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Wipe The Windows, Check The Oil, Dollar Gas
''Wipe the Windows, Check the Oil, Dollar Gas'' is a 1976 double album, double live album by the Allman Brothers Band. It collected a variety of performances from the popular mid-1970s line-up of the band, which featured pianist Chuck Leavell and bassist Lamar Williams. Songs from their popular 1973 ''Brothers and Sisters (album), Brothers and Sisters'' album were heavily featured, but each of their other studio albums was represented by a selection as well. Released after the group had already dissolved in acrimony, the album did not attract much praise or even attention at the time. The band did not like the selections, the sound mixing on the album was poor, the packaging was substandard, and the record also inevitably suffered by comparison to their classic 1971 ''At Fillmore East'', generally considered one of the best live albums of all time. Nevertheless, some of the 1973 performances, such as of "Southbound", are strong, and the energetic 1975 run-through of "Can't Lose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Win, Lose Or Draw (album)
''Win, Lose or Draw'' is the fifth studio album and sixth overall by American rock group the Allman Brothers Band. Produced by Johnny Sandlin and the band themselves, it was released on August 22, 1975 in the United States by Capricorn Records. It was the last studio album to feature bassist Lamar Williams and pianist Chuck Leavell. The band had previously released '' Brothers and Sisters'' in 1973 to critical and commercial success. The group toured the following year, attracting large crowds and earning substantial amounts of money, all while internal tension grew among the members. Vocalist and keyboardist Gregg Allman and vocalist and guitarist Dickey Betts released solo albums — '' The Gregg Allman Tour'' and ''Highway Call'', both issued that fall — which prompted speculation on the band's unity. When the band regrouped to work on ''Win, Lose or Draw'', unresolved issues arose in rehearsals. The band was particularly critical of Allman's decision to move to Los Angele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Memory Of Elizabeth Reed
"In Memory of Elizabeth Reed" is an instrumental composition by the American group The Allman Brothers Band. It first appeared on their second studio album, ''Idlewild South'' (1970), released on Capricorn Records. The jazz-influenced piece was written by guitarist Dickey Betts, among his first writing credits for the group. Betts named it after a headstone he saw for Elizabeth Jones Reed Napier in Rose Hill Cemetery (Georgia), Rose Hill Cemetery in the band's hometown of Macon, Georgia, Macon, Georgia (U.S. state), Georgia. Multiple versions of the composition have been recorded, with the version performed on the group's 1971 live album ''At Fillmore East'' generally considered the definitive rendition. Overview The original studio recording of "In Memory of Elizabeth Reed" is the fourth track on the group's 1970 album ''Idlewild South''. Composed by Dickey Betts, it is the first instrumental written by a band member, and the first of several that Betts would write and become k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramblin' Man (Allman Brothers Band Song)
"Ramblin Man" is a song by American rock band The Allman Brothers Band, released in August 1973 as the lead single from the group's fourth studio album, '' Brothers and Sisters'' (1973). Written and sung by guitarist Dickey Betts, the song was inspired by a 1951 song of the same name by Hank Williams. It is considerably more inspired by country music than other Allman Brothers Band compositions, which made the group reluctant to record it. Guitarist Les Dudek provides guitar harmonies, and it was one of bassist Berry Oakley's last contributions to the band. The song became the Allman Brothers Band's first and only top 10 single, peaking at number two on the ''Billboard'' Hot 100 chart and number 12 on the Easy Listening chart. Background "Ramblin Man" was first created during songwriting sessions for '' Eat a Peach''. An embryonic version, referring to a "ramblin' country man," can be heard on the bootleg ''The Gatlinburg Tapes'', featuring the band jamming on an off-day in Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dickey Betts
Forrest Richard Betts (born December 12, 1943) is an American guitarist, singer, songwriter, and composer best known as a founding member of The Allman Brothers Band. Early in his career, he collaborated with Duane Allman, introducing melodic twin guitar harmony and counterpoint which "rewrote the rules for how two rock guitarists can work together, completely scrapping the traditional rhythm/lead roles to stand toe to toe". Following Allman's death in 1971, Betts assumed sole lead guitar duties during the peak of the group's commercial success in the mid-1970s. Betts was the writer and singer on the Allmans' hit single " Ramblin' Man". He also gained renown for composing instrumentals, with one appearing on most of the group's albums, including "In Memory of Elizabeth Reed" and " Jessica" (which was later used as the theme to ''Top Gear''). The band went through a hiatus in the late 1970s, during which time Betts, like many of the other band members, pursued a solo career and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregg Allman
