|
Woman In The Dunes (film)
is a 1964 Japanese New Wave drama directed by Hiroshi Teshigahara, starring Eiji Okada as an entomologist searching for insects and Kyōko Kishida as the titular woman. It received positive critical reviews and was nominated for two Academy Awards. The screenplay for the film was adapted by Kōbō Abe from his 1962 novel. Plot School teacher and amateur entomologist Niki Junpei leaves Tokyo on a beach expedition to collect tiger beetles and other insects that live in sandy soil. After a long day of searching, Junpei misses the last bus ride back to town. A village elder and some of his fellow local villagers suggest that he stay the night at their village. Junpei agrees and is guided down a rope ladder to a hut at the bottom of a sand dune, the home of a young woman. Junpei learns that she lost her husband and daughter in a sandstorm a year ago and now lives alone; their bodies are said to be buried under the sand somewhere near the hut. After dinner, the woman goes outside to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Teshigahara
was a Japanese avant-garde filmmaker and artist from the Japanese New Wave era. He is best known for the 1964 film ''Woman in the Dunes''. He is also known for directing other titles such as ''The Face of Another'' (1966), ''Natsu No Heitai'' (''Summer Soldiers'', 1972), and '' Pitfall'' (1962) which was Teshigahara's directorial debut. He has been called "one of the most acclaimed Japanese directors of all time". Teshigahara is the first person of Asian descent to be nominated for the Academy Award for Best Director, accomplishing this in 1964 for his work on ''Woman in the Dunes''. Apart from being a filmmaker, Teshigahara also practiced other arts, such as calligraphy, pottery, painting, opera and ikebana. Biography Teshigahara was born in Tokyo, the son of Sōfu Teshigahara, founder and grand master of the Sōgetsu-ryū school of ''ikebana''. He graduated in 1950 from the Tokyo National University of Fine Arts and Music and began working in documentary film. He directed his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshima Mon Amour
''Hiroshima mon amour'' (, lit. , ), is a 1959 romantic drama film directed by French director Alain Resnais and written by French author Marguerite Duras. Resnais' first feature-length work, it was a co-production between France and Japan, and documents a series of intensely personal conversations (or one long conversation) over slightly more than a 24-hour period between an unnamed French actress and Japanese architect. The film is notable for Resnais' innovative use of brief flashbacks to suggest flashes of memory, which create a nonlinear storyline. Along with films such as '' Breathless'' (1960) and ''The 400 Blows'' (1959), ''Hiroshima mon amour'' brought international attention to the new movement in French cinema and is widely considered to be one of the most influential films of the French New Wave. In particular, it was a major catalyst for Left Bank Cinema. Plot A series of closeups of the backs and arms of a man and woman embracing, amidst falling ash and then co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Face Of Another (film)
is a 1966 Japanese New Wave film directed by Hiroshi Teshigahara and based on the 1964 novel of the same name written by Kōbō Abe. The story follows engineer Okuyama, who suffered severe facial burns in a work-related accident and is given a new face in the form of a lifelike mask. Plot Engineer Okuyama's face was disfigured by an explosion in an industrial accident, and wears bandages to cover the burns. Feeling isolated and being physically rejected by his wife, he consults a psychiatrist. Seeing the frustration Mr. Okuyama experiences with his facial disfiguration, the psychiatrist proposes to make an experimental prosthetic mask for him, apparently with great reluctance. The psychiatrist and Okuyama offer a man 10,000 yen to serve as the model for the mask, and the mask is built and fitted onto Okuyama. The psychiatrist demands that Okuyama regularly reports his sensations and thoughts to him, and cautions Okuyama that the mask may change his behavior and personalit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitfall (1962 Film)
, a.k.a. ''The Pitfall'' and ''Kashi To Kodomo'', is a 1962 Japanese film directed by Hiroshi Teshigahara, written by Kōbō Abe. It was Teshigahara's first feature, and the first of his four film collaborations with Abe, the others being ''Woman in the Dunes'', ''The Face of Another'' and ''The Man Without a Map''. Unlike the others, which are based on novels by Abe, ''Pitfall'' was originally a television play called Purgatory (Rengoku). The film has been included in The Criterion Collection. Plot ''Pitfall'' is set against the background of labour relations in the Japanese mining industry, but the film owes as much to surrealism as it does to "socially aware" drama. The mine in the film is divided into two pits, the old one and the new one, each represented by a different trade union faction. A mysterious man in white, whose identity we never learn, murders an unemployed miner who bears an uncanny resemblance to the union leader at the old pit and bribes the only witness to fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Film Festival
