Woodstock (song)
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Woodstock (song)
"Woodstock" is a popular song written by Joni Mitchell. Three versions of the song were released in the same year, 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album '' Ladies of the Canyon'' and as the B-side to her single "Big Yellow Taxi". This publication was preceded by Crosby, Stills, Nash & Young's cover version, which appeared on their March 1970 album ''Déjà Vu'' and became a staple of classic rock radio and the best-known version in the United States. A third version, by the British band Matthews Southern Comfort became the best known version in the United Kingdom, and was the highest charting version of the song, reaching the top of the UK singles chart in 1970. The song's lyrics refer to the Woodstock Music and Arts Festival of 1969, telling the story of a concert-goer on a trek to attend the festival. Mitchell, who was unable to actually perform at the festival herself due to scheduling conflicts, was inspired to ...
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Joni Mitchell
Roberta Joan "Joni" Mitchell ( Anderson; born November 7, 1943) is a Canadian-American musician, producer, and painter. Among the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her starkly personal lyrics and unconventional compositions, which grew to incorporate pop music, pop and jazz music, jazz influences. She has received many accolades, including ten Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. ''Rolling Stone'' called her "one of the greatest songwriters ever", and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century". Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea ...
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Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of B ...
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Wurlitzer Electric Piano
The Wurlitzer electronic piano is an electric piano manufactured and marketed by Wurlitzer from the mid-1950s to mid-1980s. Sound is generated by striking a metal reed with a hammer, which induces an electric current in a pickup. It is conceptually similar to the Rhodes piano, though the sound is different. The instrument was invented by Benjamin Miessner, who had worked on various types of electric pianos since the early 1930s. The first Wurlitzer was manufactured in 1954, and production continued until 1983. Originally, the piano was designed to be used in the classroom, and several dedicated teacher and student instruments were manufactured. However, it was adapted for more conventional live performances, including stage models with attachable legs and console models with built-in frames. The stage instrument was used by several popular artists, including Ray Charles, Joe Zawinul and Supertramp. Several electronic keyboards include an emulation of the Wurlitzer. As the Wurli ...
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Tremoloed
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single note, particularly used on bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called '' bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A roll on any percussion instrument, whether tuned or untuned. A second type of tremolo is a variation in amplitude: * As produced on organs by tr ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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Hits (Joni Mitchell Album)
''Hits'' is a 1996 greatest hits compilation by Canadian singer-songwriter Joni Mitchell Roberta Joan "Joni" Mitchell ( Anderson; born November 7, 1943) is a Canadian-American musician, producer, and painter. Among the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her sta .... , it has sold 488,000 copies in the United States, and was certified Gold in the United Kingdom in 2013 for 100,000 copies sold.BPI website
A counterpart album, ''Misses'', was released on the same day as ''Hits''. It consists of Mitchell's lesser known songs that she considers personal favorites.


Track listing


Charts


Certifications


References
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Shadows And Light (Joni Mitchell Album)
''Shadows and Light'' is a 1980 live double album by the Canadian singer-songwriter Joni Mitchell. It was recorded at the Santa Barbara Bowl in September 1979 on Mitchell's ''Mingus'' tour. It was released as an LP on October 25, 1980, on the Asylum label. A film of the concert was also released on VHS, LaserDisc and DVD in 2003. Track listing All tracks composed by Joni Mitchell, except where indicated Personnel Musicians * Joni Mitchell – electric guitar, vocals * Pat Metheny – lead guitar * Jaco Pastorius – electric bass (Fender Jazz) * Don Alias – drums, percussion * Lyle Mays – electric piano (Rhodes), synthesizer ( Oberheim FVS-1) * Michael Brecker – saxophones * The Persuasions – backing vocals on "Why Do Fools Fall in Love" and "Shadows and Light" * Toller Cranston – skates Production * Andy Johns – engineer (recording) * Bernie Grundman – engineer (mastering) * Glen Cristensen – art direction, photography * Joel Bernstein Joel Bernstein ...
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Miles Of Aisles
''Miles of Aisles'' is the first live album by Canadian singer-songwriter Joni Mitchell, released in 1974 on Asylum Records. It is a double album documenting her concerts in support of the ''Court and Spark'' album with her backing band for the tour, the L.A. Express. It reached No. 2 on the ''Billboard'' 200 and became one of her biggest-selling records, certified a gold record by the RIAA. Content This was Mitchell's first tour with backing musicians; prior to this she had generally performed solo, and had never organized a tour with a band. She hired an already existing group, the jazz fusion band L.A. Express, members of which had appeared on her previous studio album, ''Court and Spark'', the biggest commercial success of her career. A track from this live album, "Big Yellow Taxi", was released as a single. Four years after the studio version had stalled at No. 67 on the ''Billboard'' Hot 100 as a single, this live version reached No. 24 on the ''Billboard'' Hot 100 ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Celebration At Big Sur
''Celebration at Big Sur'' (also known simply as ''Celebration'') is a film of the 1969 Big Sur Folk Festival in Big Sur, California, featuring Crosby, Stills, Nash and Young, Joan Baez, Joni Mitchell and others. Released in 1971, the film was directed by Baird Bryant and Johanna Demetrakas. A young Gary Weis was among the cinematographers; other members of the camera and sound crew also went on to become famous in their fields, including Peter Smokler, Peter Pilafian, and Joan Churchill. The film was released in 2011 as a Region 1 DVD. The festival, one in an annual series of concerts held on the grounds of the Esalen Institute in Big Sur from 1964 to 1971, was held on the weekend of September 13–14, 1969, only one month after the famous and considerably larger Woodstock Music & Art Fair, which is referred to repeatedly. ''Celebration at Big Sur'' did not receive the same critical acclaim as the 1970 ''Woodstock'' film. Performances About 10–15,000 people camped out for t ...
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Garden Of Eden
In Abrahamic religions, the Garden of Eden ( he, גַּן־עֵדֶן, ) or Garden of God (, and גַן־אֱלֹהִים ''gan-Elohim''), also called the Terrestrial Paradise, is the Bible, biblical paradise described in Book of Genesis, Genesis 2-3 and Book of Ezekiel, Ezekiel 28 and 31. The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location: at the head of the Persian Gulf, in southern Mesopotamia (now Iraq) where the Tigris and Euphrates rivers run into the sea; and in Armenia. Like the Genesis flood narrative, the Genesis creation narrative and the account of the Tower of Babel, the story of Eden echoes the Ancient Mesopotamian religion, Mesopotamian myth of a king, as a primordial man, who is placed in a divine garden to guard the tree of life. The Hebrew Bible depicts Adam and Eve as walking around the Garden of Eden naked due to their sinlessness. Mentions of Eden are also made in ...
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Max Yasgur
Max B. Yasgur (December 15, 1919 – February 9, 1973) was an American farmer who was the owner of a dairy farm in Bethel, New York, where the 1969 Woodstock musical festival was held from August 15–18, 1969. He sold his farm in 1971 and retired to Florida, where he died in 1973. Personal life and dairy farming Yasgur was born in New York City to Russian Jewish immigrants Samuel and Bella Yasgur. He was raised with his brother Isidore (1926–2010) on the family's farm (where his parents also ran a small hotel) and attended New York University, studying real estate law. By the late 1960s, he was the largest milk producer in Sullivan County, New York. His farm had 650 cows, mostly Guernseys. At the time of the festival in 1969, Yasgur was married to Miriam (Mimi) Gertrude Miller Yasgur (1920–2014) and had a son, Sam (1942–2016) and daughter, Lois (1944–1977). His son was an assistant district attorney in New York City at the time. In later years, it was revealed that ...
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