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Wildenstein Index Number
A Wildenstein Index Number refers to an item in a numerical system published in catalogues by Daniel Wildenstein, a scholar of Impressionism, who published catalogues raisonnés of artists such as Claude Monet, Édouard Manet and Paul Gauguin through his family business, Wildenstein & Company. In these catalogues, each painting by an artist was assigned a unique number. These index numbers are now used throughout the art world, in art texts, and on art websites to uniquely identify specific works of art by specific artists. An example is the ' (), which is a four volume set published in 1996 with 2,580 illustrations in 1,540 pages. In this set, volume I is a biography and volumes II-IV contain a chronological listing of Monet's work; that is to say, volume II contains Wildenstein Index No. 1 produced in 1858 through No. 968 produced in 1885. The catalogue is produced with text in French, English, and German. The original version of this set was a five-volume black-and-white edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Wildenstein
Daniel Leopold Wildenstein (11 September 1917 – 23 October 2001) was a French art dealer, historian and owner-breeder of thoroughbred race horses. He was the third member of the family to preside over Wildenstein & Co., one of the most successful and influential art-dealerships of the 20th century. He was once described as "probably the richest and most powerful art dealer on earth".Andrews, Suzanna"Bitter Spoils" '' Vanity Fair'', March 1998. Retrieved 8 October 2012. Early life and education Wildenstein was born in Verrières-le-Buisson, Essonne, just outside Paris. He was educated at Cours Hattemer and at the University of Paris, graduating in 1938 and going on to study at the École du Louvre.Riding, Alan"Daniel Wildenstein, 84, Head of Art-World Dynasty, Dies" ''The New York Times'', 26 October 2001. Retrieved 6 October 2012. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collectible
A collectable (collectible or collector's item) is any object regarded as being of value or interest to a collector. Collectable items are not necessarily monetarily valuable or uncommon. There are numerous types of collectables and terms to denote those types. An antique is a collectable that is old. A curio is a small, usually fascinating or unusual item sought by collectors. A manufactured collectable is an item made specifically for people to collect.Danziger, Pamela (July 1, 1069)''Why People Buy Things They Don't Need: Understanding and Predicting Consumer Behavior'' Kaplan Publishing. The business of collectables Created to be collected A "manufactured" collectable (often referred to as a contemporary collectable) is an item made specifically for people to collect. Examples of items commonly sold as collectables include plates, figurines, bells, graphics, steins, and dolls. Some companies that produce manufactured collectables are members of The Gift and Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wildenstein Institute
The Wildenstein Institute was a French art institute that published ''catalogues raisonnés'' and scholarly inventories. History The Institute was founded in 1970 by Daniel Wildenstein as the ''Fondation Wildenstein'', and it was renamed the Wildenstein Institute in 1990. It was an offshoot of the art dealing company ( Wildenstein & Co.) owned by the Wildenstein family for five generations. Until 2017, it housed the historic documents and photographic archives assembled by Nathan Wildenstein (the company founder) and his son Georges, which have been added to by subsequent generations. Daniel Wildenstein established the Wildenstein Index Number used by the Institute to identify paintings. It published catalogues raisonnés and scholarly inventories of impressionists such as Monet, and other modern artists such as Gauguin. It described itself as a center for research in art history. It was headed by Guy Wildenstein. In 2017, the Wildenstein Institute gifted its entire archive and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odilon Redon
Odilon Redon (born Bertrand Redon; ; 20 April 18406 July 1916) was a French Symbolism (arts), symbolist painter, printmaker, Drawing, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in Charcoal (art), charcoal and lithography, works referred to as ''noirs''. He started gaining recognition after his drawings were mentioned in the 1884 novel ''À rebours'' (''Against Nature'') by Joris-Karl Huysmans. During the 1890s he began working in pastel and Oil painting, oils, which quickly became his favourite medium, abandoning his previous style of ''noirs'' completely after 1900. He also developed a keen interest in Hinduism, Hindu and Buddhism, Buddhist religion and culture, which increasingly showed in his work. He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. Biography Jean-Honoré Fragonard was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. Fragonard was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher. Boucher recognized the youth's rare gifts but, disinclined to waste his time with one so inexperienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bords De La Seine à Argenteuil
' (''Banks of the Seine at Argenteuil'') is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel. In 2011 ''Bords de la Seine à Argenteuil'' was featured on the British TV programme ''Fake or Fortune?'', in an attempt to establish it as an authentic painting by Claude Monet. After thorough research into the provenance of the painting, as well as forensic evidence and the opinions of many experts in the field, the painting was deemed to be almost certainly authentic. However, the painting has been rejected from inclusion in the catalogue raisonné by the Wildenstein Institute due to the opinion of Daniel Wildenstein, who examined the work only once before his death. ''Fake or Fortune?'' investigation History The title ' along with the date, 1875, appears on the frame, and there is a painted signature purportedly of Claude Monet. The painting was sold by Georges Petit in 1918 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fake Or Fortune?
''Fake or Fortune?'' is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Since the first series aired in 2011, ''Fake or Fortune?'' has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. ''Fake or Fortune?'' was created by art dealer and historian Philip Mould, together with producer Simon Shaw. It was inspired by Mould's 2009 book ''Sleuth'', after which the programme was originally to be entitled. It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first 5 series. Forensic analysis and archival research is carried out by various fine art specialists. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK. Format In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of paintings), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
