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You're Me
''You're Me'' is an album by pianist Tommy Flanagan and bassist Red Mitchell. Music and recording The album was recorded on February 24, 1980, in New York City.Fitzgerald, Michael (October 2, 2011"Tommy Flanagan Leader Entry" jazzdiscography.com. The version of "Milestones" recorded is not the 1958 composition, but an earlier tune. Track listing #"You're Me" (Red Mitchell) – 4:31 #"Darn That Dream" (Jimmy Van Heusen, Edgar DeLange) – 8:11 #"What Am I Here For?" (Duke Ellington, Frankie Laine) – 4:50 #"When I Have You" (Mitchell) – 7:31 #"All the Things You Are" (Jerome Kern, Oscar Hammerstein II) – 6:45 #"Milestones" (Miles Davis) – 4:59 #" Whisper Not" (Benny Golson) – 6:54 #"There Will Never Be Another You "There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical ''Iceland'' (1942) starring Sonja Henie and John Payne. The songs in the film featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Mitchell
Keith Moore "Red" Mitchell (September 20, 1927 – November 8, 1992) was an American jazz double-bassist, composer, lyricist, and poet. Biography Mitchell was born in New York City. His younger brother, Whitey Mitchell, also became a jazz bassist. Mitchell was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the U.S. Army playing bass. The next year, he was in a jazz trio in New York City. Mitchell performed and/or recorded with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with André Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Stan Seltzer, Ornette Coleman, and others such as Mahalia Jackson. He also worked as a bassist in television and film studios around L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Standard (Tommy Flanagan Album)
''The Standard'' is an album by The Super Jazz Trio: pianist Tommy Flanagan, bassist Reggie Workman and drummer Joe Chambers. Background The Super Jazz Trio was formed in 1978 by pianist Tommy Flanagan, bassist Reggie Workman and drummer Joe Chambers.Dryden, Ke"Tommy Flanagan's Super Jazz Trio – Condado Beach" AllMusic. Retrieved March 28, 2017. Music and recording The album was recorded at The Power Station in New York City on February 14, 1980."The Super Jazz Trio Catalog" jazzdisco.org. Retrieved March 28, 2017. Releases ''The Standard'' was released by the Japanese label Baystate. It was The Super Jazz Trio's final recording.Track listing # ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And A Little Pleasure
''...And a Little Pleasure'' is an album by saxophonist J. R. Monterose J. R. Monterose (January 19, 1927 – September 16, 1993), born Frank Anthony Peter Vincent Monterose, Jr., was an American jazz saxophonist, playing mainly tenor and occasionally soprano. Early life Born in Detroit, Michigan, United States, ... and pianist Tommy Flanagan. It was recorded and originally released in 1981, and was reissued on CD as ''A Little Pleasure'' in 1989. Recording and music The album was recorded on April 6 and 7, 1981, in New York City.Fitzgerald, Michael (September 24, 2011"J. R. Monterose Discography" jazzdiscography.com. It was Monterose's recording debut playing the soprano saxophone. The miking was close, so his breathing is clearly audible. There are two original compositions on the album: "Pain and Suffering...And a Little Pleasure", in 3/4 time, and "Vinnie's Pad". The latter, as well as " Con Alma", are up-tempo performances.Joyce, Mike (February 16, 1990) "Flanagan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history" , Penguin Books. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milestones (instrumental Composition)
"Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album ''Kind of Blue''. The song's modes consist of G Dorian for 16 bars, A Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats. Originally titled "Miles" on the initial album pressings, people soon began referring to the piece as "Milestones" rather than "Miles". On later editions of the album the title was changed. The musicians who performed on "Milestones" are: * Miles Davis – trumpet *Cannonball Adderley – alto saxophone * John Coltrane – tenor saxophone * Red Garland – piano * Paul Chambers – double bass * Philly Joe Jones – drums A drum kit (also called a drum set, trap set, or simply drums) is a collec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darn That Dream
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra (vocal by Russ Carlyle) (#14 in Billboard charts) and by Tommy Dorsey (vocal by Anita Boyer) (#16 in Billboard charts). The song was introduced in the Broadway musical ''Swingin' the Dream'', a variation on ''A Midsummer Night's Dream'' by William Shakespeare set in New Orleans in 1890. The musical opened at Center Theatre in November 1939 and closed after 13 performances. Other versions * Tony Bennett – for his album ''Cloud 7'' (1955). * Jane Ira Bloom – ''Sixteen Sunsets'' (2013) * Petula Clark – ''Petula Clark in Hollywood'' (1959). * Miles Davis – ''Birth of the Cool'' (1950) * Doris Day – a single release for Columbia Records (catalog No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical ''Very Warm for May'' (1939)"Jerome Kern" . Songwriters Hall of Fame and was introduced by , , , and Ralph Stuart. It appeared in the film '' |
Whisper Not (song)
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first. It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire'', p. 459. Oxford University Press. Golson's early version was on his 1957 album '' Benny Golson's New York Scene''. By 1960, John S. Wilson, critic at ''The New York Times'', had labelled the song, together with another Golson composition, " I Remember Clifford", "an established part of the jazz re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
