Wonderboy (The Kinks Song)
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Wonderboy (The Kinks Song)
"Wonderboy" (sometimes spelled "Wonder Boy") is a song by the English rock band the Kinks, released as a single in 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of the Beatles,Kitts, Thomas (2007). p. 107 and, according to Ray Davies in his autobiography, ''X-Ray'', "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' over and over again." Kinks guitarist Dave Davies praised the song, saying, Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that " hated it ... it was horrible." It peaked at number six in the Netherlands. It also reached number fifteen on the ''Tio i Topp'' chart in Sweden. "Wonderboy" was also released as a single in the US but failed to cha ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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The Kink Kronikles
''The Kink Kronikles'' is a compilation double album by the Kinks, released on Reprise Records in 1972, after the band had signed with RCA Records in 1971. It contains thirteen non-album singles, fourteen tracks taken from five albums released by the band from 1966 to 1971 (including the UK-only ''Percy''), and one track previously unreleased. Designed specifically for the American market, it peaked at No. 94 on the Billboard 200. The single versions and mixes were not necessarily used for each track. Content After the Kinks failed to renew their American distribution contract with Reprise, the label assembled this compilation without input from the band. Instead, Reprise invited rock journalist and noted Kinks fan John Mendelsohn to compile this package, ignoring the band's early trademark hits already appearing on ''The Kinks Greatest Hits!''. Mendelsohn also contributed the liner notes. The album contains all five singles that charted on the Billboard Hot 100 during the ti ...
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Berkeley Mews
"Berkeley Mews" is a song by the English rock band the Kinks. It was released on a non-album single in June1970, as the B-side to "Lola". Written and sung by bandleader Ray Davies, the song was recorded in early1968 during the sessions for '' The Kinks Are the Village Green Preservation Society'' (1968). The title references a small street in London, while the lyrics recount a one-night stand. Influenced by the music of the 1940s, the song employs a heavier production than was typical for the band's 1968 work. Background and recording Ray Davies composed "Berkeley Mews" in reference to a street of the same name in London, located near Pye Records's offices at Marble Arch. The lyrics recount a drunken one-night stand. The music is influenced by that of the 1940s, and historian Carey Fleiner writes the song evokes the decade's "hard life and grim economy". Band biographer Johnny Rogan characterises the song as a "playful novelty number". He describes its arrangement as "chaoti ...
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Rosemary Rose
''Salvia rosmarinus'' (), commonly known as rosemary, is a shrub with fragrant, evergreen, needle-like leaves and white, pink, purple, or blue flowers, native to the Mediterranean region. Until 2017, it was known by the scientific name ''Rosmarinus officinalis'' (), now a synonym. It is a member of the sage family Lamiaceae, which includes many other medicinal and culinary herbs. The name "rosemary" derives from Latin ("dew of the sea"). Rosemary has a fibrous root system. Description Rosemary is an aromatic evergreen shrub with leaves similar to hemlock needles. It is native to the Mediterranean and Asia, but is reasonably hardy in cool climates. Special cultivars like 'Arp' can withstand winter temperatures down to about . It can withstand droughts, surviving a severe lack of water for lengthy periods. In some parts of the world, it is considered a potentially invasive species. The seeds are often difficult to start, with a low germination rate and relatively slow growth, ...
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Did You See His Name
Dissociative identity disorder (DID), better known as multiple personality disorder or multiple personality syndrome, is a mental disorder characterized by the presence of at least two distinct and relatively enduring personality states. The disorder is accompanied by memory gaps more severe than could be explained by ordinary forgetfulness. The personality states alternately show in a person's behavior; however, presentations of the disorder vary. Other conditions that often occur in people with DID include post-traumatic stress disorder, personality disorders (especially borderline and avoidant), depression, substance use disorders, conversion disorder, somatic symptom disorder, eating disorders, obsessive–compulsive disorder, and sleep disorders. Self-harm, non-epileptic seizures, flashbacks with amnesia for content of flashbacks, anxiety disorders, and suicidality are also common. Overview The following three subsections give brief overviews of the proposed cause of di ...
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Animal Farm (song)
"Animal Farm" is a song by the English rock band the Kinks from their sixth studio album, '' The Kinks Are the Village Green Preservation Society'' (1968). Written and sung by Ray Davies, the song was recorded in March1968. Musically an example of pop, the song features a noticeably larger sound than the others on ''Village Green'', accomplished through it being recorded in a larger studio space as well as heavy reverb added to its drums, percussion and tack piano. The song is one of the few Kinks recordings from the late1960s to possibly feature real strings, as arranged by David Whitaker. While the song's title references George Orwell's 1945 novella of the same name, the lyrics are unrelated to the book's dystopic themes and instead express feelings of pastoral bliss in recollecting life on a small farm. Pete Quaife later described the song as his favourite Davies composition and recalled relating to its themes as soon as Davies presented it to the band. Retrospective cr ...
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Acetate Disc
An acetate disc (also known as a ''lacquer'', ''test acetate'', ''dubplate'', or ''transcription disc'') is a type of phonograph record generally used from the 1930s to the late 1950s for recording and broadcast purposes and still in limited use today. Acetate discs are used for the production of records. Unlike ordinary vinyl records, which are quickly formed from lumps of plastic by a mass-production molding process, an acetate disc is created by using a recording lathe to cut an audio-signal-modulated groove into the surface of a lacquer-coated blank disc, a sequential operation requiring expensive, delicate equipment and expert skill for good results. The disc is then coated in metal, which is then peeled off to form a negative that will later be electroplated and peeled to create a mother (positive copy) which is then again electroplated and peeled to create negatives called stampers, which are then used as molds in a record press. In addition to their use in the creation o ...
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Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ...
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Nicky Hopkins
Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music. Early life Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Comm ...
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Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nigh ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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