Woman On A Black Divan
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Woman On A Black Divan
''Woman on a Black Divan'' (French: ''La femme au divan noir''), also known simply as ''Recumbent Woman'' (''Femme couchée'') is a 1869 painting by the French artist Jean-Jacques Henner. It is one of the 44 Henner paintings of the Musée des Beaux-Arts of Mulhouse. Its inventory number is D.58.1.22. The painting was shown at the Paris Salon of 1869, and bought for the collection of the ''Société industrielle de Mulhouse'' (from which the Musée des Beaux-Arts originated) by the widow of Daniel Dollfus the same year. A much smaller version of the painting is kept in the Musée national Jean-Jacques Henner, in Paris, since 1923. References External linkstableau : la femme au divan noiron Base Palissy The ''Base Palissy'' is the database of French movable heritage, created and maintained by the French Ministry of Culture. It was created in 1989, and placed online in 2002. The database is periodically updated, and contains more than 515,000 entrie ... {{DEFAULTSORT:W ...
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Jean-Jacques Henner
Jean-Jacques Henner (5 March 1829 – 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting nudes, religious subjects and portraits. Biography Henner was born at Bernwiller (Alsace). He began his studies in art as a pupil of Michel Martin Drolling and François-Édouard Picot. In 1848, he entered the École des Beaux Arts in Paris, and took the Prix de Rome with a painting of ''Adam and Eve finding the Body of Abel'' in 1858. In Rome, he was guided by Flandrin, and painted four pictures for the gallery at Colmar among other works. He first exhibited ''Bather Asleep'' at the Salon in 1863 and subsequently contributed ''Chaste Susanna'' (1865), now in the Musée d'Orsay. Other noted works include: ''Byblis turned into a Spring'' (1867); ''The Magdalene'' (1878); ''Portrait of M. Hayem'' (1878); ''Christ Entombed'' (1879); ''Saint Jerome'' (1881); '' Bara'' (1882); ''Herodias'' (1887); ''A Study'' (1891); ''Christ in His Shroud'' and a ''Po ...
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Second Empire Style
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1871) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Characteristics The Napoleon III or Second Empire style took its inspiration from ...
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Paintings In Alsace
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings By Jean-Jacques Henner
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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