Wilke Te Brummelstroete
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Wilke Te Brummelstroete
Wilke te Brummelstroete is a Dutch mezzo-soprano. She has recorded Bach cantatas with John Eliot Gardiner and appeared as the valkyrie Siegrune in Wagner's ''Die Walküre'' at the Bayreuth Festival. Career Te Brummelstroete was born in Doetinchem. She studied at the Royal Conservatory of The Hague and made her debut on the opera stage as Dido in Purcell's ''Dido and Aeneas'' in 1991. Her roles in Monteverdi operas have included Proserpina in ''L'Orfeo'', Melanto, Minerva and Penelope in ''Il ritorno d'Ulisse in patria'', and Ottavia in ''L'incoronazione di Poppea''. Her parts in Handel operas were Ruggiero in ''Alcina'', Storgè in ''Jephtha'', Tirinto in ''Imeneo'', and both Juno and Ino in ''Semele'', among others. She performed Tamerlano in Vivaldi’s '' Bajazet'' and Costanza in Haydn's ''L'isola disabitata''. In romantic music, she has sung in Schumann's '' Das Paradies und die Peri'' and appeared as Bizet's Carmen, sang in Verdi's Requiem, and in the oratorios '' The Kingdo ...
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List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ...
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Das Paradies Und Die Peri
''Paradise and the Peri'', in German ''Das Paradies und die Peri'', is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843, the work was published as Schumann's Op. 50. The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from ''Lalla-Rookh'' by Irish poet and lyricist Thomas Moore. The peri, a creature from Persian mythology, is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to heaven. Eventually the peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying. Peter Ostwald in his biography ''Schumann: The Inner Voices of a Musical Genius'' records that Schumann "confided to a friend that 'while writing ''Paradise and the Peri'' a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. The ...
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Göttingen Handel Festival
Göttingen (, , ; nds, Chöttingen) is a university city in Lower Saxony, central Germany, the capital of the eponymous district. The River Leine runs through it. At the end of 2019, the population was 118,911. General information The origins of Göttingen lay in a village called ''Gutingi, ''first mentioned in a document in 953 AD. The city was founded northwest of this village, between 1150 and 1200 AD, and adopted its name. In medieval times the city was a member of the Hanseatic League and hence a wealthy town. Today, Göttingen is famous for its old university (''Georgia Augusta'', or "Georg-August-Universität"), which was founded in 1734 (first classes in 1737) and became the most visited university of Europe. In 1837, seven professors protested against the absolute sovereignty of the kings of Hanover; they lost their positions, but became known as the "Göttingen Seven". Its alumni include some well-known historical figures: the Brothers Grimm, Heinrich Ewald, Wi ...
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Arianna In Creta
''Arianna in Creta'' ("Ariadne in Crete", HWV 32) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted by Francis Colman from Pietro Pariati's ''Arianna e Teseo'', a text previously set by Nicola Porpora in 1727 and Leonardo Leo in 1729. Performance history The opera was first given at the King's Theatre in London on 26 January 1734 and then presented in a revised version with dances added for Marie Sallé at Covent Garden Theatre on 27 November of the same year. As with all Baroque opera seria, ''Arianna in Creta'' went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s,''Arianna in Creta'', like all Handel operas, receives performances at festivals and opera houses today. Among other performances, ''Arianna in Creta'' was staged by the London Handel Festival in 2014 and performed in concert by the Handel Festival, Halle in 2018 Roles Sy ...
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Holland Festival
The Holland Festival () is the oldest and largest performing arts festival in the Netherlands. It takes place every June in Amsterdam. It comprises theatre, music, opera and modern dance. In recent years, multimedia, visual arts, film and architecture were added to the festival roster. Performances take place in Amsterdam venues such as the city theatre, the opera, the Concertgebouw and Muziekgebouw concert halls and the Westergas factory site. Each edition is loosely themed, and the programme features both contemporary work and classical pieces presented with a modern edge. History The festival was founded in 1947 and features some of the world's top artists and performers, as well as lesser-known performers. Notable world premieres included Karlheinz Stockhausen's ''Helicopter String Quartet''. The festival introduced Maria Callas in the Netherlands, and was also the first to successfully set up a large symphonic tribute to Frank Zappa with "200 motels-the suite" in 2000 (af ...
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Mavra
''Mavra'' is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's ''The Little House in Kolomna''. Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters. The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the ''Romeo and Juliet'' subgenre of romance. Philip Truman has also described the music as satirising 19th-century comic opera. The dedication on the score is to the memory of Pushkin, Glinka and Pyotr Ilyich Tchaikovsky.This information is from the Boosey & Hawkes 1947 reprint (copyright assigned to Boosey & Hawkes) of the 1925 Édition Russe de Musique vocal score of this work (based on a copy of this vocal score in the library of the State University of New York @ Fredonia.) B&H plate 16304. ''Mavra'' premiered at the Théatre ...
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Utrecht Early Music Festival
The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme includes concerts, activities, lectures, exhibitions, and a symposium. The primary venue is TivoliVredenburg, which opened in 2014. TivoliVredenburg is on the former site of an earlier music venue, Muziekcentrum Vredenburg. The Muziekcentrum was the festival's primary venue until it was demolished in 2008, to allow for new construction. The main concert hall of the Muziekcentrum was subsumed into the TivoliVredenburg. Each year, the festival's organisers adopt a theme, which focuses on a particular place, time, and style in early music. The theme shapes not only the style and musical repertoire of the performances, but also the period instruments used. See also * Early music revival * Historically informed performance Historically i ...
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Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. Biography Early years Bononcini was born in Modena, Italy, the oldest of three sons. His father, Giovanni Maria Bononcini (1642–1678), was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published further collections of instru ...
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Dialogues Des Carmélites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-kno ..., completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelites, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian language, Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language v ...
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Netherlands Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO) ...
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Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. List of compositions by Ottorino Respighi, His compositions range over List of operas by Ottorino Respighi, operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome (poem), Fountains of Rome'' (1916), ''Pines of Rome'' (1924), and ''Feste romane, Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Conservatorio Giovanni Battista Martini, Liceo Musicale di Bologna, where he studied the violin, viola, and compos ...
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Les Nuits D'été
''Les nuits d'été'' (''Summer Nights''), Opus number, Op. 7, is a song cycle by the French composer Hector Berlioz. It is a setting of six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843, and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. The full orchestral version is more frequently performed in concert and on record than the piano original. The theme of the work is the progress of love, from youthful innocence to loss and finally renewal. Background Berlioz and the poet Théophile Gautier were neighbours and friends. Gautier wrote, "Berlioz represents the romantic musical idea ... unexpected effects in sound, tumultuous and Shakespearean depth of passion." It is possible that Berlioz read Gautier's collection ''La comédie de la mort'' (Th ...
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