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Wilhelm Simmler
Wilhelm Carl Melchior Simmler (6 September 1840 – 8 December 1923) was a German painter and illustrator of the Düsseldorf school of painting. Family Born in Geisenheim, Simmler was one of nine children of the painter (1801–1872). His siblings Joseph Simmler (1842-1899), Franz Joseph Simmler (1846-1926) and (1852-1923) were also artistically active. Life Simmler was born in the Rheingau. From 1856 to 1861 he studied at the Kunstakademie Düsseldorf. There, he was a student of Emil Hünten, Karl Ferdinand Sohn, Friedrich Wilhelm von Schadow, Christian Köhler and Eduard Bendemann, among others. After intermediate stays in Munich from 1861 to 1863, he mainly stayed in Düsseldorf from 1869 onwards. His private pupil from 1871 to 1875 was the British genre painter Walter Dendy Sadler. Simmler was a member of the Malkasten. After several commissions, including in Hamburg and Berlin, he finally moved to Berlin in 1891, where he remained a member of the Verein Berliner K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf School Of Painting
The Düsseldorf school of painting is a term referring to a group of painters who taught or studied at the Düsseldorf Academy (now the Staatliche Kunstakademie Düsseldorf or Düsseldorf State Art Academy) during the 1830s and 1840s, when the Academy was directed by the painter Wilhelm von Schadow. About The work of the Düsseldorf School is characterized by finely detailed yet fanciful landscapes, often with religious or allegorical stories set in the landscapes. Major members of the Düsseldorf School advocated "plein air painting", and tended to use a palette with relatively subdued and even colors. The Düsseldorf School derived from and was a part of the German Romantic movement. Prominent members of the Düsselorf School included von Schadow, Karl Friedrich Lessing, Johann Wilhelm Schirmer, Andreas Achenbach, Hans Fredrik Gude, Adolph Tidemand, Oswald Achenbach, and Adolf Schrödter. The Düsseldorf School had a significant influence on the Hudson River School in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century German Male Artists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century German Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galerie Paffrath
The Galerie Paffrath is an art gallery in Düsseldorf, Germany, specialising in paintings of the 19th century. Profile Galerie Paffrath specialises in 19th-century paintings, in particular works by painters of the Düsseldorf school of painting, including Andreas Achenbach and Oswald Achenbach, Max Clarenbach, Hugo Mühlig, Johann Wilhelm Preyer and Emilie Preyer. In addition, the gallery sells paintings by classical modernist painters as well as works by 19th-century Scandinavian artists such as and Johan Laurentz Jensen. In addition to monographic exhibitions on individual artists, Galerie Paffrath shows the gallery's new acquisitions twice a year, in spring and autumn, for a fortnight at a time in an exhibition of the same name. History In 1867, the master carpenter Johann Baptiste Paffrath (1812–1880) founded a company in Düsseldorf. His carpenter's workshop was located at Ritterstraße 3 in the early 1860s, in which he made the transport boxes for the works of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Schaarschmidt
Friedrich Schaarschmidt (4 February 1863 – 12 June 1902) was a German landscape painter and figure painter of the Düsseldorf school of painting, conservator and art writer. Life Born in Bonn, Schaarschmidt was born in Bonn as the son of Professor Carl Schaarschmidt (1822-1908), a philosophy historian and head of the Bonn University Library. From 1880 until 1889, he studied painting at the Kunstakademie Düsseldorf. There, Hugo Crola, Johann Peter Theodor Janssen and Wilhelm Sohn, temporarily also Eduard von Gebhardt and Carl Ernst Forberg, were his teachers. As a practising artist, Schaarschmidt turned to En plein air. He often decorated his landscape paintings with figures in antique robes. At the request of Peter Janssen, Schaarschmidt 1893Wolfgang Hütt: ''The Düsseldorf School of Painting 1819-1869''. Verlag E. A. Seemann, Leipzig 1995, was appointed curator of the art collection of the Düsseldorf Academy as successor of Theodor Levin. As such, he also held a teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried August Bürger
