William Newark
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William Newark
William Newark (c. 1450–1509, sometimes spelt Newerk) was an English choirmaster and composer. He served at the Chapel Royal under five English kings. Rank and income Newark was born in Newark-on-Trent about 1450. He was admitted in 1476 into the Fraternity of St Nicholas, a London-area organization of musicians, and appointed to the Gentlemen of the Chapel Royal in 1477, where he served until his death under five English kings (Edward IV, Edward V, Richard III, Henry VII and Henry VIII, see List of English Monarchs). On 23 November 1480, Newark was confirmed in the benefice of St Mary's Priory, Thetford, granted to him in the previous year. He received a corrody from there, and also from the Abbey of St Benet of Hulme, Norfolk (from 1487) and Gloucester Abbey (from 1492). Meanwhile, in 1485, Newark received a life grant of £20 from the King's manor at Bletchingley. In 1492, he was paid 20 shillings by the King "for making of a Song". In 1493, Henry VII formally appointed ...
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Chapel Royal
The Chapel Royal is an establishment in the Royal Household serving the spiritual needs of the sovereign and the British Royal Family. Historically it was a body of priests and singers that travelled with the monarch. The term is now also applied to the chapels within royal palaces, most notably at Hampton Court and St James's Palace, and other chapels within the Commonwealth designated as such by the monarch. Within the Church of England, some of these royal chapels may also be referred to as Royal Peculiars, an ecclesiastical jurisdiction of the monarch. The Dean of His Majesty's Chapels Royal is a royal household office that in modern times is usually held by the Bishop of London. The Chapel Royal's most public role is to perform choir, choral liturgical music, liturgical service. It has played a significant role in the musical life of the nation, with composers such as Thomas Tallis, Tallis, William Byrd, Byrd, John Bull (composer), Bull, Orlando Gibbons, Gibbons and Henry ...
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Rhyme Royal
Rhyme royal (or rime royal) is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries. Form The rhyme royal stanza consists of seven lines, usually in iambic pentameter. The rhyme scheme is ABABBCC. In practice, the stanza can be constructed either as a tercet and two couplets (ABA BB CC) or a quatrain and a tercet (ABAB BCC). This allows for variety, especially when the form is used for longer narrative poems. Thanks to the form's spaciousness compared to quatrains, and the sense of conclusion offered by the couplet of new rhyme in the sixth and seventh lines, it is thought to have a cyclical, reflective quality. History Introduction and success Chaucer first used the rhyme royal stanza in his long poems ''Troilus and Criseyde'' and the ''Parlement of Foules'', wr ...
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Masters Of The Children Of The Chapel Royal
The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some periods regarded as the most prestigious choral directorship in the country, the holder was given power to take boys into service from the leading cathedral choirs. Description As well as singing in divine service in the chapel, in Tudor times the Masters of the Children were also involved in staging plays with the choristers. Initially these were for the entertainment of the Royal Court, but by Elizabethan times were taking place in theatres for the paying public. This culminated in the Clifton Star Chamber Case when the then Master of the Children, Nathaniel Giles, allowed his warrant for recruiting choir boys to be used for legal abduction of a nobleman's son to act in a theatre in which he had a financial stake. Following this case t ...
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16th-century English Composers
The 16th century begins with the Julian year 1501 (Roman numerals, MDI) and ends with either the Julian or the Gregorian calendar, Gregorian year 1600 (Roman numerals, MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western culture, Western civilization and the Gunpowder empires, Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported ...
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15th-century English Musicians
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world and ...
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