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Women And The Grand Tour
The Grand Tour of Europe became increasingly popular among women in the late 18th century and early 19th century. For British upper-class young women travelling Europe was part of formal education as well as a form of entrance into elite society. When published, women’s letters and travel diaries about their experiences provided entertainment and vicarious travel for a less elite audience. History The Grand Tour was a voyage for education and pleasure for wealthy young men that mainly occurred between the years 1550 and 1850. The Grand Tour was mainly a British cultural phenomenon and focused mostly on the art and culture of Italy. Most travel was between major cities within Western Europe such as Paris and Rome, and hardly any to Eastern Europe. The typical traveler on the Grand Tour was a gentleman of the wealthy and elite class. Even though the Grand Tour was designed for gentlemen, female spouses or family members of Grand Tourists would accompany them. These instances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Tour
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become a regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fuseli
Henry Fuseli ( ; German: Johann Heinrich Füssli ; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as ''The Nightmare'', deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake. Biography Fuseli was born in Zürich, Switzerland, the second of 18 children. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of ''Lives of the Helvetic Painters''. He intended Henry for the church, and sent him to the Caroline college of Zurich, where he received an excellent classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends. After taking orders in 1761, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mysteries Of Udolpho
''The Mysteries of Udolpho'', by Ann Radcliffe, appeared in four volumes on 8 May 1794 from G. G. and J. Robinson of London. Her fourth and most popular novel, ''The Mysteries of Udolpho'' tells of Emily St. Aubert, who suffers misadventures that include the death of her mother and father, supernatural terrors in a gloomy castle, and machinations of an Italian brigand. Often cited as the archetypal Gothic novel, ''The Mysteries of Udolpho'' appears prominently in Jane Austen's 1817 novel ''Northanger Abbey'', where an impressionable young woman reader comes to see friends and acquaintances as Gothic villains and victims, with amusing results. Plot ''The Mysteries of Udolpho'' is a quintessential Gothic romance, replete with incidents of physical and psychological terror: remote crumbling castles, seemingly supernatural events, a brooding, scheming villain and a persecuted heroine. Modern editors note that only about a third of the novel is set in the eponymous Gothic castle, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Italian (Radcliffe Novel)
''The Italian, or the Confessional of the Black Penitents'' (1796) is a Gothic novel written by the English author Ann Radcliffe. It is the last book Radcliffe published during her lifetime (although she would go on to write the novel '' Gaston de Blondeville'', it was only published posthumously in 1826). ''The Italian'' has a dark, mysterious, and somber tone which fixates on the themes of love, devotion, and persecution during the time period of Holy Inquisition. The novel deals with issues prevalent at the time of the French Revolution, such as religion, aristocracy, and nationality. Radcliffe's renowned use of veiled imagery is considered to have reached its height of sophistication and complexity in ''The Italian''; concealment and disguise are central motifs of the novel. The novel is noted for its extremely effective antagonist, Father Schedoni, who influenced the Byronic characters of Victorian literature. Characters *Vincentio di Vivaldi: Son of the Marchese and Marche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Radcliffe
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist and a pioneer of Gothic fiction. Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s.The British LibrarRetrieved 12 November 2016./ref> Radcliffe was the most popular writer of her day and almost universally admired; contemporary critics called her the mighty enchantress and the Shakespeare of romance-writers, and her popularity continued through the 19th century. Interest has revived in the early 21st century, with the publication of three biographies.Chawton House LibraryRuth Facer, "Ann Radcliffe (1764–1823)" retrieved 1 December 2012. Biography Early life Radcliffe was born Ann Ward in Holborn, London on 9 July 1764. She was the only child to William Ward (1737-1798) and Ann Oates (1726-1800), and her mother was 36 years old when she gave birth. Her father worked as a haberdasher in Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
