William Brown Macdougall
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William Brown Macdougall
William Brown Macdougall (16 December 1868 – 20 April 1936) was a Scottish artist, wood engraver, etcher and book illustrator. Biography Macdougall was born in Glasgow on 16 December 1868. He was married to Margaret Armour, the translator, poet and playwright. They collaborated with Aubrey Beardsley on many projects and were members of the prestigious New English Art Club. The couple lived in the Uplands, Loughton, and then for many years at Debden Green, Loughton in Essex, home at the time of a noted artistic and scientific community, where a Blue Plaque commemorating them was unveiled in 2012. Macdougall received his art education at the Glasgow Academy and at the Académie Julian in Paris, also working in the studios of Bouguereau, Jean-Paul Laurens and Tony Robert-Fleury, and becoming a member of the ''Salon des Artistes Français''. He contributed to ''The Yellow Book'', ''The Evergreen'', and ''The Savoy'' in the 1890s. His work tended to be somewhat sombre and was ...
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William Brown Macdougall12
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a ...
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Tony Robert-Fleury
Tony Robert-Fleury (1 September 18378 December 1911) was a French painter, known primarily for historical scenes. He was also a prominent art teacher, with many famous artists among his students. Biography He was born just outside Paris, and studied under his father Joseph-Nicolas Robert-Fleury and under Paul Delaroche and Léon Cogniet at the École des Beaux-Arts (School of Fine Arts) in Paris. His first painting at the Salon de Paris, in 1866, was a large historical canvas, titled ''Varsovie, Scène de l'Insurrection Polonaise'', recalling the events of 8 April 1861 in Warsaw, when Russian troops quenched riots by force. In the following year, his "Old Women in the Place Navone, Rome" was purchased by the Musée du Luxembourg. In 1870, he painted a canvas of ''Le Dernier Jour de Corinthe'' (''Last Day of Corinth''), which depicted the last day before the Roman legions looted and burned the ancient Greek city, according to Livy. This painting was also purchased by the Musée ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Manchester City Art Gallery
Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry. Both Barry's buildings are listed. The building that links them was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions. It opened in 2002 following a major renovation and expansion project undertaken by the art gallery. Manchester Art Gallery is free to enter and open six days a week, closed Mondays It houses many works of local and international significance and has a collection of more than 25,000 objects. More than half a million people visited the museum in the period of a year, according to figures released in April 2014. History Royal Manchester Institution The Royal Manchester Institution was a scholarly s ...
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Walker Art Gallery, Liverpool
The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group. History of the Gallery The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates. In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing. The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society fo ...
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Royal Glasgow Institute Of The Fine Arts
The Royal Glasgow Institute of the Fine Arts (RGI) is an independent organisation in Glasgow, founded in 1861, which promotes contemporary art and artists in Scotland. The institute organizes the largest and most prestigious annual art exhibition in Scotland - open to all artists. The RGI also owns and runs the Kelly Gallery. Situated on Douglas Street in Glasgow City Centre, the Kelly Gallery hosts a running programme of exhibitions and events. The award of RGI is made to artists for artistic merit and their dedication to the institute. There is a corpus of fifty such awards. Any vacancy is filled through persons being proposed, demonstrating work, and being elected at a specially convened meeting of RGIs. Early days By the middle of the 19th century, Glasgow had become the most important center for trade and industry in Scotland. The city had numerous theatres, concert halls and libraries, but no regular exhibitions for the works of contemporary painters and sculptors. From ...
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Royal Scottish Academy
The Royal Scottish Academy (RSA) is the country’s national academy of art. It promotes contemporary Scottish art. The Academy was founded in 1826 by eleven artists meeting in Edinburgh. Originally named the Scottish Academy, it became the Royal Scottish Academy on being granted a royal charter in 1838. The RSA maintains a unique position in the country as an independently funded institution led by eminent artists and architects to promote and support the creation, understanding, and enjoyment of visual arts through exhibitions and related educational events. Overview In addition to a continuous programme of exhibitions, the RSA also administers scholarships, awards, and residencies for artists who live and work in Scotland. The RSA's historic collection of important artworks and an extensive archive of related material chronicling art and architecture in Scotland over the last 180 years are housed in the National Museums Collection Centre at Granton, and are available to r ...
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Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Robert Louis Stevenson
Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894) was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as ''Treasure Island'', ''Strange Case of Dr Jekyll and Mr Hyde'', '' Kidnapped'' and ''A Child's Garden of Verses''. Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life, but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in ''Treasure Island''. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned away from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at ...
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William Morris
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving t ...
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