Women In Prison (film)
   HOME
*





Women In Prison (film)
The women in prison film (or WiP film) is a subgenre of exploitation film that began in the early 20th century and continues to the present day. Their stories feature imprisoned women who are subjected to sexual and physical abuse, typically by sadistic male or female prison wardens, guards and other inmates. The genre also features many films in which imprisoned women engage in lesbian sex. WiP films are works of fiction intended as pornography. The films of this genre include a mixture of erotic adventures of the women in prison. The flexible format, and the loosening of film censorship laws in the 1960s, allowed filmmakers to depict more extreme fetishes, such as voyeurism (strip searches, group shower scenes, catfights), sexual fantasies ( lesbianism, rape, sexual slavery), fetishism ( bondage, whipping, degradation), and sadism (beatings, torture, cruelty). Prior to these films, another expression of pornographic women in prison was found in "true adventure" men's magazi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Denis Diderot
Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominent figure during the Age of Enlightenment. Diderot initially studied philosophy at a Jesuit college, then considered working in the church clergy before briefly studying law. When he decided to become a writer in 1734, his father disowned him. He lived a bohemian existence for the next decade. In the 1740s he wrote many of his best-known works in both fiction and non-fiction, including the 1748 novel ''The Indiscreet Jewels''. In 1751, Diderot co-created the ''Encyclopédie'' with Jean le Rond d'Alembert. It was the first encyclopedia to include contributions from many named contributors and the first to describe the mechanical arts. Its secular tone, which included articles skeptical about Biblical miracles, angered both religious and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hold Your Man
''Hold Your Man '' is a 1933 American pre-Code romantic drama film directed by an uncredited Sam Wood and starring Jean Harlow and Clark Gable, the third of their six films together.Landazuri, Margarit"Hold Your Man" (TCM article)/ref> The screenplay by Anita Loos and Howard Emmett Rogers was based on a story by Loos. Plot Small-time con man Eddie Hall hides from his latest victim and a policeman in the first unlocked apartment he can find. It turns out to occupied by Ruby Adams, a cynical woman with numerous boyfriends. When it is safe to come out, Eddie wants to become better acquainted with his pretty rescuer. Although she resists at first, she ends up falling in love with him. Eddie's partner Slim comes up with a scheme to catch one of Ruby's married admirers in a compromising position and blackmail him, but Eddie finds at the last moment that he cannot bear to have his girl involved in something that sordid. He breaks into Ruby's apartment and punches the would-be victim, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Barbara Stanwyck
Barbara Stanwyck (; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television. Orphaned at the age of four and partially raised in foster homes, she always worked. One of her directors, Jacques Tourneur, said of her, "She only lives for two things, and both of them are work." She made her debut on stage in the chorus as a Ziegfeld girl in 1923, at age 16, and within a few years was acting in plays. Her first lead role, which was in the hit ''Burlesque'' (1927), established her as a Broadway star. In 1929, she began acting in talking pictures. Frank Capra chose her for his romantic drama ''Ladies of Leisure'' (1930). This led to additio ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Claire Luce
Claire Luce (October 15, 1903 – August 31, 1989) was an American stage and screen actress, dancer and singer. Among her few films were ''Up the River'' (1930), directed by John Ford and starring Spencer Tracy and Humphrey Bogart in their feature film debuts (Luce played Bogart's love interest), and ''Under Secret Orders'', the English-language version of G. W. Pabst's French-language feature, '' Mademoiselle Docteur'' (1937). Early years Luce was born in Syracuse, New York, but she grew up in Rochester in what an article in ''Silver Screen'' magazine described as "an atmosphere of discord and squalor". Luce's parents were divorced when she was 13. Florence Colebrook Powers, a friend of Luce's mother, adopted her. Powers was in charge of a dance school, and she introduced Luce to dancing. While still 13, Luce took a job as a "sort of utility employee" at a cafe in Rochester. When she was 15, she ran away with a Russian opera troupe that played in Rochester, becoming a bal ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Up The River
''Up the River'' is a 1930 American pre-Code comedy film directed by John Ford, and starring Claire Luce, Spencer Tracy and Humphrey Bogart. The plot concerns escaped convicts, as well as a female convict. It was the feature film debut role of both Tracy and Bogart. Despite Bogart being billed fourth (under top-billed Tracy, Claire Luce and Warren Hymer), Tracy's and Bogart's roles were almost equally large, and this is the only film in which they appeared together. ''Up the River'' is also Bogart's only film directed by John Ford. Bogart's image is featured with Luce on some of the film's posters rather than Tracy's since Bogart was the romantic lead with Luce. Fox remade the film in 1938 starring Preston Foster and Tony Martin playing their roles. Plot Two convicts, St. Louis and Dannemora Dan, befriend another convict named Steve, who is in love with woman's-prison inmate Judy. Steve is paroled, promising Judy that he will wait for her release five months later. He returns ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Outside The Law (1920 Film)
