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Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Harlem, New York
East Harlem, also known as Spanish Harlem or and historically known as Italian Harlem, is a neighborhood of Upper Manhattan, New York City, roughly encompassing the area north of the Upper East Side and bounded by 96th Street to the south, Fifth Avenue to the west, and the East and Harlem Rivers to the east and north. Despite its name, it is generally not considered to be a part of Harlem proper, but it is one of the neighborhoods included in Greater Harlem. The neighborhood is one of the largest predominantly Hispanic communities in New York City, mostly made up of Puerto Ricans, as well as sizeable numbers of Dominican, Cuban and Mexican immigrants. The community is notable for its contributions to Latin freestyle and salsa music. East Harlem also includes the area formerly known as Italian Harlem, in which the remnants of a once predominantly Italian community remain. The Chinese population has increased dramatically in East Harlem since 2000. East Harlem has histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Santana
Carlos Humberto Santana Barragán (; born July 20, 1947) is an American guitarist who rose to fame in the late 1960s and early 1970s with his band Santana, which pioneered a fusion of Rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, ''Rolling Stone'' magazine listed him at No. 20 on their list of the 100 greatest guitarists. He has won 10 Grammy Awards and three Latin Grammy Awards, and was inducted along with his namesake band into the Rock and Roll Hall of Fame in 1998. Biography Early life Santana was born in Autlán de Navarro in Jalisco, Mexico on July 20, 1947. He learned to play the violin at age five and the guitar at age eight, under the tutelage of his father, who was a mariachi musician. His young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verve Records
Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, and Oscar Peterson, among others. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records. Verve also served as the original home of rock acts such as The Velvet Underground, Frank Zappa and the Mothers of Invention. The restructured Verve Records is now part of the Verve Label Group (VLG), a subsidiary of Universal Music Group. This company is also home to historic imprints including Verve Forecast, Impulse! and Decca Records. History Norman Granz created Verve to produce new recordings by Ella Fitzgerald, whom he managed; the first album the label released was ''Ella Fitzge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Sauce
''Soul Sauce'' is an album by Latin jazz vibraphonist Cal Tjader recorded in late 1964 and released on the Verve label.Verve Records discography accessed April 3, 2014 Reception The review by Stephen Cook awarded the album 4½ stars, stating: "''Soul Sauce'' is one of the highlights from Tjader's catalog with its appealing mixture of mambo, samba, bolero, and boogaloo styles... an album full of smart arrangements, subtly provocative vibe solos, and intricate percussion backing."Cook, S.Allmusic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy Records
Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its investors, but in more recent years the label has been known for its recordings of comedian Lenny Bruce, jazz pianist Vince Guaraldi, the last recordings made on the Wurlitzer organ in the San Francisco Fox Theatre before the theatre was demolished, organist Korla Pandit, the 1960s rock band Creedence Clearwater Revival, bandleader Woody Herman, and Disco/R&B singer Sylvester. Formation In 1949, Jack Sheedy, owner of a San Francisco-based record label called Coronet, was talked into making the first recording of an octet and a trio featuring Dave Brubeck (not to be confused with either the Australian Coronet Records or the New York City-based Coronet Records of the late 1950s). Sheedy's Coronet Records had recorded area Dixieland bands. But he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cal Tjader
Callen Radcliffe Tjader Jr. ( ; July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America. Cal Tjader played the vibraphone primarily, but was accomplished on the drums, bongos, congas, timpani, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing Jazz with Latin music is often categorized as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy award in 1980 for his album ''La Onda Va Bien'' capped off a career that spanned over forty years. Early years (1925–1943) Callen Radcliffe Tjader Jr. was born July 16, 1925, in St. Louis to touring Swedish American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongo Santamaría
Ramón "Mongo" Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's " Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s. Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente "Chicho" Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente's ''conguero'' and in 1957 he joined Cal Tjader's band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito
Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with the singer Graciela, his foster sister. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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