Gregory LeNoir Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country at times. He wrote several of the band's biggest songs, including "Whipping Post", "Melissa", and "Midnight Rider". Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida and then Macon, Georgia. He and his brother, Duane Allman, formed the Allman Brothers Band in 1969, which reached mainstream success with their 1971 live album ''At Fillmore East''. Shortly thereafter, Duane was killed in a motorcycle crash. The band continued, with '' Brothers and Sisters'' (1973) their most successful album. Allman began a solo career with ''Laid Back'' the same year, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Graham (promoter)
Bill Graham (born Wulf Wolodia Grajonca; January 8, 1931 – October 25, 1991) was a German-American impresario and rock concert promoter from the 1960s until his death in 1991 in a helicopter crash. On July 4, 1939, he was sent from Germany to France due to political uncertainty in his home country. At age 10, he settled into a foster home in the Bronx, New York. Graham graduated from DeWitt Clinton High School and subsequently from City College with a business degree. In the early 1960s, Graham moved to San Francisco, and in 1965, began to manage the San Francisco Mime Troupe. He had teamed up with local Haight Ashbury promoter Chet Helms to organize a benefit concert, then promoted several free concerts. This eventually turned into a profitable full-time career and he assembled a talented staff. Graham had a profound influence around the world, sponsoring the musical renaissance of the '60s from the epicenter, San Francisco. Chet Helms and then Bill Graham made famous t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Evans (artist)
Jim Evans, sometimes known as T.A.Z., is an American painter, printmaker, and creative director who was a contributing figure in the visual art movement known as underground comix. After a successful career as a comic illustrator, Evans worked as a painter, poster maker, and owner of the digital design group Division 13. Biography Early life Evans was born in San Diego amidst the surfing culture of southern California. After attending Oceanside High School, he played in several local bands and then created comic strips for the ''Los Angeles Free Press'' and other underground papers while working for Eric Matlen's Sawyer Press. Evans then began to take commissions doing work in several comic books. These included '' Yellow Dog'', and a solo effort titled ''The Dying Dolphin'', released by the Berkeley-based Print Mint, it included collaborations with Rick Griffin and Ron Cobb. Evans also drew for ''Slow Death Funnies'', and ''Tales from the Tube'', which was published by ''Sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Much Monkey Business
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, ''After School Session'', in May 1957; and as an EP. The single reached number four on ''Billboard'' magazine's Most Played In Juke Boxes chart, number 11 on the Most Played by Jockeys chart and number seven on the Top Sellers in Stores chart in 1956. Recording "Too Much Monkey Business" was recorded at Universal Recording Corporation in Chicago, Illinois on April 16, 1956. The session was produced by Leonard Chess and Phil Chess. Backing Berry were Johnnie Johnson (piano), Willie Dixon (double bass), and Fred Below (drums). Cover versions Elvis Presley recorded a cover of the song during a warm-up at the sessions for '' Stay Away, Joe'' and later released the song on ''Elvis Sings Flaming Star'' in 1969. Several British invasion bands recorded cover versions of "Too Much Monke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaimoe
John Lee Johnson (born July 8, 1944), frequently known by the stage names Jai Johanny Johanson and Jaimoe, is an American drummer and percussionist. He is best known as one of the founding members of the Allman Brothers Band. Johanson played with a number of Muscle Shoals and Memphis soul acts in the early-mid 1960s, such as Otis Redding and Sam and Dave, as a session and touring drummer. While recording and touring he would meet the various members of what would become the Allman Brothers Band. One of the few bands at the time to employ two drummers, alongside Butch Trucks they drew on R&B, blues, jazz, country, and rock to create a unique variety of southern rock. Upon the death of founding bassist Berry Oakley, Johanson brought in frequent collaborator Lamar Williams to replace him. While on hiatus from the Allman Brothers Band in the late 1970s, he formed the band Sea Level around a core of former Allman Brother Band members including Williams and pianist/vocalist Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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