Xiphos
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Xiphos
The ''xiphos'' ( grc, ξίφος ; plural ''xiphe'', grc, ξίφη ) is a double-edged, one-handed Iron Age straight shortsword used by the ancient Greeks. It was a secondary battlefield weapon for the Greek armies after the dory or javelin. The classic blade was generally about long, although the Spartans supposedly preferred to use blades as short as around the era of the Greco-Persian Wars. Etymology Stone's ''Glossary'' has ''xiphos'' being a name used by Homer for a sword. The entry in the book says that the sword had a double-edged blade widest at about two-thirds of its length from the point, and ending in a very long point. The word is attested in Mycenaean Greek Linear B form as , '. A relation to Arabic '' saifun'' ('a sword') and Egyptian ''sēfet'' has been suggested, although this does not explain the presence of a labiovelar in Mycenaean. One suggestion connects Ossetic ''äxsirf'' "sickle", which would point to a virtual Indo-European ''*kwsibhro-''. ...
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Xiphos 2
The ''xiphos'' ( grc, ξίφος ; plural ''xiphe'', grc, ξίφη ) is a double-edged, one-handed Iron Age straight shortsword used by the ancient Greeks. It was a secondary battlefield weapon for the Greek armies after the dory or javelin. The classic blade was generally about long, although the Spartans supposedly preferred to use blades as short as around the era of the Greco-Persian Wars. Etymology Stone's ''Glossary'' has ''xiphos'' being a name used by Homer for a sword. The entry in the book says that the sword had a double-edged blade widest at about two-thirds of its length from the point, and ending in a very long point. The word is attested in Mycenaean Greek Linear B form as , '. A relation to Arabic '' saifun'' ('a sword') and Egyptian ''sēfet'' has been suggested, although this does not explain the presence of a labiovelar in Mycenaean. One suggestion connects Ossetic ''äxsirf'' "sickle", which would point to a virtual Indo-European ''*kwsibhro-''. ...
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Makhaira
The makhaira is a type of Ancient Greek bladed weapon, generally a large knife or sword with a single cutting edge. Terminology The Greek word μάχαιρα (''mákhaira'', plural ''mákhairai''), also transliterated ''machaira'' or ''machaera,'' is related to (''mákhē'') "a battle", (''mákhesthai'') "to fight". It derives from the Proto-Indo-European *''magh-.'' Homer mentions the makhaira, but as a domestic knife of no great size. In period texts, μάχαιρα has a variety of meanings, and can refer to virtually any knife or sword, even a surgeon's scalpel, but in a martial context it frequently refers to a type of one-edged sword; a sword designed primarily to cut rather than thrust. The Koine of the New Testament uses the word ''makhaira'' to refer to a sword generically, not making any particular distinction between native blades and the gladius of the Roman soldier. This ambiguity appears to have contributed to the apocryphal ''malchus'', a supposedly short ...
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Kopis
The term kopis ( grc, Κόπις) in Ancient Greece could describe a heavy knife with a forward-curving blade, primarily used as a tool for cutting meat, for ritual slaughter and animal sacrifice, or refer to a single edged cutting or "cut and thrust" sword with a similarly shaped blade. Etymology The term derives from the Greek word κοπίς (kopis), plural ''kopides'' from κόπτω – ''koptō'', "to cut, to strike". Alternatively a derivation from the Ancient Egyptian term ''khopesh'' for a cutting sword has been postulated. Characteristics The kopis sword was a one-handed weapon. Early examples had a blade length of up to 65 cm (25.6 inches), making it almost equal in size to the spatha. Later examples of the kopis from Macedonia tended to be shorter with a blade length of about 48 cm (18.9 inches). The kopis had a single-edged blade that pitched forward towards the point, the edge being concave on the part of the sword nearest the hilt, but swelling to c ...
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Gladius
''Gladius'' () is a Latin word meaning "sword" (of any type), but in its narrow sense it refers to the sword of ancient Roman foot soldiers. Early ancient Roman swords were similar to those of the Greeks, called '' xiphe'' (plural; singular ''xiphos''). From the 3rd century BC, however, the soldiers of the Roman Republic adopted a sword based on the celtic sword used by the Celtiberians in Hispania late into the Punic Wars, known in Latin as the ''gladius hispaniensis'', meaning "Hispanic-type sword". New variants of the gladius, such as the "Mainz gladius" and the "Pompeii gladius", were used from the first century AD and during the early centuries of the Roman Empire; in the third century AD the gladius was replaced by the " spatha". A fully equipped Roman legionary after the reforms of Gaius Marius was armed with a shield (''scutum''), one or two javelins ('' pila''), a sword (''gladius''), often a dagger ('' pugio''), and, perhaps in the later empire period, darts (''plumbat ...
