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Wonderous Stories
"Wonderous Stories" is a song by the English progressive rock band Yes, released in September 1977 as the first single from their eighth studio album, ''Going for the One''. It was written by lead vocalist Jon Anderson, who gained inspiration for the song one morning during his stay in Montreux, Switzerland where the band recorded the album. The song reached number 7 on the UK Singles Chart and remains the band's highest-charting single in the country. Background By October 1976, the Yes line-up of singer Jon Anderson, bassist Chris Squire, guitarist Steve Howe, drummer Alan White, and keyboardist Patrick Moraz had retreated to Mountain Studios in Montreux, Switzerland to record their eighth studio album, ''Going for the One'' (1977). The group had worked on a substantial number of new songs for the album, one of them being "Wonderous Stories" by Anderson, to which the group contributed ideas to develop them further. Early into the sessions, however, Moraz was asked to leave the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yes (band)
Yes are an English progressive rock band formed in London in 1968 by lead singer and frontman Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye and drummer Bill Bruford. The band has undergone numerous line-up changes throughout their history, during which 19 musicians have been full-time members. Since May 2022, the band has consisted of guitarist Steve Howe, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, as well as touring drummer Jay Schellen. Yes have explored several musical styles over the years and are most notably regarded as progressive rock pioneers. Yes began performing original songs and rearranged covers of rock, pop, blues and jazz songs, as evidenced on their self-titled first album from 1969, and it's follow-up ''Time and a Word'' from 1970. A change of direction later in 1970 led to a series of successful progressive rock albums, with four consecutive U.S. platinum or multi-platinum sellers in ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Richards (record Producer)
David Richards (1956 – 20 December 2013) was an English-born Swiss-based record producer, engineer and musician. In the Mountain Studios in Montreux, owned by the rock band Queen, and in Attalens he engineered and co-produced many albums by Queen, David Bowie and other artists. Richards also played keyboards on some records. He also dealt with live music recording in such events as Montreux Jazz Festival. Richards died on 20 December 2013 after a long battle with an undisclosed illness. Selected discography Albums co-produced by David Richards: *Roger Taylor - '' Fun in Space'' (1981) *Roger Taylor - ''Strange Frontier'' (1984) *Chris Rea – ''Shamrock Diaries'' (1985) *Jimmy Nail - ''Take It or Leave It'' (1985; single: "Love Don't Live Here Anymore") *Feargal Sharkey – ''Feargal Sharkey'' (1985; single: "Loving You") *Chris Rea – '' On the Beach'' (1986) *Queen – '' A Kind of Magic'' (1986) *Iggy Pop – '' Blah-Blah-Blah'' (1986) * Magnum – ''Vigilante'' (1986) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Welch
Chris Welch (born 12 November 1941) is an English music journalist, critic, and author who is best known for his work from the late 1960s as a reporter for ''Melody Maker'', ''Musicians Only'', and ''Kerrang!''. He is the author of over 40 music books. Early life Welch was raised in Catford, south east London. He left school at 16 and became a messenger for a national daily newspaper in Fleet Street. Career In 1960, Welch started work for ''The Kentish Times''. In October 1964, after writing for a local newspaper, Welch became a reporter for ''Melody Maker'' at age 22. At Google Books. Retrieved 16 June 2013. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Popoff
Martin Popoff (born April 28, 1963) is a Canadian music journalist, critic and author. He is mainly known for writing about the genre of heavy metal music. The senior editor and co-founder of ''Brave Words & Bloody Knuckles'', he has additionally written over twenty books that both critically evaluate heavy metal and document its history. He has been called "heavy metal's most widely recognized journalist" by his publisher. Popoff lives in Toronto, Ontario. Career Born in Castlegar, British Columbia, Popoff's interest in heavy metal began as a youth in Trail, British Columbia, in the early 1970s, when bands such as Led Zeppelin and Iron Butterfly were in the collections of the older brothers and cousins of Popoff and his friends. Black Sabbath played even heavier music, and became the group his circle of friends thought of as "our band, not the domain of our elders". Other heavy rock albums of the era, such as Nazareth's ''Razamanaz'' and Kiss' '' Hotter than Hell'', further shape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadillac DTS
The Cadillac DTS is a full-size, four-door, front-drive, five or six passenger luxury sedan that was manufactured and marketed over a single generation for model years 2006–2011 by Cadillac, using GM's G-platform. The DTS debuted at the 2005 Chicago Auto Show and was manufactured at GM's Detroit/Hamtramck Assembly factory. The DTS was a very mildly revised iteration of the eight generation Deville, using the brand's new naming convention, set by the CTS and STS. Production ended in May 2011. Writing for the Los Angeles Times, noted reviewer Warren Brown called the DTS "a large, exceptionally comfortable front-wheel-drive luxury sedan." The nameplate ''DTS'' is an acronym for ''DeVille Touring Sedan''. Production and specifications Compared to its Deville predecessor, the DTS was mildly restyled rather than fully redesigned, featuring revised front-end sheet metal, front fascia, as well as rear decklid, rear quarter, and rear fascia. The DTS used GM's G-platform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7-inch Single
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each sid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogue Synthesiser
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polymoog
The Polymoog is a hybrid polyphony (instrument), polyphonic analog synthesizer that was manufactured by Moog Music from 1975 to 1980. The Polymoog was based on Frequency divider, divide-down oscillator technology similar to electronic organs and string synthesizers of the time. History The name Polymoog can refer either to the original Polymoog Synthesizer (model 203a) released in 1975, or the largely preset Polymoog Keyboard (model 280a) released in 1978. The Polymoog has a 71-note weighted Pratt & Read Keyboard expression, touch-sensitive Musical keyboard, keyboard divided into three sections with a volume slider for each. It also has a three-band resonant graphic equalizer section, which can be changed to a low/bandpass/high-pass filter. The Moog-designed 24 dB/octave filter section allows modulation modulated from its own envelopes, low frequency oscillation and sample and hold circuit. Ranks and waveforms of all notes are also adjustable combining waveforms, octaves, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
