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Wuyou Temple
Wuyou Temple () is a Buddhist temple located on the top of Mount Wuyou, in Shizhong District, Leshan, Shizhong District of Leshan, Sichuan, China. It is in the same area as the Leshan Giant Buddha and is the main and oldest temple in the area, being designated as Leshan's national key Buddhist temple. History The temple traces its origins to the former Zhengjue Temple (), founded by master Huijing () in the Tang dynasty (618–907) and would later become Wuyou Temple in the Song dynasty (960–1279). Over the course of 1,400 years, the temple was destroyed and rebuilt many times. The present version was completed in the Qing dynasty (1644–1911). Wuyou Temple has been designated as a National Key Buddhist Temples in Han Chinese Area, National Key Buddhist Temple in Han Chinese Area by the State Council of the People's Republic of China, State Council of China in 1983, the only one designated as such in Leshan. Architecture Hall of Maitreya The Hall of Maitreya was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanmen
The Shanmen (), also known as the Gate of Three Liberations, is the most important gate of a Chinese Chan Buddhist temple. Etymology The origins of the name "sanmen" are debated. One theory is that "''Shanmen''" takes its literal meaning of "Mountain Gate", because temples were traditionally built in forested mountain areas where Chan monks could seclude away from secular life. Another suggests that during various episodes of suppression of Buddhism in Chinese history, monks moved their monasteries deep into the mountains, and later built gates at the foot of the mountain to guide pilgrims to the temples. A further theory is that "Shanmen" is a corruption of "Sanmen", or "Three Gates", referring to the "three gateways" to liberations.() in the Dharma - the "Kongmen" (; emptiness liberation), "wuxiangmen" (; no-aspects liberation) and "wuyuanmen" (; desireless liberation). The latter view correlates with the traditional structure of Chan temples which included three gateways, sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahavira Hall
A Mahavira Hall, usually simply known as a Main Hall, is the main hall or building in a traditional Chinese Buddhist temple, enshrining representations of Gautama Buddha and various other buddhas and bodhisattvas. It is encountered throughout East Asia. Names From their importance and use, they are often simply known in English as the temples' "Main" or "Great Halls". The term "Mahavira Hall", also encountered as "Mahāvīra Hall" or "Hall of the Mahāvīra", is a reverse translation, employing the original Sanskrit term in place of its Chinese or English equivalent. They are also known as the Precious Hall of the Great Hero, the Hall of Great Strength, or the Daxiongbao Hall. Less often, a main hall is called an "adytum", after the equivalent area in Greco-Roman temples. It is also sometimes misunderstood as the "Great, Powerful, and Precious Palace".. Description Mahavira Hall is the main hall of a Buddhist temple. It is generally located in the north of the Heavenly King H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanyin
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means " he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of ''Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hall Of Guanyin
The Hall of Guanyin or Guanyin Hall ( or ) is the most important annex halls in Chinese Buddhist temples and mainly for enshrining Guanyin (Avalokiteśvara). Guanyin, also called "Guanshiyin" (), "Guanshizizai" (), "Guanzizai" (), etc., is the attendant of Amitabha and one of the "Western Three Saints" (). Guanyin is renowned for his mercy and sympathy. According to ''Chapter of the Universal Gate of Avalokiteśvara Bodhisattva'' (), if people are in danger, they just need to call his name and he will hear them and go to save them. Since he has many manifestations, different places enshrine different statues of Saint Guanyin (), Guanzizai (), and Thousand-armed and eyed Guanyin (). Statues Saint Guanyin Statue of Saint Guanyin sits in the lotus posture with a lotus or the Yujingping in hand, wearing Keyura, necklaces and decorations and a precious crown on the head. There is a sitting statue of Amitabha () on the crown, which is the main symbol of Guanyin. Guanzizai Statue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighteen Arhats