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Iron Age Sword
Swords made of iron (as opposed to Bronze Age sword, bronze) appear from the Early Iron Age (c. 12th century BC), but do not become widespread before the 8th century BC. Early Iron Age swords were significantly different from later steel swords. They were work-hardened, rather than quench-hardened, which made them about the same or only slightly better in terms of strength and hardness to earlier bronze swords. This meant that they could still be bent out of shape during use. The easier production, however, and the greater availability of the raw material allowed for much larger scale production. Eventually Smith (metalwork), smiths learned of processes to refine smelted iron and steelmaking, make steel. By quenching (making the steel hard and brittle) and Tempering (metallurgy), tempering (removing the brittleness), swords could be made that would suffer much less damage, and would spring back into shape if bent. It took a long time, however, before this was done consistently, an ...
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Bronze Age Sword
Bronze Age swords appeared from around the 17th century BC, in the Black Sea region and the Aegean, as a further development of the dagger. They were replaced by iron swords during the early part of the 1st millennium BC. From an early time the swords reached lengths in excess of 100 cm. The technology to produce blades of such lengths appears to have been developed in the Aegean, using alloys of copper and tin or arsenic, around 1700 BC. Bronze Age swords were typically not longer than 80 cm; weapons significantly shorter than 60 cm are variously categorized as ''short swords'' or daggers. Before about 1400 BC swords remained mostly limited to the Aegean and southeastern Europe, but they became more widespread in the final centuries of the 2nd millennium BC, to Central Europe and Britain, to the Near East, Central Asia, Northern India and to China. Predecessors Before bronze, stone (such as flint and obsidian) was used as the primary material for edged cutting ...
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Greco-Persian Wars
The Greco-Persian Wars (also often called the Persian Wars) were a series of conflicts between the Achaemenid Empire and Greek city-states that started in 499 BC and lasted until 449 BC. The collision between the fractious political world of the Greeks and the enormous empire of the Persians began when Cyrus the Great conquered the Greek-inhabited region of Ionia in 547 BC. Struggling to control the independent-minded cities of Ionia, the Persians appointed tyrants to rule each of them. This would prove to be the source of much trouble for the Greeks and Persians alike. In 499 BC, the tyrant of Miletus, Aristagoras, embarked on an expedition to conquer the island of Naxos, with Persian support; however, the expedition was a debacle and, preempting his dismissal, Aristagoras incited all of Hellenic Asia Minor into rebellion against the Persians. This was the beginning of the Ionian Revolt, which would last until 493 BC, progressively drawing more regions of Asia Minor into the co ...
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Khanda (sword)
The khanda ( sa, खड्ग) is a double-edge straight sword originating from the Indian subcontinent. The Maratha warrior clans venerated the khanda as a weapon of great prestige. It is often featured in religious iconography, theatre and art depicting the ancient history of India. It is a common weapon in Indian martial arts.M. L. K. Murty (2003), p91 Khanda often appears in the Sikh, Jain, Buddhist and Hindu scriptures and art. Etymology The word ''khanda'' has its origins in the Sanskrit 'Rocky Pendergrass, 201Mythological Swords Page 10. (खड्ग) or ', from a root ' meaning "to break, divide, cut, destroy". The older word for a bladed weapon, ', is used in the Rigveda in reference to either an early form of the sword or to a sacrificial knife or dagger to be used in war. Appearance The blade broadens from the hilt to the point, which is usually quite blunt. While both edges are sharp, one side usually has a strengthening plate along most of its length, which both a ...
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Bronze Age
The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second principal period of the three-age system proposed in 1836 by Christian Jürgensen Thomsen for classifying and studying ancient societies and history. An ancient civilization is deemed to be part of the Bronze Age because it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from production areas elsewhere. Bronze is harder and more durable than the other metals available at the time, allowing Bronze Age civilizations to gain a technological advantage. While terrestrial iron is naturally abundant, the higher temperature required for smelting, , in addition to the greater difficulty of working with the metal, placed it out of reach of common use until the end o ...
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Ideogram
An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as ''pictograms''. The numerals and mathematical symbols are ideograms – 1 'one', 2 'two', + 'plus', = 'equals', and so on (compare the section "Mathematics" below). In English, the ampersand & is used for 'and' and (as in many languages) for Latin ' (as in &c for '), % for ' percent' ('per cent'), # for 'number' (or 'pound', among other meanings), § for 'section', $ for 'dollar', € for 'euro', £ for 'pound', ° for 'degree', @ for 'at', and so on. The reason they are ideograms rather than logograms is that they do not denote fixed morphemes: they can be read in many different languages, not just ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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La Tène Culture
The La Tène culture (; ) was a European Iron Age culture. It developed and flourished during the late Iron Age (from about 450 BC to the Roman conquest in the 1st century BC), succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences. La Tène culture's territorial extent corresponded to what is now France, Belgium, Switzerland, Austria, England, Southern Germany, the Czech Republic, parts of Northern Italy and Central Italy, Slovenia and Hungary, as well as adjacent parts of the Netherlands, Slovakia, Serbia, Croatia, Transylvania (western Romania), and Transcarpathia (western Ukraine). The Celtiberians of western Iberia shared many aspects of the culture, though not generally the artistic style. To the north extended the contemporary Pre-Roma ...
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