William Kozlenko
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William Kozlenko
William Kozlenko was a playwright, screenwriter, and editor of multiple stage-play compilations and anthologies, as well as being a founding editor of ''One-Act Play Magazine'', which published from 1937–1942,''One-Act Play Magazine''
(serials catalog entry), Hathi Trust digital catalog. Retrieved 2019-10-24.
and a co-founder of the One-Act Repertory Theater. Foote, Horton. ''Genesis of an American playwright'', Baylor University Press, 2004, page 104. His best-known editorial compilations include ''The Disputed Works of '' and the 1938 collection ''The Best S ...
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Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ...
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Screenwriter
A screenplay writer (also called screenwriter, scriptwriter, scribe or scenarist) is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based. Terminology In the silent era, writers now considered screenwriters were denoted by terms such as photoplaywright, photoplay writer, photoplay dramatist and screen playwright.Steven Maras. ''Screenwriting: History, Theory and Practice.'' Wallflower Press, 2009. pp. 82–85. Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown and argues that they cannot be precisely equated with present-day screenwriters because they were responsible for a technical product, a brief "scenario", "treatment", or "synopsis" that is a written synopsis of what is to be filmed. Profession Screenwriting is a freelance profession. No education is required to be a professional scree ...
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Editor
Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organisation, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap. The top editor ...
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Horton Foote
Albert Horton Foote Jr. (March 14, 1916March 4, 2009) was an American playwright and screenwriter. He received Academy Awards for his screenplays for the 1962 film ''To Kill a Mockingbird'', which was adapted from the 1960 novel of the same name by Harper Lee, and his original screenplay for the film ''Tender Mercies'' (1983). He was also known for his notable live television dramas produced during the Golden Age of Television. Foote received the 1995 Pulitzer Prize for Drama for his play '' The Young Man From Atlanta''. He was the inaugural recipient of the Austin Film Festival's Distinguished Screenwriter Award. In 2000, he was awarded the National Medal of Arts. Early life Foote was born in 1916 in Wharton, Texas, the son of Harriet Gautier "Hallie" Brooks (1894–1974) and Albert Horton Foote (1890–1973). His younger brothers were Thomas Brooks Foote (1921–44), who died in aerial combat over Germany during World War II, and John Speed Foote (1923–95). Television Foot ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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Social Justice
Social justice is justice in terms of the distribution of wealth, opportunities, and privileges within a society. In Western and Asian cultures, the concept of social justice has often referred to the process of ensuring that individuals fulfill their societal roles and receive their due from society. In the current movements for social justice, the emphasis has been on the breaking of barriers for social mobility, the creation of safety nets, and economic justice. Social justice assigns rights and duties in the institutions of society, which enables people to receive the basic benefits and burdens of cooperation. The relevant institutions often include taxation, social insurance, public health, public school, public services, labor law and regulation of markets, to ensure distribution of wealth, and equal opportunity. Interpretations that relate justice to a reciprocal relationship to society are mediated by differences in cultural traditions, some of which emphasize t ...
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Clifford Odets
Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize-winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. From January 1935, Odets's socially relevant dramas were extremely influential, particularly for the remainder of the Great Depression. His works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, and David Mamet. After the production of his play ''Clash by Night (play), Clash by Night'' in the 1941–42 season, Odets focused his energies primarily on film projects, remaining in Hollywood for the next seven years. He returned to New York in 1948 for five and a half years, during which time he produced three more Broadway plays, only one of which was a success. His prominence was eventually eclipsed by Miller, Ten ...
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Waiting For Lefty
''Waiting for Lefty'' is a 1935 play by the American playwright Clifford Odets; it was his first play to be produced. Consisting of a series of related vignettes, the entire play is framed by a meeting of cab drivers who are planning a labor strike. The framing uses the audience as part of the meeting. The play debuted on Sunday, January 6, 1935, at the Civic Repertory Theatre on 14th Street, as part of a benefit performance for ''New Theatre'' magazine. It premiered on Broadway at the Longacre Theatre on March 26, 1935, under the auspices of the Group Theatre, a New York City theatre company founded by Harold Clurman, Cheryl Crawford and Lee Strasberg, of which Odets was a member. The company was founded as a training ground for actors, and also to support new plays, especially those that expressed the social and political climate of the day. The play was requested by many theater and labor groups in numerous other cities around the United States. It premiered in London in 1936 ...