The Eighteen Arhats (or Luohan) () are depicted in Chinese Buddhism as the original followers of Gautama Buddha (''arhat'') who have followed the Noble Eightfold Path and attained the four stages of enlightenment. They have reached the state of Nirvana and are free of worldly cravings. They are charged to protect the Buddhist faith and to wait on earth for the coming of Maitreya, an enlightened Buddha prophesied to arrive on earth many millennia after Gautama Buddha's death (parinirvana). In China, the eighteen arhats are also a popular subject in Buddhist art, such as the famous Chinese group of glazed pottery luohans from Yixian from about 1000 CE. In China Originally, the arhats were composed of only 10 disciples of Gautama Buddha, although the earliest Indian sutras indicate that only 4 of them, Pindola, Kundadhana, Panthaka and Nakula, were instructed to await the coming of Maitreya. Earliest Chinese representations of the arhats can be traced back to as early as the fourth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vairocana
Vairocana (also Mahāvairocana, sa, वैरोचन) is a cosmic buddha from Mahayana and Vajrayana Buddhism. Vairocana is often interpreted, in texts like the ''Avatamsaka Sutra'', as the dharmakāya of the historical Gautama Buddha. In East Asian Buddhism (Chinese, Korean, Japanese and Vietnamese Buddhism), Vairocana is also seen as the embodiment of the Buddhist concept of śūnyatā. In the conception of the 5 Jinas of Mahayana and Vajrayana Buddhism, Vairocana is at the centre and is considered a Primordial Buddha. Vairocana is not to be confused with Vairocana Mahabali, son of Virochana. Literary and historical development Vairocana Buddha is first introduced in the ''Brahmajala Sutra'': Vairocana is also mentioned in the ''Avatamsaka Sutra''; however, the doctrine of Vairocana is based largely on the teachings of the ''Mahavairocana Tantra'' (also known as the ) and to a lesser degree the ''Vajrasekhara Sutra'' (also known as the Tantra). In the ''Avatamsaka Sutr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amoghasiddhi
Amoghasiddhi (Devanagari: अमोघसिद्धि}) is one of the Five Wisdom Buddhas of the Mahayana and Vajrayana tradition of Buddhism. He is associated with the accomplishment of the Buddhist path and of the destruction of the poison of envy. His name means ''Unfailing Accomplishment''. His consort is Tara, meaning ''Liberator'' and his mounts are garudas. He belongs to the family of karma whose family symbol is the double ''vajra''. Characteristics Amoghasiddhi is associated with the conceptual (Skt: samskara) skandha or the conceptual mind (as opposed to the non-conceptual or sensational mind). His action towards the promotion of Buddhist paths is the pacification of evils. This is symbolised by Amoghasiddhi's symbol, the moon. He gestures in the mudra of fearlessness, symbolising his and his devotees' fearlessness towards the poisons or delusions. He is usually coloured green in artwork and is associated with the air or wind element. His season is autumn and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amitābha
Amitābha ( sa, अमिताभ, IPA: ), also known as Amitāyus, is the primary Buddha of Pure Land Buddhism. In Vajrayana Buddhism, he is known for his longevity, discernment, pure perception, purification of aggregates, and deep awareness of emptiness for each phenomenon. According to a Pure Land Buddhist scripture, he possesses infinite merit that results from good deeds over countless past lives as Dharmākara. Doctrine Attainment of Buddhahood According to the '' Larger Sūtra of Immeasurable Life'', Amitābha was, in very ancient times and possibly in another system of worlds, a monk named Dharmākara. In some versions of the sūtra, Dharmākara is described as a former king who, having come into contact with Buddhist teachings through the buddha Lokeśvararāja, renounced his throne. He then resolved to become a Buddha and to create a ' (literally "buddha-field", often called a "Pureland" or "Buddha Land": a realm existing in the primordial universe outside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratnasambhava
