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William Blake's Illustrations Of The Book Of Job
William Blake's ''Illustrations of the Book of Job'' primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject (1806 and 1821). The engraved ''Illustrations'' are considered to be Blake's greatest masterpieces in the medium of engraving, and were also a rare commercial and critical success for Blake. Development and printing history Origins As early as 1785 Blake had sketched several ink studies of an illustration to Job. In 1793 Blake engraved a composition based upon these drawings, which he offered for sale in the ''Prospectus to the Public'' for twelve shillings. This, alongside an engraving of Ezekiel, are the only extant examples of an intended series of biblical illustrations that were never completed. Blake reworked the Job plate sometime after 1804, but the resulting print was not included in the ''Illustrations''. Blake's ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blake Job Evil Dreams Detail Bb421 1 13-12 Ps 300
Blake is a surname which originated from Old English. Its derivation is uncertain; it could come from "blac", a nickname for someone who had dark hair or skin, or from "blaac", a nickname for someone with pale hair or skin. Another theory, presumably in the belief it is a Welsh patronymic in origin, for which there is no evidence, was that it is a corruption of "Ap Lake", meaning "Son of Lake". Blake was the name of one of the 14 Tribes of Galway in Ireland. These Blakes were descendants of Richard Caddell, alias Blake, who was involved in the Norman invasion of Ireland in 1169. As such a long present foreign name, it became known as de Bláca in Irish. The origins of the name Blake are also considered to be Old Norse, first appearing in Yorkshire, England, possibly derived from the word Blaker, referring to a village and a former municipality of Akershus county, Norway (east of Oslo). Blake often refers to the British poet, painter and printmaker William Blake (1757–1827). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of acid, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Blake 008
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German '' Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urizen
In the mythology of William Blake, Urizen () is the embodiment of conventional reason and law. He is usually depicted as a bearded old man; he sometimes bears architect's tools, to create and constrain the universe; or nets, with which he ensnares people in webs of law and conventional society. Originally, Urizen represented one half of a two-part system, with him representing reason and Los, his opposition, representing imagination. In Blake's reworking of his mythic system, Urizen is one of the four '' Zoas'' that result from the division of the primordial man, Albion, and he continues to represent reason. He has an Emanation, or paired female equivalent, Ahania, who stands for Pleasure. In Blake's myth, Urizen is joined by many daughters with three representing aspects of the body. He is also joined by many sons, with four representing the four elements. These sons join in rebellion against their father but are later united in the Last Judgment. In many of Blake's books, Uri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectre (Blake)
The Spectre is one aspect of the fourfold nature of the human psyche along with Humanity, Emanation and Shadow that William Blake used to explore his spiritual mythology throughout his poetry and art. As one of Blake's elements of the psyche, Spectre takes on symbolic meaning when referred to throughout his poems. According to professor Joseph Hogan, "Spectre functions to define individuals from others ..When it is separated rom Emanation it is reason, trying to define everything in terms of unchanging essences." Thus, according to Samuel Foster Damon, Spectre epitomizes "Reason separated from humanity" and "Self-centered selfhood" or, as Alexander S. Gourlay puts it, Spectre is "characterized by self-defensive rationalization". Spectre appears in several of Blake's works, including ''Jerusalem'', '' Milton: a poem'' and ''The Four Zoas''. Because of its widespread presence in Blake's more mythological works, scholars have reflected on Spectre through multiple critical appro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ten Commandments
The Ten Commandments (Biblical Hebrew עשרת הדברים \ עֲשֶׂרֶת הַדְּבָרִים, ''aséret ha-dvarím'', lit. The Decalogue, The Ten Words, cf. Mishnaic Hebrew עשרת הדיברות \ עֲשֶׂרֶת הַדִּבְּרוֹת, ''aséret ha-dibrót'', lit. The Decalogue, The Ten Words), are a set of biblical principles relating to ethics and worship that play a fundamental role in Judaism and Christianity. The text of the Ten Commandments appears twice in the Hebrew Bible: at Exodus and Deuteronomy . According to the Book of Exodus in the Torah, the Ten Commandments were revealed to Moses at Mount Sinai and inscribed by the finger of God on two tablets of stone kept in the Ark of the Covenant. Scholars disagree about when the Ten Commandments were written and by whom, with some modern scholars suggesting that they were likely modeled on Hittite and Mesopotamian laws and treaties. Terminology The Ten Commandments, called ( transliterated ) in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yahweh
