country artist. She signed a songwriting deal with Sony/ATV Music Publishing in 2004 and a recording contract with Big Machine Records in 2005. Her 2006 self-titled debut album made her the first female country singer to write or co-write a U.S. platinum-certified album entirely. Swift's next albums, '' Fearless'' (2008) and '' Speak Now'' (2010), explored country pop. The former's " Love Story" and "You Belong with Me" were the first country songs to top the U.S. pop and all-genre airplay charts, respectively. She experimented with rock and electronic styles on ''Red'' (2012), which featured her first ''Billboard'' Hot 100 number-one song, "We Are Neve ...
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1989 (Taylor Swift Album)
''1989'' is the fifth studio album by American singer-songwriter Taylor Swift. It was released on October 27, 2014, by Big Machine Records. After music critics questioned her status as a country musician following her pop and electronic-influenced fourth studio album ''Red'' (2012), Swift was inspired by 1980s synth-pop to recalibrate her artistry from country to pop music. On ''1989'', titled after her birth year to signify her symbolic artistic rebirth, Swift enlisted Max Martin as co-executive producer. The album's synth-pop sound is characterized by heavy synthesizers, programmed drums, and processed backing vocals. The songs, expanding on Swift's songwriting practice taking inspiration from her personal life, express lighthearted perspectives towards failed relationships, departing from her previous hostile attitude. Swift and Big Machine promoted the album extensively through product endorsements, television, radio appearances and social media. They pulled ''1989'' from ...
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Rob Sheffield
Robert James Sheffield (born February 2, 1966) is an American music journalist and author. He is a long time contributing editor at ''Rolling Stone'', writing about music, TV, and pop culture. Previously, he was a contributing editor at ''Blender'', '' Spin'' and ''Details'' magazines. A native of Milton, Massachusetts, Sheffield has a bachelor's degree from Yale University and master's degree (1991) from the University of Virginia. Sheffield lives in Brooklyn, New York. Published works Sheffield has written several books including a memoir, '' Love Is a Mix Tape: Life and Loss, One Song at a Time'' (an excerpt of which was featured in the January 2007 issue of '' GQ''), was released by Random House in January 2007. It was met with much acclaim and was a national bestseller. Sheffield's fifth book, released in April 2017, is called ''Dreaming the Beatles: The Love Story of One Band and the Whole World''. An excerpt from Sheffield's most recent book, ''Dreaming the Beatles' ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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Alternative Pop
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, ''Billboard'' introduced "alternative" into their charting system to reflect the rise of the format across ...
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Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazine pub ...
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Slant Magazine
''Slant Magazine'' is an American online publication that features reviews of movies, music, TV, DVDs, theater, and video games, as well as interviews with actors, directors, and musicians. The site covers various film festivals like the New York Film Festival. History ''Slant Magazine'' was launched in 2001. On January 21, 2010, it was relaunched and absorbed the entertainment blog ''The House Next Door'', founded by Matt Zoller Seitz, a former ''New York Times'' and ''New York Press'' writer, and maintained by Keith Uhlich, former ''Time Out New York'' film critic, who was the blog's editor until 2012. In the media ''Slant''s reviews, which A. O. Scott of ''The New York Times'' has described as "passionate and often prickly", have occasionally been the source of debate and discourse online and in the media. Ed Gonzalez's review of Kevin Gage's 2005 film ''Chaos'' sparked some controversy when Roger Ebert quoted it in his review of the film for the ''Chicago Sun-Times''; '' ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Beats Per Minute (website)
''Beats Per Minute'' (formerly ''One Thirty BPM'') is a New York City– and Los Angeles–based online publication providing reviews, news, media, interviews and feature articles about the music world. ''Beats Per Minute'' covers a variety of genres and specializes in rock, hip hop, and electronic music. History Founded in late 2008 as a five-man operation. It was named as a reference to Of Montreal song 'Suffer for Fashion'. As of 2011, ''Beats Per Minute'' had expanded to a staff of about 50 contributors based in the U.S., U.K., New Zealand, Germany, Australia, and Sweden. The site changed its name from 'One Thirty BPM' to 'Beats Per Minute' in January 2012. Ratings It issues music ratings on a 0–100% point scale. As of May 7, 2022, ''Beats Per Minute'' music scores were described by Metacritic as typically (59% of the time) higher than most other critic scores. Metacritic reported that out of 1406 music scores given by the website, the site gave positive reviews to ...
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Vulture (website)
''New York'' is an American biweekly magazine concerned with life, culture, politics, and style generally, and with a particular emphasis on New York City. Founded by Milton Glaser and Clay Felker in 1968 as a competitor to ''The New Yorker'', it was brasher and less polite, and established itself as a cradle of New Journalism. Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister. In its 21st-century incarnation under editor-in-chief Adam Moss, "The nation's best and most-imitated city magazine is often not about the city—at least not in the overcrowded, traffic-clogged, five-boroughs sense", wrote then-''Washington Post'' media critic Howard Kurtz, as the magazine increasingly published political and cultural stories of national significance. Since its redesign and relaunch in 2004, the magazine has won more National Mag ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Crescendo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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