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Wind Quintet No. 4 (Perle)
''Wind Quintet IV'' (1984–85) is George Perle's (1915–2009) fourth wind quintet. He was awarded the 1986 Pulitzer Prize for Music and a MacArthur Fellowship for the piece.Kozinn, Allan (January 24, 2009)"George Perle, a Composer and Theorist, Dies at 93" ''New York Times''. It was commissioned by the Dorian Wind Quintet, who gave the first performance of the work at Merkin Concert Hall on October 2, 1985.Elizabeth A. Brennan, Elizabeth C. Clarage (1999). ''Who's who of Pulitzer Prize winners'', p.444. . Structure The work is in four Movements: # Invention #Scherzo #Pastorale Pastorale refers to something of a pastoral nature in music, whether in form or in mood. In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of ''pifferari'', players of the tradi ... # Finale Sources Further reading *Rosenhaus, Steven L. (1995). " Harmonic Motion in George Perle's Wind Quintet No. 4," Ph.D. dissertation, School of Edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Perle
George Perle (6 May 1915 – 23 January 2009) was an American composer and music theorist. As a composer, his music was largely atonal, using methods similar to the twelve-tone technique of the Second Viennese School. This serialist style, and atonality in general, was the subject of much of his theoretical writings. His 1962 book, ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'' remains a standard text for 20th-century classical music theory. Among Perle's awards was the 1986 Pulitzer Prize for Music for his Wind Quintet No. 4. Life and career Perle was born in Bayonne, New Jersey. He graduated from DePaul University, where he studied with Wesley LaViolette and received private lessons from Ernst Krenek. Later, he served as a technician fifth grade in the United States Army during World War II. He earned his doctorate at New York University in 1956. Perle composed with a technique of his own devising called "twelve-tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Quintet
A wind quintet, also known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, French horn and bassoon). Unlike the string quartet (of 4 string instruments) with its homogeneous blend of sound color, the instruments in a wind quintet differ from each other considerably in technique, idiom, and timbre. The modern wind quintet sprang from the octet ensemble favored in the court of Joseph II in late 18th century Vienna: two oboes, two clarinets, two (natural) horns, and two bassoons. The influence of Haydn's chamber writing suggested similar possibilities for winds, and advances in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations. It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire. Though the form fell out of favor in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulitzer Prize For Music
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year." Because of the requirement that the composition have its world premiere during the year of its award, the winning work had rarely been recorded and sometimes had received only one performance. In 2004 the terms were modified to read, "For a distinguished musical composition by an American that has had its first performance or recording in the United States during the year." History In his will, dated April 16, 1904, Joseph Pulitzer established annual prizes for a number of creative accomplishments by living Americans, including prizes for journalism, novels, plays, historie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MacArthur Fellowship
The MacArthur Fellows Program, also known as the MacArthur Fellowship and commonly but unofficially known as the "Genius Grant", is a prize awarded annually by the MacArthur Foundation, John D. and Catherine T. MacArthur Foundation typically to between 20 and 30 individuals, working in any field, who have shown "extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction" and are citizens or residents of the United States. According to the foundation's website, "the fellowship is not a reward for past accomplishment, but rather an investment in a person's originality, insight, and potential," but it also says such potential is "based on a track record of significant accomplishments." The current prize is $800,000 paid over five years in quarterly installments. Previously it was $625,000. This figure was increased from $500,000 in 2013 with the release of a review of the MacArthur Fellows Program. Since 1981, 1,111 people have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian Wind Quintet
Dorian Wind Quintet is an American wind quintet. Formed at Tanglewood Music Festival, Tennessee, in 1961, their repertoire includes Baroque pieces to contemporary pieces. They have released recordings on Summit, New World, and CRI Records. Members have included Catherine Ransom Karoly and Jerry Kirkbride. They have commissioned works by composers including George Perle's '' Wind Quintet IV'', 1986 Pulitzer Prize for Music The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted i ... winner. In 1981 they were the first wind quintet to appear in Carnegie Hall. The ensemble's members are List of flautists, flutist Gretchen Pusch, List of oboists, oboist Gerard Reuter, List of clarinetists, clarinetist Benjamin Fingland, bassoonist Adrian Morejon and List of horn players, French hornist Karl Kram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merkin Concert Hall
Merkin Hall is a 449-seat concert hall in Manhattan, New York City. The hall, named in honor of Hermann and Ursula Merkin, is part of the Kaufman Music Center, a complex that includes the Lucy Moses School, a community arts school, and the Special Music School (P.S. 859), a New York City public school for musically gifted children. Merkin Hall hosts 70,000 concertgoers a year. Overview Merkin Hall opened in Kaufman Music Center's (then The Hebrew Art School's) Abraham Goodman House in 1978, and soon after distinguished itself as an important New York City venue, featuring innovative classical and new music programming (it is the recipient of three awards in Adventurous Programming by ASCAP/Chamber Music America). Located in the Lincoln Square neighborhood, it is near the Lincoln Center campus but is not affiliated with it. Merkin Hall hosts over 200 concerts a year, many of them Kaufman Music Center presentations. It has several long-running series, presenting established and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invention (musical Composition)
In music, an invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. (Compositions in the same style as an invention but using three-part counterpoint are known as ''sinfonias.'' Some modern publishers call them "three-part inventions" to avoid confusion with symphonies.) Well-known examples are the fifteen inventions that make up the first half of Johann Sebastian Bach's Inventions and Sinfonias. Inventions are usually not performed in public, but serve as exercises for keyboard students, and as pedagogical exercises for composition students. Form Inventions are similar in style to a fugue, though they are much simpler. They consist of a short exposition, a longer development, and, sometimes, a short recapitulation. The key difference is that inventions do not generally contain an answer to the subject in the dominant key, whereas the fugue does. Two-part and three-part inventions are in contrapuntal style. Exposition In the exposition, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorale
Pastorale refers to something of a pastoral nature in music, whether in form or in mood. In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of ''pifferari'', players of the traditional Italian bagpipe ( zampogna) and reed pipe (piffero). Pastorales are generally in 6/8 or 9/8 or 12/8 metre, at a moderate tempo. They resemble a slowed-down version of a tarantella, encompassing many of the same rhythms and melodic phrases. Common examples include the last movement of Corelli's ''Christmas Concerto'' (Op.6, No.8), the third movement of Vivaldi's ''Spring'' concerto from The Four Seasons, the '' Pifa'' movement of Handel's ''Messiah'', the first movements of Bach's ''Pastorale'' (BWV 590) for organ, and the ''Sinfonia'' that opens part II of his Christmas Oratorio as an introduction to the angelic announcement to the shepherds. Scarlatti wrote some examples in his keyboard sonatas, and many other composers in the tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.Koopman, John"Expressivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