''Outside the Law'' is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman. One of a series of Universal Pictures vehicles produced for Priscilla Dean, ''Outside the Law'' features Lon Chaney in dual supporting roles and his second pairing with director Tod Browning. This was the first time Chaney played an Asian character. Stills exist showing Chaney in his dual roles. Browning would remake the film in 1930 with a pre- Little Caesar Edward G. Robinson in Chaney's 1920 role as a gang leader. The film was gently reedited (a few of Chaney's scenes as "Ah Wing" were cut) and reissued theatrically in 1926, and this is the print that is available today on dvd. A musical score was prepared by Dr. Edward Kilenyi for the 1926 reissue, and an "elaborate atmospheric presentation" of the film was arranged by German director Paul Leni. Several posters and lobby cards still exist from the film. Pl ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Wicked Darling
''The Wicked Darling'' is a 1919 American silent crime film directed by Tod Browning, and starring Priscilla Dean, Wellington A. Playter and Lon Chaney as pickpocket "Stoop" Connors. This was the first time Lon Chaney appeared in a Tod Browning film, and many other collaborations between the two men would follow. The film was considered to be a lost film until a copy (with Dutch intertitles) was found in Europe in the 1990s. It was shown at a Tod Browning film festival in Europe in 1996. The copy now resides in the Nederlands Filmmuseum. The print is complete but suffers noticeable decomposition in two separate key scenes. ''The Wicked Darling'' was released on DVD (with translated English intertitles) in September, 2005 along with ''Victory'', another early Lon Chaney film appearance. A still exists showing Lon Chaney in the role of sleazy Stoop Connors, as he and a compatriot are about to kidnap the heroine. The screenplay was written by Harvey Gates, based on a story idea by ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Priscilla Dean
Priscilla Dean (November 25, 1896 – December 27, 1987) was an American actress popular in silent film as well as in theatre, with a career spanning two decades. Biography She was born on November 25, 1896 in Manhattan, New York City to an active theatrical family. Her mother was popular stage actress Mary Preston Dean, Priscilla Dean made her stage debut at the age of four, appearing in plays starring her parents. From then on, she pursued her stage career at the same time as being educated at a convent school until the age of fourteen. Following her leave from school, Priscilla went to work on stage, then tried to get into the movies. Dean made her film debut at the age of fourteen in one-reelers for Biograph and several other studios. She was finally signed on to Universal (then called IMP) in 1911. She soon gained popularity as the female lead in the comedy series of Eddie Lyons and Lee Moran. She was propelled to stardom after she appeared in '' The Gray Ghost'' in 1917. F ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Love Camp 7
''Love Camp 7'' is a 1969 American women-in-prison Nazisploitation B-movie directed by Lee Frost (credited as R.L. Frost) and written by Wes Bishop and Bob Cresse, the latter of whom also portrays a sadistic camp commandant. Plot Two American Women's Army Corps officers volunteer to enter a Nazi concentration camp undercover to gain information from, and possibly rescue, Martha Grossman, a Jewish scientist. The female inmates serve as sex slaves for German officers and are subjected to humiliating treatment, torture and rape. When the two female agents learn that their target is being held in solitary detention, one of them arranges to be punished so that she can make contact. This leads to Lt. Harman being stripped and strung up by her wrists. The target uses her body to free Harman, and they attempt their escape. The escape plan ends in a climactic battle. Cast * Maria Lease as WAC Lt. Linda Harman * Kathy Williams as WAC Lt. Grace Freeman * Bob Cresse as Commandant * Phil Po ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bare Behind Bars
''Bare Behind Bars'' (released in Brazil as ''A Prisão'') is a 1980 sexploitation film directed and written by Oswaldo de Oliveira., The film, which was intended as a spoof of the common "women in prison" genre, stars Maria Stella Splendore, Marta Anderson and Danielle Ferrite. The story concerns a group of lesbian inmates who are sexually abused by a sadistic female prison warden. The film features gratuitous nudity and sex scenes.
girlsgunsandghouls.com


Plot

In a women's prison in Brazil, the inmates are young and beautiful, the warden is a sadist, all but one of the guards are cruel, and the nurse is incompetent. To make it difficult for the inmates to hide contraband, they wear no underwear. They are alternately murderous and orgiastic with each other, and they engage in sex play with some of the guards. The warden pimps out inmates to w ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]