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Marc Blitzstein
Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical ''The Cradle Will Rock'', directed by Orson Welles, was shut down by the Works Progress Administration. He is known for ''The Cradle Will Rock'' and for his off-Broadway translation/adaptation of ''The Threepenny Opera'' by Bertolt Brecht and Kurt Weill. His works also include the opera '' Regina'', an adaptation of Lillian Hellman's play ''The Little Foxes''; the Broadway musical ''Juno'', based on Seán O'Casey's play '' Juno and the Paycock''; and ''No for an Answer''. He completed translation/adaptations of Brecht's and Weill's musical play ''Rise and Fall of the City of Mahagonny'' and of Brecht's play ''Mother Courage and Her Children'' with music by Paul Dessau. Blitzstein also composed music for films, such as ''Surf and Seaweed'' (1931) and '' The Spanish Earth'' (1937), and he contributed two songs to th ...
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The Cradle Will Rock
''The Cradle Will Rock'' is a 1937 play in music by Marc Blitzstein. Originally a part of the Federal Theatre Project, it was directed by Orson Welles and produced by John Houseman. A Brechtian allegory of corruption and corporate greed, it includes a panoply of social figures. Set in "Steeltown, USA", it follows the efforts of Larry Foreman to unionize the town's workers and combat wicked, greedy businessman Mr. Mister, who controls the town's factory, press, church, and social organization. The piece is almost entirely sung-through, giving it many operatic qualities, although Blitzstein included popular song styles of the time. The WPA temporarily shut down the project a few days before it was to open on Broadway. To avoid government and union restrictions, the show was performed on June 16, 1937 with Blitzstein playing piano onstage and the cast members singing their parts from the audience."Steel Strike Opera Is Put Off By WPA". ''The New York Times''. June 17, 1937, p. 1 ...
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Christopher Isherwood
Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was an Anglo-American novelist, playwright, screenwriter, autobiographer, and diarist. His best-known works include '' Goodbye to Berlin'' (1939), a semi-autobiographical novel which inspired the musical ''Cabaret''; ''A Single Man'' (1964), adapted as a film by Tom Ford in 2009; and '' Christopher and His Kind'' (1976), a memoir which "carried him into the heart of the Gay Liberation movement". Biography Early life and work Isherwood was born in 1904 on his family's estate in Cheshire near Stockport in the north-west of England. He was the elder son of Francis Edward Bradshaw Isherwood (1869–1915), known as Frank, a professional soldier in the York and Lancaster Regiment, and Kathleen Bradshaw Isherwood, nee Machell Smith (1868–1960), the only daughter of a successful wine merchant. He was the grandson of John Henry Isherwood, squire of Marple Hall and Wyberslegh Hall, Cheshire, and he included ...
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The Dog Beneath The Skin
''The Dog Beneath the Skin, or Where is Francis? A Play in Three Acts'', by W. H. Auden and Christopher Isherwood, was the first Auden-Isherwood collaboration and an important contribution to English poetic drama in the 1930s. It was published in 1935 and first performed by the Group Theatre in 1936. The play describes the quest by the hero Alan Norman to find Sir Francis Crewe, the missing heir of Honeypot Hall in Crewe. The quest takes him on a satiric journey through Europe and England, accompanied by a large dog, who proves to be Sir Francis in disguise. Auden and Isherwood wrote two versions of the end of the play. In Isherwood's version, which appears in the printed text, Sir Francis denounces the villagers and leaves to join a vaguely defined revolutionary movement. In Auden's revised version, which was performed on stage, Sir Francis denounces the villagers and is killed. The play is based in part on two earlier plays by Auden alone, "The Fronny", written in 1930, and ...
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