The Adelaide Film Festival (AFF, formerly ADLFF) is film festival usually held for two weeks in mid-October in cinemas in Adelaide, South Australia. Originally presented biennially in March from 2003, since 2013 AFF has been held in October. Subject to funding, the festival has staged full or briefer events in alternating years; some form of event has taken place every year since 2015. From 2022 it takes place annually. It has a strong focus on local South Australian and Australian produced content, with the Adelaide Film Festival Investment Fund (AFFIF) established to fund investment in Australian films. Established in 2003 as Adelaide International Film Festival, it dropped "International" from its title after the inaugural edition, as it dropped its FIAPF membership the following year. It was, however, the first film festival in Australia to introduce an international competition, as well as being the first to fund film production directly. The festival hosts a number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannes Film Festival
The Cannes Festival (; french: link=no, Festival de Cannes), until 2003 called the International Film Festival (') and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including Documentary film, documentaries, from all around the world. Founded in 1946, the invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès. The festival was formally accredited by the FIAPF in 1951. On 1 July 2014, co-founder and former head of French pay-TV operator Canal+, Pierre Lescure, took over as President of the Festival, while Thierry Frémaux became the General Delegate. The board of directors also appointed Gilles Jacob as Honorary President of the Festival. It is one of the "Big Three" major European film festivals, alongside the Venice Film Festival in Italy and the Berlin International Film Festival in Germany, as well as one of the "Big Five" major interna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Film Festival
The New York Film Festival (NYFF) is a film festival held every fall in New York City, presented by Film at Lincoln Center (FLC). Founded in 1963 by Richard Roud and Amos Vogel with the support of Lincoln Center president William Schuman, it is one of the longest-running and most prestigious film festivals in the United States. The non-competitive festival is centered on a "Main Slate" of typically 20–30 feature films, with additional sections for experimental cinema and new restorations. As of 2020, Eugene Hernandez is the Director of NYFF and Dennis Lim is the Director of Programming for NYFF. Kent Jones was the festival director from 2013 to 2019. Sections As of 2020, the festival program is divided into the following sections: Main Slate The Main Slate is the Festival’s primary section, a program typically featuring 25-30 feature-length films, intending to reflect the current state of cinema. The program is a mix of major international art house films from the fest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roadshow Theatrical Release
A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement. Roadshows had a number of features that distinguished them from normal releases. There would be an intermission between the two "acts" of the film, with the first act usually somewhat longer than the second. Films selected for roadshow treatment were typically longer than the usual motion picture, lasting anywhere from slightly more than two hours to four hours or more, counting the intermission. There would be no short subjects accompanying the film, and rarely any promotional trailers. Screenings would be limited to one or two a day, sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shochiku
() is a Japanese film and kabuki production and distribution company. It also produces and distributes anime films, in particular those produced by Bandai Namco Filmworks (which has a long-time partnership—the company released most, if not all, anime films produced by Bandai Namco Filmworks). Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada. It has also produced films by highly regarded independent and "loner" directors such as Takashi Miike, Takeshi Kitano, Akira Kurosawa, Masaki Kobayashi and Taiwanese New Wave director Hou Hsiao-hsien. Shochiku is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and the oldest of Japan's "Big Four" film studios. History As Shochiku Kinema The company was founded in 1895 as a kabuki production company and later began producing films in 1920. Shochiku is considered the oldest company in Japan involved in present-day film production, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lower Depths (1957 Film)
is a 1957 Japanese film directed by Akira Kurosawa, the screenplay by Hideo Oguni and Akira Kurosawa was based on the 1902 play ''The Lower Depths'' by Maxim Gorky. The setting was changed for the film from late 19th-century Russia to Edo period Japan. Plot In a run-down Edo tenement, an elderly man and his bitter wife rent out rooms and beds to the poor. The tenants are gamblers, prostitutes, petty thieves and drunk layabouts, all struggling to survive. The landlady’s younger sister who helps the landlords with maintenance, brings in an old man and rents him a bed. Kahei, who dresses as a Buddhist pilgrim, quickly assumes the role of a mediator and grandfatherly figure, though there is an air of mystery about him, and some of the tenants suspect his past is not unblemished. Sutekichi, thief and self-appointed tenement leader, is having an affair with Osugi the landlady, though he is gradually shifting his attention to her sweet-tempered sister. Okayo thinks little of him, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