Yahweh *''Yahwe'', was the national god of ancient Israel and Judah. The origins of his worship reach at least to the early Iron Age, and likely to the Late Bronze Age if not somewhat earlier, and in the oldest biblical literature he possesses attributes typically ascribed to weather and war deities, fructifying the land and leading the heavenly army against Israel's enemies. The early Israelites were polytheistic and worshipped Yahweh alongside a variety of Canaanite gods and goddesses, including El, Asherah and Baal. In later centuries, El and Yahweh became conflated and El-linked epithets such as El Shaddai came to be applied to Yahweh alone, and other gods and goddesses such as Baal and Asherah were absorbed into Yahwist religion. Towards the end of the Babylonian captivity, the very existence of foreign gods was denied, and Yahweh was proclaimed as the creator of the cosmos and the one true God of all the world, giving birth to Judaism, which has 14–15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elohim
''Elohim'' (: ), the plural of (), is a Hebrew word meaning "gods". Although the word is plural, in the Hebrew Bible it usually takes a singular verb and refers to a single deity, particularly (but not always) the God of Israel. At other times it refers to deities in the plural. Morphologically, the word is the plural form of the word '' eloah'' and related to '' el''. It is cognate to the word ''l-h-m'' which is found in Ugaritic, where it is used as the pantheon for Canaanite gods, the children of El, and conventionally vocalized as "Elohim". Most uses of the term ''Elohim'' in the later Hebrew text imply a view that is at least monolatrist at the time of writing, and such usage (in the singular), as a proper title for the supreme deity, is generally not considered to be synonymous with the term ''elohim'', "gods" (plural, simple noun). Rabbinic scholar Maimonides wrote that the various other usages are commonly understood to be homonyms. One theory suggests that the no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnosticism
Gnosticism (from grc, γνωστικός, gnōstikós, , 'having knowledge') is a collection of religious ideas and systems which coalesced in the late 1st century AD among Jewish and early Christian sects. These various groups emphasized personal spiritual knowledge ('' gnosis'') above the orthodox teachings, traditions, and authority of religious institutions. Gnostic cosmogony generally presents a distinction between a supreme, hidden God and a malevolent lesser divinity (sometimes associated with the Yahweh of the Old Testament) who is responsible for creating the material universe. Consequently, Gnostics considered material existence flawed or evil, and held the principal element of salvation to be direct knowledge of the hidden divinity, attained via mystical or esoteric insight. Many Gnostic texts deal not in concepts of sin and repentance, but with illusion and enlightenment. Gnostic writings flourished among certain Christian groups in the Mediterranean wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demiurge
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term ''demiurge''. Although a fashioner, the demiurge is not necessarily the same as the Creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. The word ''demiurge'' is an English word derived from ''demiurgus'', a Latinised form of the Greek or . It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's ''Timaeus'', written 360 BC, where the demiurge is presented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vala, Or The Four Zoas
''Vala, or The Four Zoas'' is one of the uncompleted prophetic books by the English poet William Blake, begun in 1797. The eponymous main characters of the book are the Four Zoas (Urthona, Urizen, Luvah and Tharmas), who were created by the fall of Albion in Blake's mythology. It consists of nine books, referred to as "nights". These outline the interactions of the Zoas, their fallen forms and their Emanations. Blake intended the book to be a summation of his mythic universe but, dissatisfied, he abandoned the effort in 1807, leaving the poem in a rough draft and its engraving unfinished. The text of the poem was first published, with only a small portion of the accompanying illustrations, in 1893, by the Irish poet W. B. Yeats and his collaborator, the English writer and poet Edwin John Ellis, in their three-volume book '' The Works of William Blake''. Background Blake began working on ''Vala, or The Death and Judgement of the Eternal Man: A Dream of Nine Nights'' while h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tyger
"The Tyger" is a poem by the English poet William Blake, published in 1794 as part of his '' Songs of Experience'' collection and rising to prominence in the romantic period. The poem is one of the most anthologised in the English literary canon,Eaves, p. 207. and has been the subject of both literary criticism and many adaptations, including various musical versions.Whitson and Whittaker 63–71. The poem explores and questions Christian religious paradigms prevalent in late 18th century and early 19th century England, discussing God's intention and motivation for creating both the tiger and The Lamb. The ''Songs of Experience'' The ''Songs of Experience'' was published in 1794 as a follow up to Blake's 1789 '' Songs of Innocence.''Gilchrist 1907 p. 118 The two books were published together under the merged title ''Songs of Innocence and of Experience, showing the Two Contrary States of the Human Soul: the author and printer, W. Blake'' featuring 54 plates. The illustrations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
