Wotan (propellers)
(''The Ring of the Nibelung''), Wagner-Werk-Verzeichnis, WWV 86, is a Literary cycle, cycle of four German-language epic poetry, epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * ''Die Walküre'' (''The Valkyrie'') * ''Siegfried (opera), Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in t ...
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Music Drama
is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas. Usage Mundt formulated his definition explicitly in contrast to intermezzo, or a piece that sits in between dramatic entities. To this day, is associated with the works of Richard Wagner where poetry, music and stage performances were not arbitrarily combined. Wagner himself composed the music and libretto and was a consultant on the stage design and choreography. This all-encompassing art, or , called on the diegesis of in order to further the immersive feel. Wagner himself resisted calling his works , which would imply a drama "meant for music," like a libretto. Instead he wanted to put music at the service of the drama, which indeed in its original ancient Greek form was inseparable from music. Nevertheless, the term music drama has become accepted. A major characteristic of Musikd ...
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