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Wolfgang Rihm
Wolfgang Rihm (born 13 March 1952) is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Salzburg Festival. He was honoured as Officier of the Ordre des Arts et des Lettres in 2001. His musical work includes more than 500 works. In 2012, The Guardian wrote: "enormous output and bewildering variety of styles and sounds". Career Rihm was born on 13 March 1952, in Karlsruhe. He finished both his school and his studies in music theory and composition at the Hochschule für Musik Karlsruhe with in 1972, two years before the premiere of his early work ''Morphonie'' at the 1974 Donaueschingen Festival launched his career as a prominent figure in the European new music scene. Rihm's early work, combining contemporary techniques with the emotional volatility of Mahler and of Schoenberg's early expressionist period, was regarded by many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kölner Philharmonie
The Kölner Philharmonie is a symphonic concert hall located in Cologne, Germany. It is part of the building assemble of the Museum Ludwig and was opened in 1986. The Kölner Philharmonie is located close to the Cologne Cathedral and the Cologne Main Station. The ensemble was designed by the architects Busmann + Haberer in the 1980s. Building The concert hall The concert hall was made like an Amphitheatre, to get a close to perfect room acoustic. Therefore, there are no walls which are in parallel to each other, to produce no echo. Size and art of the padding for the seats is selected in a way, that the acoustic quieting is constant, independently of the fact if the seat is used by a person or not. Roof The hall has no columns in it and has place for 2,000 people. The size of the hall give some problems: The hall is below the public Heinrich-Böll square. Walking noise from people with stiletto heels or driving noise from skateboards or trolleys can be heard in the hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morton Feldman
Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating, pitch shadings that seem softly unfocused, a generally quiet and slowly evolving music, and recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration. Biography Feldman was born in Woodside, Queens, into a family of Russian-Jewish immigrants. His parents, Irving Feldman (1893–1985) and Frances Breskin Feldman (1897–1984), emigrated to New York from Pereiaslav (father, 1910) and Bobruysk (mother, 1901). His father was a manufacturer of children's coats. As a child he studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Lachenmann
Helmut Friedrich Lachenmann (born 27 November 1935) is a German composer of contemporary classical music. His work has been associated with "instrumental musique concrète". Life and works Lachenmann was born in Stuttgart and after the end of the Second World War (when he was 11) started singing in his local church choir. Showing an early aptitude for music, he was already composing in his teens. He studied piano with Jürgen Uhde and composition and theory with Johann Nepomuk David at the Musikhochschule Stuttgart from 1955 to 1958 and was the first private student of the Italian composer Luigi Nono in Venice from 1958 to 1960. He also worked briefly at the electronic music studio at the University of Ghent in 1965, composing his only published tape piece ''Szenario'' during that period, but thereafter focused almost exclusively on purely instrumental music. The brutality of his music led Francisco Estévez to compare his work to the paintings of Francis Bacon. Lachenmann has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Nono (composer)
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstädter Ferienkurse
Darmstädter Ferienkurse ("Darmstadt Summer Course") is a regular summer event of contemporary classical music in Darmstadt, Hesse, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt" (Vacation Courses of International New Music in Darmstadt), as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of contemporary music met first annually until 1970, and then biannually. The event was organised by the Kranichsteiner Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and experimental music with a focus on composition. The festival awards the for performers and young composers. History Overview The Ferienkurse were initiated in 1946 by Wolfgang Steinecke, then responsible for culture in the municipal government of Darmstadt. He directed them until his death in 1961, succeeded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Simplicity
New Simplicity (in German, ''Neue Einfachheit'') was a stylistic tendency amongst some of the younger generation of German composers in the late 1970s and early 1980s, reacting against not only the European avant garde of the 1950s and 1960s, but also against the broader tendency toward objectivity found from the beginning of the twentieth century. Alternative terms sometimes used for this movement are "Inclusive Composition", "New Subjectivity" (''Neue Subjektivität''), "New Inwardness" (''Neue Innigkeit''), "New Romanticism", "New Sensuality", "New Expressivity", "New Classicism", and "New Tonality". Goals At the end of the 1970s, the German movement was first recognized by Aribert Reimann, who named seven composers, not previously associated as a group, who had each come to similar positions "in an entirely personal fashion". These seven composers were: Hans-Jürgen von Bose, Hans-Christian von Dadelsen, Detlev Müller-Siemens, Wolfgang Rihm, Wolfgang von Schweinitz, Ulrich St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humphrey Searle
Humphrey Searle (26 August 1915 – 12 May 1982) was an English composer and writer on music. His music combines aspects of late Romanticism and modernist serialism, particularly reminiscent of his primary influences, Franz Liszt, Arnold Schoenberg and Anton Webern, who was briefly his teacher. As a writer on music, Searle published texts on numerous topics; he was an authority on the music of Franz Liszt, and created the initial cataloguing system for his works. Biography Searle was the son of Humphrey and Charlotte Searle and, through his mother, a grandson of Sir William Schlich. He was born in Oxford where he was a classics scholar before studying—somewhat hesitantly—with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six-month scholarship to become a private pupil of Anton Webern, which became decisive in his composition career. Searle was one of the foremost pioneers of serial music in the United Kingdom, and used his role a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Fortner
Wolfgang Fortner (12 October 1907 – 5 September 1987) was a German composer, composition teacher and conductor. Life Fortner was born in Leipzig. From his parents, who were both singers, Fortner very early on had intense contact with music. In 1927 he began his studies at the Leipzig Conservatory ( organ with Karl Straube, composition with Hermann Graubner) and at University of Leipzig, (philosophy with Hans Driesch, musicology with Theodor Kroyer, and German studies with Hermann August Korff) . While still a student, two of his early compositions were publicly performed: ''Die vier marianischen Antiphonen'' at the Lower Rhineland Festival in Düsseldorf in 1928, and his First String Quartet in Königsberg in 1930 . In 1931 he completed his studies with the State Exam for a high teaching office, after he accepted a lectureship in music theory at the Hochschule für Kirchenmusik Heidelberg. There his music was attacked as Cultural Bolshevism. In 1935 and 1936 Fortner create ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zeit
''Die Zeit'' (, "The Time") is a German national weekly newspaper published in Hamburg in Germany. The newspaper is generally considered to be among the German newspapers of record and is known for its long and extensive articles. History The first edition of ''Die Zeit'' was first published in Hamburg on 21 February 1946. The founding publishers were Gerd Bucerius, Lovis H. Lorenz, Richard Tüngel and Ewald Schmidt di Simoni. Another important founder was Marion Gräfin Dönhoff, who joined as an editor in 1946. She became publisher of ''Die Zeit'' from 1972 until her death in 2002, together from 1983 onwards with former German chancellor Helmut Schmidt, later joined by Josef Joffe and former German federal secretary of culture Michael Naumann. The paper's publishing house, Zeitverlag Gerd Bucerius in Hamburg, is owned by the Georg von Holtzbrinck Publishing Group and Dieter von Holtzbrinck Media. The paper is published weekly on Thursdays. As of 2018, ''Die Zeit'' has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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