Women Reading In Art
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Women Reading In Art
Women reading in art refers to any artistic work representing or portraying one or more women in the act of reading. This subject matter is quite common, with images appearing as early as the 14th century. Viewers are often exposed to a private, personal moments through these works. ''Reading Woman'' (c.1660) by Pieter Janssans Elinga portrays reading as an intimate and introspective activity. Beyond the exchange of ideas between author and reader, scholar James Conlon, describes reading as an intimate and erotic subject, through the captivating book that touches and holds the reader's attention, and offers tactile pleasure in weight. As a result, the image of a woman reading becomes one of sexual subversion, and a source of fear for the male viewer or artist. In Western, patriarchal societies, Conlon argues, the act of reading takes a woman out of subservient role and into a context where personal pleasure, knowledge, and enjoyment is literally in her hands. Depictions of wom ...
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Pieter Janssens Elinga - Reading Woman - WGA7482
Pieter is a male given name, the Dutch form of Peter. The name has been one of the most common names in the Netherlands for centuries, but since the mid-twentieth century its popularity has dropped steadily, from almost 3000 per year in 1947 to about 100 a year in 2016.Pieter
at the Corpus of First Names in The Netherlands Some of the better known people with this name are below. See for a longer list. * (?-1332), Flemish revolutionary * (c. 1480–1572), Flemish Franciscan missionary in Mexico known as "Pedro de Gante" *

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Reading (process)
Reading is the process of taking in the sense or meaning of letters, symbols, etc., especially by sight or touch. For educators and researchers, reading is a multifaceted process involving such areas as word recognition, orthography (spelling), alphabetics, phonics, phonemic awareness, vocabulary, comprehension, fluency, and motivation. Other types of reading and writing, such as pictograms (e.g., a hazard symbol and an emoji), are not based on speech-based writing systems. The common link is the interpretation of symbols to extract the meaning from the visual notations or tactile signals (as in the case of Braille). Overview Reading is typically an individual activity, done silently, although on occasion a person reads out loud for other listeners; or reads aloud for one's own use, for better comprehension. Before the reintroduction of separated text (spaces between words) in the late Middle Ages, the ability to read silently was considered rather remarkable. Major p ...
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:Category:Books In Art
The main pages for this category are books and Women reading in art. Art Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of wha ... Visual arts by subject Works about reading {{CatAutoTOC ...
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Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. Biography Jean-Honoré Fragonard was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. Fragonard was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher. Boucher recognized the youth's rare gifts but, disinclined to waste his time with one so inexperienced, ...
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A Young Girl Reading
''Young Girl Reading'', or ''The Reader'' (french: La Liseuse), is an 18th-century oil painting by Jean-Honoré Fragonard. It depicts an unidentified girl seated in profile, wearing a lemon yellow dress with white ruff collar and cuffs and purple ribbons, and reading from a small book held in her right hand. The painting is in the National Gallery of Art in Washington, DC. History Jean-Honoré Fragonard had an extensive career. After he won the 1753 Prix de Rome with a painting titled ''Jeroboam Sacrificing to the Golden Calf'', he became one of the foremost French painters in the Rococo style, which was filled with light colors, asymmetrical designs, and curved, natural forms. The Rococo style emerged in Paris during the eighteenth century, more specifically during the reign of Louis XV, when the French upper class experienced a new social and intellectual freedom. As stated, "Aristocrats and wealthy bourgeois focused on play and pleasure. Grace and wit were prized in social i ...
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Henri Fantin-Latour
Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Biography He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère. As a youth, he received drawing lessons from his father, who was an artist.Poulet & Murphy 1979, p. 73. In 1850 he entered the Ecole de Dessin, where he studied with Lecoq de Boisbaudran. After studying at the '' École des Beaux-Arts'' in Paris from 1854, he devoted much time to copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would later be associated with Impressionism, including Whistler and Manet, Fantin's own work remained conservative in style. Whistler brought attention to Fantin in England, where his still-lifes sold so well that they were "practically unknown in France during his lifetime". In addition to his realistic ...
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The Reading (Fantin-Latour Painting)
''The Reading'' (''La Lecture'' in French) is an oil-on-canvas painting by French painter Henri Fantin-Latour executed in 1877. It was acquired in 1901 by the city of Lyon and by the Musée des Beaux-Arts de Lyon where it is conserved. The painting depicts two women sitting in a room. The woman on the right is reading a book, leaning on a table covered with a decorative patterned tablecloth and a vase with some flowers. The other woman, on the left, seems not to listen to the reading as she appears to be distracted. Both the background wall and the black dresses of both women are very austere. The theme of the work evokes the escape of women by reading. The woman on the left represents the artist's sister-in-law, Charlotte Dubourg. The painting was exhibited in 1877 at the Salon (Paris), in 1878 at the summer exhibition of the Royal Academy in London, and in 1900 at the Société des Beaux-Arts in Brussels. During the Biennial of Contemporary Art in 2009 in Lyon, artist Wong Ho ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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Madonna Of The Book
The ''Madonna of the Book'', or the ''Madonna del Libro'', is a small painting by the Italian Renaissance artist Sandro Botticelli, and is preserved in the Poldi Pezzoli Museum in Milan. The painting is executed in tempera on panel. It dates from between 1480 and 1481. Description The ''Madonna of the Book'' is a soft and elegant work, in which Mary and the Child are seated by a window in the corner of a room. She holds a Book of Hours, the Horae Beatae Mariae Virginis, prayer books for laymen common in the thirteenth to sixteenth centuries. The infant is gazing at his mother whilst she is absorbed in reading the book. The hands of both mother and son are positioned similarly, with the right hands open as in a gesture of blessing, and left hands closed. Symbolizing the Passion of Christ, the Christ Child is holding the three nails of the cross, and the crown of thorns. These are probably later additions, added to make the message more explicit. This is the conventional repr ...
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Mary Cassatt
Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot. In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense. Early life Cassatt was born in Allegheny City, Pennsylvania, which is now part of Pittsburgh. She was born into an upper-middle-class family: Her father, Robert Simpson Cassat (later Cassatt), was a successful stockbroker and land speculator. The ancestral ...
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Springtime (Claude Monet)
''Springtime'' or ''The Reader'' is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum. History In this painting, Claude Monet uses his first wife, Camille Doncieux, as the model. Camille and Claude Monet were married in 1870. Before this time, she had been his mistress and served as a model for Monet's figurative paintings of the 1860s and 1870s. It is said that Camille possessed unusual talent as a model and was also used by Auguste Renoir and Édouard Manet. Late in the year 1871, Monet and his family settled in Argenteuil, a village Northwest of Paris. The village was a popular resort for urban pleasure-seekers. Colleagues of Monet frequently joined him and the village became associated with Impressionism. In the spring of 1872, Monet painted a number of canvases in his garden, often showing Camille and Alfred Sis ...
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