You're Under Arrest (Serge Gainsbourg Album)
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You're Under Arrest (Serge Gainsbourg Album)
''You're Under Arrest'' is the sixteenth and final studio album by French singer-songwriter Serge Gainsbourg. The album was released in 1987 through Philips Records. It was produced by Philippe Lerichomme and the American guitarist Billy Rush, who collaborated with Gainsbourg on his previous album, ''Love on the Beat'' (1984). Retaining the new wave of ''Love on the Beat'', the album consists of " funk tunes" and introduces hip hop elements to Gainsbourg's music, inspired by acts such as Chic and Grandmaster Flash and the Furious Five. The album also features a cover version of "Gloomy Sunday", a song composed by Hungarian pianist Rezső Seress, and " Mon légionnaire", a French song popularized by Édith Piaf. Music and lyrics The album is a concept album, which describes the story of an unnamed narrator with a very young drug-addicted girl called Samantha. The story is set in New York, and starts with the narrator getting arrested while looking for Samantha in the Bronx, whe ...
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Serge Gainsbourg
Serge Gainsbourg (; born Lucien Ginsburg; 2 April 1928 – 2 March 1991) was a French musician, singer-songwriter, actor, author and filmmaker. Regarded as one of the most important figures in French pop, he was renowned for often provocative and scandalous releases which caused uproar in France, dividing public opinion. His artistic output ranged from his early work in jazz, chanson, and yé-yé to later efforts in rock, zouk, funk, reggae, and electronica. Gainsbourg's varied musical style and individuality make him difficult to categorise, although his legacy has been firmly established and he is often regarded as one of the world's most influential popular musicians. His lyrical works incorporated wordplay, with humorous, bizarre, provocative, sexual, satirical or subversive overtones. Gainsbourg wrote over 550 songs, which have been covered more than 1,000 times by diverse artists. Since his death from a second heart attack in 1991, Gainsbourg's music has reached le ...
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Mon Légionnaire
"Mon légionnaire" is a French song introduced in 1936 by vocalist Marie Dubas, with lyrics by Raymond Asso and music by Marguerite Monnot. Marie Dubas toured the United States with this song in 1939. Writer Raymond Asso was a veteran of the Foreign Legion, who also wrote " Le Fanion de la Légion" (The Flag of the Legion), which was taken up by Dubas and afterwards by Piaf, but with less success. Edith Piaf version The song is now mainly identified with Édith Piaf, who took it up as a central element of her repertoire. It appears in most collections of Piaf's songs. The romantic theme of a woman's longing for an embittered Legionnaire who refuses to reveal his name, with whom she has a brief affair, fits well with Piaf's image. Cover versions "Mon légionnaire" was recorded by Serge Gainsbourg in 1987; the male voice singing the lyrics made famous by Piaf gave the song a strong homoerotic undertone. This new version of "Mon légionnaire" was a hit on French dance floors, both ...
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Tony Thunder Smith
Tony "Thunder" Smith is an American drummer best known as a member of the Lou Reed backing band. He was former member of Jan Hammer Group with whom he recorded the album ''Jeff Beck with the Jan Hammer Group Live'', and was the drummer for French music icon Serge Gainsbourg in the eighties, and many others. Discography * 1971 - ''Papa John Creach'' (Papa John Creach) * 1973 - ''Welcome'' (Santana) * 1976 - '' Oh Yeah?'' ( Jan Hammer Group) * 1977 - ''Melodies'' (Jan Hammer Group) * 1977 - ''Jeff Beck with the Jan Hammer Group Live'' (Jan Hammer Group with Jeff Beck) * 1978 - ''Black Sheep'' (Jan Hammer Group) * 1978 - ''Electric Guitarist'' (John McLaughlin) * 1979 - '' Electric Dreams'' (John McLaughlin with The One Truth Band) * 1985 - ''Gainsbourg Live'' (Casino de Paris) (Serge Gainsbourg) * 1986 - ''Charlotte for Ever'' (Charlotte Gainsbourg) * 1987 - '' You're Under Arrest'' (Serge Gainsbourg) * 1989 - ''Le Zénith de Gainsbourg'' (Serge Gainsbourg) * 1994 - ''Mann to Mann ...