Ratnasambhava ( sa, रत्नसम्भव, lit. "Jewel-Born") is one of the Five Dhyani Buddhas (or "Five Meditation Buddhas") of Mahayana and Vajrayana or Tantric Buddhism. Ratnasambhava's mandalas and mantras focus on developing equanimity and equality and, in Vajrayana Buddhist thought is associated with the attempt to destroy greed and pride. His consort is Mamaki and his mount is a horse or a pair of lions. Textual History The first documented mention of Ratnasambhava is found in the '' Suvarṇaprabhāsa Sūtra'' and in the Guhyasamāja Tantra (4th Century CE), and he subsequently appears in a number of Vajrayana texts. The most elaborate account of him is to be found in the ''Pañcakara'' section of the ''Advayavajrasaṃgraha.'' In the Śūraṅgama mantra (Chinese: 楞嚴咒; pinyin: ''Léngyán Zhòu'') taught in the Śūraṅgama sutra (Chinese: 楞嚴經; pinyin: ''Léngyán Jīng''), an especially influential dharani in the Chinese Chan tradition, Ratnasambha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akshobhya
Akshobhya ( sa, अक्षोभ्य, ''Akṣobhya'', "Immovable One"; ) is one of the Five Wisdom Buddhas, a product of the Adibuddha, who represents consciousness as an aspect of reality. By convention he is located in the east of the Diamond Realm and is the lord of the Eastern Pure Land Abhirati ('The Joyous'). His consort is Lochanā and he is normally accompanied by two elephants. His color is blue-black and his attributes include a bell, three robes, and staff, as well as a jewel, lotus, prayer wheel, and sword. He has several emanations. Textual history and doctrine Akshobhya appears in the Akṣobhyatathāgatasyavyūha Sūtra (), which was translated during the second century CE and is among the oldest known Mahayana or Pure Land texts. According to the scripture, a monk wished to practice the Dharma in the eastern world of delight and made a vow not to harbor anger or malice towards any being until he achieved enlightenment. He duly proved "immovable" and when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Tathagatas
5 is a number, numeral, and glyph. 5, five or number 5 may also refer to: * AD 5, the fifth year of the AD era * 5 BC, the fifth year before the AD era Literature * ''5'' (visual novel), a 2008 visual novel by Ram * ''5'' (comics), an award-winning comics anthology * ''No. 5'' (manga), a Japanese manga by Taiyō Matsumoto * The Famous Five (novel series), a series of children's adventure novels written by English author Enid Blyton Films * ''Five'' (1951 film), a post-apocalyptic film * ''Five'' (2003 film), an Iranian documentary by Abbas Kiarostami * ''Five'' (2011 film), a comedy-drama television film * ''Five'' (2016 film), a French comedy film * Number 5, the protagonist in the film ''Short Circuit'' (1986 film) Television and radio * 5 (TV channel), a television network in the Philippines (currently known as TV5 from 2008 to 2018 and again since 2020), owned by TV5 Network, Inc. * Channel 5 (British TV channel), British free-to-air television network sometime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samantabhadra (Bodhisattva)
Samantabhadra (lit. "Universal Worthy", "All Good") is a great bodhisattva in Buddhism associated with practice and meditation. Together with Shakyamuni Buddha and the bodhisattva Mañjuśrī, he forms the Shakyamuni Triad in Mahayana Buddhism. He is the patron of the ''Lotus Sutra'' and, according to the '' Avatamsaka Sutra'', made the ten great vows which are the basis of a bodhisattva. In Chinese Buddhism, Samantabhadra is known as Pǔxián and is associated with action, whereas Mañjuśrī is associated with '' prajñā'' (transcendent wisdom). In Japan, this bodhisattva is known as Fugen, and is often venerated in Tendai and Shingon Buddhism. In the Nyingma school of Tibetan Buddhism, Samantabhadra is also the name of the Adi-Buddha, often portrayed in indivisible union ('' yab-yum'') with his consort, Samantabhadrī. In wrathful form he is one of the Eight Herukas of the Nyingma Mahayoga and he is known as Vajramrtra, But this Samantabhadra buddha and Samantabhadra bodhisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