Gottfried August Bürger (31 December 1747 – 8 June 1794) was a German poet. His ballads were very popular in Germany. His most noted ballad, '' Lenore'', found an audience beyond readers of the German language in an English and Russian adaptation and a French translation. Biography He was born in Molmerswende (now a part of Mansfeld), Principality of Halberstadt, where his father was the Lutheran pastor. He showed an early predilection for solitary and gloomy places and the making of verses, for which he had no other model than hymnals. At the age of twelve, Bürger was practically adopted by his maternal grandfather, Bauer, at Aschersleben, who sent him to the Pädagogium at Halle. He learned Latin with difficulty. In 1764, he gained admission into the University of Halle as a student of theology, which, however, he soon abandoned for the study of jurisprudence. There he fell under the influence of Christian Adolph Klotz (1738–1771), who directed Bürger's attention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Sleigh Drive
"The Great Sleigh Drive" (german: Die große Schlittenfahrt) from December 1678 to February 1679 was a daring and bold maneuver using sleighs by Frederick William, the Great Elector of Brandenburg-Prussia, to drive Swedish forces out of the Duchy of Prussia, a territory of his which had been invaded by the Swedes in November 1678. Background Frederick William had previously defeated the Swedes and driven them from Brandenburg at the Battle of Fehrbellin and now faced another punitive Swedish incursion into his territories. The main body of his army was engaged at the siege of the Swedish-held port city of Stralsund on the coast of the Baltic Sea far to the west, so Frederick marched his army to the small town of Preußisch Holland and engaged a small Swedish force occupying the city. The Swedes, having been soundly defeated at the Battle of Fehrbellin, were hesitant to face Frederick William again and decided to retreat to the coast in order to return to Sweden, having a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruhmeshalle Berlin
The Ruhmeshalle (literally "hall of fame") is a Doric colonnade with a main range and two wings, designed by Leo von Klenze for Ludwig I of Bavaria. Built in 1853, it is situated on an ancient ledge above the Theresienwiese in Munich and was built as part of a complex which also includes the Bavariapark and the Bavaria statue. It is built of Kelheim limestone and is 68 metres long and 32 metres deep. With the construction and exhibition of busts of important people from Bavaria, including the Palatinate, Franconia and Swabia, King Ludwig intended to create a hall of fame that honors laudable and distinguished people of his kingdom, as he did also in the Walhalla memorial for all of Germany. Image:Bavaria 2.jpg, The Ruhmeshalle with the statue of Bavaria by Ludwig Schwanthaler File:Luftbild Bavaria 18.5m 1850 Ludwig I - Ruhmeshallte 1853 68x32m auf Theresienwiese München Bayern Germany Foto Wolfgang Pehlemann HSBD0280.jpg, Aerial photograph: Ruhmeshalle and ''Bavaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Themistokles Von Eckenbrecher
Karl Paul Themistokles von Eckenbrecher (17 November 1842, Athens – 4 December 1921, Goslar) was a German landscape and marine painter, in the late Romantic style. Biography His father was a Prussian military officer, who had originally studied philosophy and medicine. His Italian mother came from a merchant family in Trieste. He was born while his parents were in Greece, visiting his father's friend, Heinrich Schliemann. In 1843, his family returned to Berlin, where he studied at the English-American school. As he got older, he travelled with his father and was taught by private tutors. It was during this time that he developed an interest in ships. From 1850 to 1857, they lived in Istanbul, then moved to Potsdam, where they lived until 1861. When he expressed his wish to become a marine painter, his parents supported him and, from 1859 to 1860, he was a student of the court painter, . From 1861 to 1867, they lived in Düsseldorf, where he was a private student of Oswald A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rotunda (architecture)
A rotunda () is any building with a circular ground plan, and sometimes covered by a dome. It may also refer to a round room within a building (a famous example being the one below the dome of the United States Capitol in Washington, D.C.). The Pantheon in Rome is a famous rotunda. A ''band rotunda'' is a circular bandstand, usually with a dome. Rotunda in Central Europe A great number of parochial churches were built in this form in the 9th to 11th centuries CE in Central Europe. These round churches can be found in great number in Hungary, Poland, Slovakia, Croatia (particularly Dalmatia) Austria, Bavaria, Germany, and the Czech Republic. It was thought of as a structure descending from the Roman Pantheon. However, it can be found mainly not on former Roman territories, but in Central Europe. Generally its size was 6–9 meters inner diameter and the apse was directed toward the east. Sometimes three or four apses were attached to the central circle and this type has relatives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
