William Boxall
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William Boxall
Sir William Boxall (29 June 1800 – 6 December 1879) was an English painter and museum director. Early life and education He was born at Oxford on 29 June 1800, and baptised 29 July at St Michael's Church, Oxford, to Thomas Boxall (d. 1847) and his wife Diana (nee Perrett, d.1841). He had an older sister Anne (1794–1846) and a younger sister Emma (1807–1850). He was educated at John Roysse's Free School in Abingdon-on-Thames (now Abingdon School), before entering the Royal Academy Schools in 1819. Career Between 1827 and 1845 he made a number of trips to Italy to study the old masters. Initially hoping to make his name as a history painter, Boxall later had to turn to the more lucrative genre of portraiture. Among his friends were William Wordsworth, whose portrait he painted, the sculptor John Gibson and the painter Sir Edwin Landseer. He was the executor of the will of Sir Charles Lock Eastlake, his predecessor as Director of the National Gallery. Following his appoi ...
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Michelangelo Pittatore
Michelangelo Pittatore (12 February 1825, Asti - 24 March 1903, Asti) was an Italian painter who specialized in portraits and religious paintings. Biography His father originally wanted to be a painter, but gave it up to support his family, becoming a framer and decorator instead. When he saw that his son had some artistic talent, he sent him, at the age of eleven, to study with Agostino Cottolengo, who he remained with until 1838.Brief biography
by Andrea Rocco @ the Asti website.
When he turned fourteen, his father decided that he needed more formal instruction and enrolled him in classes at the

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Edward Middleton Barry
Edward Middleton Barry RA (7 June 1830 – 27 January 1880) was an English architect of the 19th century. Biography Edward Barry was the third son of Sir Charles Barry, born in his father's house, 27 Foley Place, London. In infancy he was delicate, and was placed under the care of a confidential servant at Blackheath. At an early age he was sent to school in that neighbourhood, and then to a private school at Walthamstow, where he remained until he became a student at King's College London. He was apprenticed to Thomas Henry Wyatt for a short time, after which he joined his father's practice. He continued to assist his father until the latter's sudden death in 1860, but he had already made considerable progress in working on his own account. In 1848 he had become a student at the Royal Academy, and even while assisting his father found time to devote to works of his own. The first of these was St. Saviour's Church, Haverstock Hill, in 1855–56. His designs for St. Giles's ...
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Oxford Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biographical collections published elsewhere in Europe, such as the '' Allgemeine Deutsche Biographie'' (1875), in 1882 the publisher George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the name of an earlier eightee ...
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Susanna Avery-Quash
Susanna Mary Avery-Quash (born 1970) is a British art historian, curator, and author. She is senior research curator at the National Gallery, researching its collections and curating 19th-century items in its history collection, and a research fellow in the history of art at the University of Buckingham. She has written widely on her subject, with particular interests in early Italian art and the growth of the international art market, and is a contributor to the ''Oxford Dictionary of National Biography''. Early life Avery-Quash is a daughter of Dr Charles Avery of Beckenham, and his wife Kathleen Jones. When she was born, her father was deputy keeper of sculpture at the Victoria and Albert Museum and later directed the sculpture department of Christie's."Avery, Dr Charles Henry Francis", in Daniel Sefton, ed., ''Debrett's People of Today'' Vol. MMVII (2006), p. 59; "Avery, Dr Charles Henry Francis", in ''Marquis Who’s Who'', marquiswhoswho.com, accessed 27 July 2022 She was educ ...
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List Of Old Abingdonians
Old Abingdonians are former pupils of Abingdon School or, in some cases, Honorary Old Abingdonians who have been awarded the status based on service to the School. The Old Abingdonians also run the Old Abingdonian Club (OA club) which is an organisation hosted by the school. It was founded in 1743. Born in the 12th century * Edmund of Abingdon, St Edmund Rich (St Edmund of Abingdon) (c.1174–1240), Archbishop of Canterbury 1233–1240 (may have attended Abingdon) Born in the 16th century * John Bennet (judge), Sir John Bennet (1552–1627), Chancellor of the Diocese of York, Judge and politician * William Bennet (MP for Ripon), William Bennet (1553–1609), MP and founder of the Bennet scholarship * John Blacknall (1583–1625), land and mill owner and founder of Blacknall bequest * John Mason (diplomat), Sir John Mason (1502–1566), diplomat, spy, and Chancellor of Oxford University * Robert Payne (natural philosopher), Robert Payne (1596–1651), English cleric and academic ...
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Royal Academician
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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Associate Of The Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade l ...
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Nicolaes Maes
Nicolaes Maes (January 1634December 1693 (buried 24 December 1693)) was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time.Nicolaes Maes, ''Portrait of a man''
at the Museo Nacional Thyssen-Bornemisza, Madrid
Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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House Of Lords
The House of Lords, also known as the House of Peers, is the Bicameralism, upper house of the Parliament of the United Kingdom. Membership is by Life peer, appointment, Hereditary peer, heredity or Lords Spiritual, official function. Like the House of Commons of the United Kingdom, House of Commons, it meets in the Palace of Westminster in London, England. The House of Lords scrutinises Bill (law), bills that have been approved by the House of Commons. It regularly reviews and amends bills from the Commons. While it is unable to prevent bills passing into law, except in certain limited circumstances, it can delay bills and force the Commons to reconsider their decisions. In this capacity, the House of Lords acts as a check on the more powerful House of Commons that is independent of the electoral process. While members of the Lords may also take on roles as government ministers, high-ranking officials such as cabinet ministers are usually drawn from the Commons. The House of Lo ...
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Manchester Madonna
__NOTOC__ ''The Madonna and Child with St John and Angels'' (c. 1497), also known as ''The Manchester Madonna'', is an unfinished painting attributed to Michelangelo in the National Gallery, London. It is one of three surviving panel paintings attributed to the artist and is dated to his first period in Rome. Attribution of the painting to Michelangelo was in doubt for much of the nineteenth and twentieth centuries, but now most scholars are in agreement. The work first came to public attention in the Art Treasures Exhibition in Manchester in 1857, hence the title the “Manchester Madonna”. Like other Renaissance paintings of the Madonna and Child that include John the Baptist, the subject arises from a non-Biblical tradition that Virgin Mary and the Child Jesus met Christ's cousin St John the Baptist, on the Holy Family's Flight into Egypt. The Virgin is depicted with one breast bared, as if she has recently been suckling her infant son; this recalls the theme of the Virgi ...
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The Entombment (Michelangelo)
''The Entombment'' is an unfinished oil-on-panel painting of the burial of Jesus, now generally attributed to the Italian Renaissance master Michelangelo Buonarroti and dated to around 1500 or 1501. It is in the National Gallery in London, which purchased the work in 1868 from Robert Macpherson, a Scottish photographer resident in Rome, who, according to various conflicting accounts, had acquired the painting there some 20 years earlier. It is one of a handful of paintings attributed to Michelangelo, alongside the ''Manchester Madonna'', the Doni Tondo, and possibly, ''The Torment of Saint Anthony''. History The chronological position of this work has been the source of some dispute, although it is generally considered an early work. Some authorities believe that it may have been executed by one of Michelangelo's pupils from a drawing by the master or was a direct imitation of his work. According to documents discovered in 1981, Michelangelo had been commissioned in 1500 to pain ...
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