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Marguerite Monnot
Marguerite Monnot (28 May 1903 – 12 October 1961) was a French songwriter and composer best known for having written many of the songs performed by Édith Piaf ("Milord", "Hymne à l'amour") and for the music in the stage musical ''Irma La Douce''. As successful female composer As a female composer of popular music in the first half of the twentieth century, Monnot was a pioneer in her field. Classically trained by her father and at the Paris Conservatory (her teachers included Nadia Boulanger, Vincent d’Indy, and Alfred Cortot), Monnot made the unusual switch to composing popular music after poor health ended her career as a concert pianist when she was eighteen. Soon after writing her first commercially successful song, "L'Étranger", in 1935, she met Édith Piaf, and in 1940 they became the first female songwriting team in France, remaining friends and collaborators throughout most of their lives. Monnot worked with such lyricists as Raymond Asso, Henri Contet, and G ...
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Raymond Asso
Raymond Asso (2 June 1901 – 24 October 1968) was a French lyricist. Early life Born in Nice, France, his parents separation saw him leave for Morocco at the age of 15. After his arrival he tried numerous professions, including: shepherd, factory worker, chauffeur and nightclub manager. Between 1916 and 1919 he enlisted as a Spahi (a member of a North African cavalry regiment in the French army), being deployed in Turkey and Syria. After a lack of success and satisfaction with these occupations, he eventually turned to writing in 1933, working on his own lyrics and poetry. Career Chanson He began working in chanson but success eluded him until he met Édith Piaf in 1935. The French chanteuse became his lover and muse. Asso's writing became focused on providing lyrics for his new partner, penning numerous lyrics inspired by her. Asso became more than a partner to Piaf, acting as her mentor and teaching her how to dress and write well. This liberated her from the scandal involvin ...
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Sam M
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest dog i ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Lounge Music
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music. Retrospective usage Exotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed "lounge". The term "lounge" does not appear in textual documentation of the period, such as '' Billboard'' magazine or long playing album covers, but has been retroactively applied. While rock and roll was generally influenced by blues and country, lounge music was derived from jazz and othe ...
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Caribbean Music
Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian, and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music). Some of the styles to gain wide popularity outside the Caribbean include, bachata, merengue, palo, mambo, denbo, baithak gana, bouyon, cadence-lypso, calypso, soca, chutney, chutney-soca, compas, dancehall, jing ping, parang, pichakaree, punta, ragga, reggae, dembow, reggaeton, salsa, soca, and zouk. Caribbean music is also related to Central American and South American music. The history of Caribbean music originates from the history of the Caribbean itself. That history is one of the native land invaded by outsiders; violence, slavery, and even genocide factor in. Following Christopher Columbus' 1492 landing, Spain claimed the entire region as its own. That didn't sit well with either the nat ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Stan Harrison
Stan Harrison (born December 8, 1953) is an American saxophonist who is also accomplished in playing other woodwind instruments, namely the horn, flute and clarinet. He has also written music for television. Harrison released his first solo album ''The Ties That Blind'' in 2000 on his own record label. In 2007 he released ''The Optimist'', an album which was produced by G TOM MAC, on the EdgeArtists record label. The following are some of the many prominent artists with whom Harrison has played and/or recorded: * Bruce Springsteen * Southside Johnny * Diana Ross * Lee Palmer * Little Steven * Serge Gainsbourg * David Bowie * Radiohead * Duran Duran * Jonathan Coulton * Stevie Ray Vaughan * Mick Jagger * Talking Heads * They Might Be Giants * Najma Akhtar * Gary Private Gary may refer to: *Gary (given name), a common masculine given name, including a list of people and fictional characters with the name *Gary, Indiana, the largest city named Gary Places ;Iran *Gary, Iran, ...
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Bronski Beat
Bronski Beat were a British synthpop trio which achieved success in the mid-1980s, particularly with the 1984 chart hit "Smalltown Boy", from their debut album '' The Age of Consent''. "Smalltown Boy" was their only US ''Billboard'' Hot 100 single. All members of the band were openly gay and their songs reflected this, often containing political commentary on gay-related issues. The initial line-up, which recorded the majority of the band's hits, consisted of Jimmy Somerville (vocals), Steve Bronski (born Steven William Forrest, keyboards, percussion) and Larry Steinbachek (keyboards, percussion). Simon Davolls regularly contributed backing vocals on many songs. Somerville left Bronski Beat in 1985, and went on to have success as lead singer of the Communards and as a solo artist. He was replaced by vocalist John Foster, with whom the band continued to have hits in the UK and Europe through 1986. Foster left Bronski Beat after their second album, and the band used a series o ...
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