|
Yoruba Music
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming Drumming may refer to: * the act of playing the drums or other percussion instruments * Drummer, a musician who plays a drum, drum kit, or drums * ''Drumming'' (Reich), a musical composition written by Steve Reich in 1971 for percussion ensemble ... tradition and techniques, especially using the Talking drum, gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of Music of West Africa, West African music in List of Caribbean music genres, Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba. The Yoruba people of south-western Nigeria are also one of the most socially diverse groups on the African continent. A major feature that sets them apart from other groups in Nigeria is their accom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba People
The Yoruba people (, , ) are a West African ethnic group that mainly inhabit parts of Nigeria, Benin, and Togo. The areas of these countries primarily inhabited by Yoruba are often collectively referred to as Yorubaland. The Yoruba constitute more than 42 million people in Africa, are a few hundred thousand outside the continent, and bear further representation among members of the African diaspora. The vast majority of the Yoruba population is today within the country of Nigeria, where they make up 21% of the country's population according to CIA estimations, making them one of the largest List of ethnic groups of Africa, ethnic groups in Africa. Most Yoruba people speak the Yoruba language, which is the Niger–Congo languages, Niger-Congo language with the largest number of native or L1 speakers. In Africa, the Yoruba are contiguous with the Yoruboid languages, Yoruboid Itsekiri to the south-east in the northwest Niger Delta, Bariba people, Bariba to the northwest in Benin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Pattern
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and install ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segun Bucknor
Segun Bucknor (29 March 1946 – 11 August 2017) was a Nigerian musician and journalist active during the 1960s and 1970s. He was a pianist and guitarist specializing in genres ranging from soul music to pop music and to funk. Through their brief career, Segun Bucknor and the Assembly released a variety of music dealing with Nigerian culture or political influence which was described by the BBC as an "interesting slice of Nigerian pop music history and culture". Bucknor was the father of media personality Tosyn Bucknor and businesswoman Funke Bucknor-Obruthe. Early life Bucknor was born in Lagos on 29 March 1946. He was educated at King's College and Columbia University, New York. He was a member of the school's band and choir. He started out playing the tin whistle as a junior band member but later graduated to learning the guitar and piano. During this time, he apprenticed under Roy Chicago's band. Career In 1964, he was a member of a newly formed band, the Hot Four. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ebenezer Obey
Ebenezer Remilekun Aremu Olasupo Obey-Fabiyi (born 3 April 1942), known professionally as Ebenezer Obey, is a Nigerian jùjú musician. Early life Obey was born on 3 April 1942 to an Egba–Yoruba ethnic background family. Obey, whose real names are Ebenezer Remilekun Aremu Olasupo Fabiyi, was born in Idogo, Ogun State, Nigeria of Egba-Yoruba ethnic background. He is of the Owu subgroup of the Egba. Career Ebenezer Obey began his professional career in the mid-1950s after moving to Lagos. After tutelage under Fatai Rolling-Dollar's band, he formed a band called The International Brothers in 1964, playing highlife– jùjú fusion. The band later metamorphosed into Inter-Reformers in the early-1970s, with a long list of Juju album hits on the West African Decca musical label. Obey began experimenting with Yoruba percussion style and expanding on the band by adding more drum kits, guitars and talking drums. Obey's musical strengths lie in weaving intricate Yoruba axio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Lawson
Rex Jim Lawson (4 March 1938 – 18 January 1971), known as Cardinal Rex, was a singer, trumpeter and bandleader from Buguma, Nigeria. He became one of the best-known highlife musicians of the 1960s in Africa when Cardinal and his band dominated Nigeria's highlife scene. Early life Rex Lawson was born in 1938 in Buguma, Nigeria to a Kalabari chieftain father and an Igbo mother from Owerri. He was given the name Erekeosima which translates to "do not name this one" due to his father's belief that he would not live past infancy. He was the fourth child to his parents, the others having died of illnesses. At a young age, Lawson was afflicted with a severe case of small pox. While his mother brought him to various medicine men outside of Kalabari for treatment, his father feared he would die and lost interest in raising him. Lawson later sued his father for neglect while he was at school. He won the case, but his father cursed him in return, and the two did not communicate with one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highlife
Highlife is a music genre that started in present-day Ghana in the 19th century, during its Gold Coast (British colony), history as a colony of the British Empire and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional Akan people, Akan music, Kpanlogo Music of the Ga people, but is typically played with Western instruments. Highlife is characterized by jazzy Horn section, horns and multiple guitars which lead the band and its use of the two-finger plucking Guitar picking, guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity in the genre "Native Blues" prior to World War II before production was shut down. After the war its popularity came back within the Igbo people of Nigeria, taking their own traditional guitar riffs and the influence of the Ghanaian highlife performi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Culture
African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethnic groups of Africa *** Demographics of Africa *** African diaspora ** African, an adjective referring to something of, from, or related to the African Union ** Citizenship of the African Union ** Demographics of the African Union **Africanfuturism ** African art ** *** African jazz (other) ** African cuisine ** African culture ** African languages ** African music ** African Union ** African lion, a lion population in Africa Books and radio * ''The African'' (essay), a story by French author J. M. G. Le Clézio * ''The African'' (Conton novel), a novel by William Farquhar Conton * ''The African'' (Courlander novel), a novel by Harold Courlander * ''The Africans'' (radio program) Music * "African", a song by Peter Tosh f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerians
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was taken from the Niger River running through the country. This name was allegedly coined in the late 19th century by British journalist Flora Shaw, who later married Baron Frederick Lugard, a British colonial administrator. ''Nigeria'' is composed of various ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians derive from over 250 ethnic groups and languages.Toyin Falola. ''Culture and Customs of Nigeria''. Westport, Connecticut, USA: Greenwood Press, 2001. p. 4. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the mixing of the various ethnic and religious groups, especially in Nigeria's cities.Toyin Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Correct Cross-rhythm
King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (c.f. Indic ''rājan'', Gothic ''reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as '' rex'' and in Greek as '' archon'' or '' basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to the client kings of the Roman Republic and Roman Empire). *In a modern context, the title may refer to the ruler of one of a number of modern monarchies (either absolute or constitutional). The title of ''king'' is us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Rhythm
In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980). It refers to when the rhythmic conflict found in polyrhythms is the basis of an entire musical piece. Etymology The term "cross rhythm" was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980), who, with Klaus Wachsmann, took-up extended residence in Zambia and Uganda, respectively, as missionaries, educators, musicologists, and museologists. African music One main system African cross-rhythm is most prevalent within the greater Niger-Congo linguistic group, which dominates the continent south of the Sahara Desert. (Kubik, p. 58) Cross-rhythm was first identified as the basis of sub-Saharan rhythm by A.M. Jones. Later, the concept was more fully explained in the lectures of Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of David Locke. Jones observ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
