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Wiebke Lehmkuhl
Wiebke Lehmkuhl (born 1983) is a German contralto in opera and concert who has appeared at international leading opera houses and festivals, including as Wagner's Magdalene at the Bayreuth Festival, as Erda in Paris, and as Annina at the Salzburg Festival. She was the alto soloist in Beethoven's Ninth Symphony at the 2017 opening of the Elbphilharmonie in Hamburg. Life and career Education Born in Oldenburg, Lehmkuhl received her vocal training with Ulla Groenewold and Hanna Schwarz at the Hochschule für Musik und Theater Hamburg and graduated with distinction. Opera After guest engagements at the Opernhaus Kiel and the state operas Hamburg and Hanover, Lehmkuhl took up her first permanent engagement at the Opernhaus Zürich during the 2008/09 season, while still a student. She appeared there in Schönberg's ''Moses und Aron'', as the voice from above in Wagner's ''Parsifal'', as La voix de la mère in Offenbach's ''The Tales of Hoffmann'', as Erda in Wagner's ''Das R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldenburg (city)
Oldenburg () is an independent city in the state of Lower Saxony, Germany. The city is officially named Oldenburg (Oldb) (''Oldenburg in Oldenburg'') to distinguish from Oldenburg in Holstein. During the French annexation (1811–1813) in the wake of the Napoleonic war against Britain, it was also known as ''Le Vieux-Bourg'' in French. The city is at the rivers Hunte and Haaren, in the northwestern region between the cities of Bremen in the east and Groningen (Netherlands) in the west. It has a population of 170,000 (November 2019). Oldenburg is part of the Bremen/Oldenburg Metropolitan Region, with 2.37 million people. The city is the place of origin of the House of Oldenburg. Before the end of the German Empire (1918), it was the administrative centre and residence of the monarchs of Oldenburg. History Archaeological finds point to a settlement dating back to the 8th century. The first documentary evidence, in 1108, referenced ''Aldenburg'' in connection with Elim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Bastille
The Opéra Bastille (, "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France. Inaugurated in 1989 as part of President François Mitterrand's '' Grands Travaux'', it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances. Designed by Uruguayan architect Carlos Ott, it is situated facing Place de la Bastille. It may seat 2,723 people in total, with a main theatre, concert hall and studio theatre. History Background and construction The idea of a new "popular and modern" opera house in Paris first arose in the 1880s, only years after the opening of the Palais Garnier. It would remain virtual for a century and reemerge periodically due to the recurrent "crisis at the Opera" and to the limita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Welser-Möst
Franz Leopold Maria Möst (born 16 August 1960), known professionally as Franz Welser-Möst, is an Austrian conductor. He is currently music director of the Cleveland Orchestra. Biography Franz Leopold Maria Möst was born in Linz, Austria, and later studied under the composer Balduin Sulzer. As a youth in Linz, he studied the violin and had developed an interest in conducting. After suffering injuries in a car crash that led to nerve damage, he stopped his violin studies and shifted full-time to conducting studies. In 1985, Möst assumed the stage name ''Welser-Möst'' at the suggestion of his mentor, Baron Andreas von Bennigsen of Liechtenstein, in an homage to the city of Wels where he grew up. In 1986, he was adopted by Bennigsen. In 1992, Welser-Möst married Bennigsen's former wife, Angelika. His first major debuts were at the Salzburg Festival in 1985, followed by the London Philharmonic Orchestra in 1986 and the Orchester Musikkollegium Winterthur in 1988. Between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's ''Der fliegende Holländer'' in 1978 and ''Der Ring des Nibelungen'' in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's '' Die schwarze Maske'' in 1986 and ''Der Rosenkavalier'' by Richard Strauss in 2014. Career Born in Berlin, Kupfer studied theatre at the Theaterhochschule Leipzig from 1953 to 1957. He was the assistant director at the Landestheater Halle, where he directed his first opera, Dvořák's '' Rusalka'', in 1958. From 1958 to 1962, he worked at the Theater Stralsund, then at the Theater in Karl-Marx-Stadt, from 1966 as opera director at the Nationaltheater Weimar, also lecturing at the Hochschul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Szenen Aus Dem Leben Der Heiligen Johanna
''Szenen aus dem Leben der Heiligen Johanna'' (''Jeanne D'Arc'') is an opera in three acts by Walter Braunfels to a libretto by the composer. Composition history Braunfels began the composition after attending the premiere of Hindemith's ''Mathis der Maler'' in May 1938, and he had completed the opera by 1943. The libretto, written by the composer, is based on the actual French and Latin documents of the trial of Joan of Arc in their German translation (1935), there are also a few references to the play ''Saint Joan'' by George Bernard Shaw and other 20th-century interpretations of Joan of Arc. The libretto produces many of Joan's naive statements verbatim from the trial documents. Performance history Despite Braunfels' intense affection for the opera, as an expression of his Roman Catholic belief, he was unable to obtain a performance after the war. His student Fritzjof Haas recorded that Braunfels, six months before his death in 1953, expressed as his biggest disappointment of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozartwoche
The International Mozarteum Foundation (Internationale Stiftung Mozarteum) was founded in 1880 in Salzburg with its primary concern being the life and work of Wolfgang Amadeus Mozart. Closely affiliated with the Mozarteum University Salzburg, it was preceded by the Cathedral Music Association and Mozarteum of 1841. It collects Mozart memorabilia, maintains the Mozart library (the Bibliotheca Mozartiana), the Mozart birthplace and other Salzburg locations linked with Mozart. The Foundation also promotes research regarding Mozart and administers various awards such as the Mozart Medal, the Preis der Internationalen Stiftung Mozarteum, the Lilli Lehmann Medal The Lilli Lehmann Medal is an award by the Mozarteum International Foundation, named in honour of soprano Lilli Lehmann. Recipients Among the people who have received it are: * Ruth Kemper * Margaret Halstead, 1933 * Irmgard Seefried * George ..., and presents up to twenty other performances year-round. Mozartwoche The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottavio Dantone
Ottavio Dantone (born 9 October 1960) is an Italian conductor and keyboardist (primarily harpsichord and fortepiano) particularly noted for his performances of Baroque music. He has been the music director of the Accademia Bizantina in Ravenna since 1996. Career Dantone trained at the Conservatorio "Giuseppe Verdi" in Milan where he graduated in organ and harpsichord. In 1985 he was awarded the Basso Continuo prize at the International Paris Festival and was also a laureate in the 1986 International Bruges Festival. Dantone made his debut as an opera conductor in 1999 with the first performance in modern times of Giuseppe Sarti's '' Giulio Sabino'' at the Teatro Alighieri in Ravenna. He made his La Scala debut in 2005 conducting Handel's ''Rinaldo'', and would conduct performances of the same opera at Glyndebourne in 2011. Selected Recordings *Domenico Scarlatti: ''Complete Sonatas'' – Ottavio Dantone (harpsichord). Label: Stradivarius (CD) *''Settecento Veneziano'' – Accad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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