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William Shakespeare's Late Romances
The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising ''Pericles, Prince of Tyre''; ''Cymbeline''; ''The Winter's Tale''; and '' The Tempest''. ''The Two Noble Kinsmen'', of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's ''Shakespeare: A Critical Study of His Mind and Art'' (1875). Later writers have generally been content to adopt Dowden's term. Shakespeare's plays cannot be precisely dated, but it is generally agreed that these comedies followed a series of tragedies including '' Othello'', ''King Lear'' and '' Macbeth''. Shakespeare wrote tragedies because their productions were financially successful, but he returned to comedy towards the end of his career, mixing it with tragic and mystical elements. Shakespeare's late romances were also influenced by the development of tragicomedy and the extreme elaboration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miranda - The Tempest JWW
Miranda may refer to: Law * ''Miranda v. Arizona'', an American legal case * Miranda warning, ''Miranda'' warning, an American police warning given to suspects about their rights, before they are interrogated Places Australia * Miranda, New South Wales * Miranda railway station, New South Wales Portugal * Miranda do Corvo, a ''município'' in Coimbra District, Centro * Miranda do Douro (parish), a ''freguesia'' in Bragança District, Norte * Miranda do Douro, a ''município'' in Bragança District, Norte * Terra de Miranda, a plateau in Bragança District, Norte Spain * Miranda (Avilés), a parish of Avilés, Asturias * Belmonte de Miranda, Asturias * Miranda de Arga, Navarre * Miranda de Ebro, Castile and Leon * , in Los Rábanos, in the Province of Soria, Castile and Leon * Miranda del Castañar, in the Province of Salamanca, Castile and Leon United States * Miranda, California * Miranda, South Dakota Venezuela * Miranda (state) * Francisco de Miranda Municipality, Anzoáteg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VIII (play)
''Henry VIII'' is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, , is recorded in contemporary documents, with the title not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays. During a performance of ''Henry VIII'' at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original Globe building to the ground. Characters * Prologue/Epilogue * Henry VIII – King of England * Cardinal Wolsey – Archbishop of York and Lord Chancellor; initially, Henry's chief adviser * Queen Katherine – later d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Chamberlain's Men
The Lord Chamberlain's Men was a company of actors, or a "playing company" (as it then would likely have been described), for which Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I. It was founded during the reign of Elizabeth I of England in 1594 under the patronage of Henry Carey, 1st Baron Hunsdon, then the Lord Chamberlain, who was in charge of court entertainments. After Carey's death on 23 July 1596, the company came under the patronage of his son, George Carey, 2nd Baron Hunsdon, for whom it was briefly known as Lord Hunsdon's Men. When George Carey in turn became Lord Chamberlain on 17 March 1597, it reverted to its previous name. The company became the King's Men in 1603 when King James ascen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James VI And I
James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until his death in 1625. The kingdoms of Scotland and England were individual sovereign states, with their own parliaments, judiciaries, and laws, though both were ruled by James in personal union. James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He succeeded to the Scottish throne at the age of thirteen months, after his mother was compelled to abdicate in his favour. Four different regents governed during his minority, which ended officially in 1578, though he did not gain full control of his government until 1583. In 1603, he succeeded Elizabeth I, the last Tudor monarch of England and Ireland, who died childless. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth I
Elizabeth I (7 September 153324 March 1603) was Queen of England and Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed when Elizabeth was two years old. Anne's marriage to Henry was annulled, and Elizabeth was for a time declared illegitimate. Her half-brother Edward VI ruled until his death in 1553, bequeathing the crown to Lady Jane Grey and ignoring the claims of his two half-sisters, the Catholic Mary and the younger Elizabeth, in spite of statute law to the contrary. Edward's will was set aside and Mary became queen, deposing Lady Jane Grey. During Mary's reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant rebels. Upon her half-sister's death in 1558, Elizabeth succeeded to the throne and set out to rule by good counsel. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Masque Of Queens
''The Masque of Queens, Celebrated From the House of Fame'' is one of the earlier works in the series of masques that Ben Jonson composed for the House of Stuart in the early 17th century. Performed at Whitehall Palace on 2 February 1609, it marks a notable development in the masque form, in that Jonson defines and elaborates the anti-masque for the first time in its pages. Masque development In his preceding masques, Jonson had been experimenting with elements of sharper opposition and variety: ''The Masque of Blackness'' ( 1605) and ''The Masque of Beauty'' (1608), both written for and featuring Queen Anne, form a contrasting and complementary pairing; ''Hymenaei'' (1606) contained two contrasting sets of masquers; and ''The Hue and Cry After Cupid'' (1608) featured twelve boy torchbearers "in antic attire." In the case of ''The Masque of Queens'', Jonson writes that Queen Anne "had commanded me to think on some dance or show that might precede hers and have the place of a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Masque Of Blackness
''The Masque of Blackness'' was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark, the queen consort of King James I, who wished the masquers to be disguised as Africans. Anne was one of the performers in the masque along with her court ladies, all of whom appeared in blackface makeup. In a ceremony earlier on the day, Charles I of England, Anne's second son (who was still in Scotland at Dunfermline Palace) was given the title of Duke of York. The plot of the masque follows the ladies arriving at the royal court to be "cleansed" of their blackness by King James; a stage direction that was impossible to fulfill on stage. They had been instructed by a riddle to seek the land "Britannia". The theme of the masque was a commentary on the Jacobean debate on the Union and the disparate identities of the people of Britain. ''The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
