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Wiard Boppo Ihnen
Wiard Boppo "Bill" Ihnen (August 5, 1897Note: His obituary in the ''Los Angeles Times'' suggests he was born in approximately 1888. – June 22, 1979) was an American art director. He was active from 1919 to 1960 and won Academy Awards for Best Art Direction for ''Wilson'' (1944) and ''Blood on the Sun'' (1945). He was married to Edith Head. Early years Ihnen was born in Jersey City, New Jersey. His age and year of birth are uncertain. While some sources indicate he was born in 1897, his obituary in the ''Los Angeles Times'' reported his age as 91, indicating that he was born in approximately 1888. His father, Henry S. Ihnen, was an architect and painter. Ihnen attended public schools in East Rutherford, New Jersey. He worked for a time as the assistant to a prominent New York architect and studied architecture at Columbia University. He also studied at École des Beaux-Arts de Paris, spent a year at the art centers of Spain and France, and studied color and technique at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jersey City
Jersey City is the second-most populous city in the U.S. state of New Jersey, after Newark.The Counties and Most Populous Cities and Townships in 2010 in New Jersey: 2000 and 2010 , . Accessed November 7, 2011. It is the of and the county's largest city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Von Sternberg
Josef von Sternberg (; born Jonas Sternberg; May 29, 1894 – December 22, 1969) was an Austrian-American filmmaker whose career successfully spanned the transition from the silent to the sound era, during which he worked with most of the major Hollywood studios. He is best known for his film collaboration with actress Marlene Dietrich in the 1930s, including the highly regarded Paramount/UFA production, ''The Blue Angel'' (1930). Sternberg's finest works are noteworthy for their striking pictorial compositions, dense décor, chiaroscuro illumination, and relentless camera motion, endowing the scenes with emotional intensity. He is also credited with having initiated the gangster film genre with his silent era movie ''Underworld'' (1927). Sternberg's themes typically offer the spectacle of an individual's desperate struggle to maintain their personal integrity as they sacrifice themselves for lust or love. He was nominated for the Academy Award for Best Director for ''Morocco'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rancho Notorious
''Rancho Notorious'' is a 1952 American Western film directed by Fritz Lang and starring Marlene Dietrich as the matron of a criminal hideout called ''Chuck-a-Luck''. Arthur Kennedy and Mel Ferrer play rivals for her attention in this tale of frontier revenge. The film was originally titled ''Chuck-a-Luck'', with “The Legend of Chuck-a-Luck” as the title song, but the name was changed at the insistence of Howard Hughes, then head of RKO Pictures. Plot Wyoming ranch hand Vern Haskell is enraged when his fiancee Beth Forbes is abused and murdered during a store robbery. He sets out after the two thieves, first with a posse, then by himself. He finds one of them, Whitey, shot in the back by his partner after a quarrel. Whitey's dying words, " Chuck-a-luck", are the only clue to the second man's identity. After questioning everyone he meets, Vern finally finds someone who lets slip that a woman named Altar Keane is connected with Chuck-a-luck. When the man realizes that Vern i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I, The Jury (1953 Film)
''I, the Jury'' is a 1953 American film noir crime film based on the 1947 novel '' I, the Jury'' by Mickey Spillane. It was directed by Harry Essex, produced by Victor Saville's company, Parklane Pictures and released through United Artists. The film is notable for being the first one based on a Mike Hammer novel. Biff Elliot stars as Hammer. It was filmed in 3-D and was available with stereophonic sound. The story begins with Mike Hammer on the vengeance trail when Jack, a friend, is murdered. Hammer sets out to find the killer, working his way through an increasingly large pile of suspects (and corpses). Plot Shortly before Christmas in New York City, one-armed insurance investigator Jack Williams (Robert Swanger) is looking at a college yearbook photo of John Hansen when someone slips into his apartment and shoots him to death. Hot-headed private investigator Mike Hammer (Biff Elliot), Jack's war buddy, vows to avenge his friend's death despite a warning from Pat Chambers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss Tomorrow Goodbye (film)
''Kiss Tomorrow Goodbye'' is a 1950 film noir starring James Cagney, directed by Gordon Douglas, produced by William Cagney and based on the novel by Horace McCoy. The film was banned in Ohio as "a sordid, sadistic presentation of brutality and an extreme presentation of crime with explicit steps in commission." Supporting Cagney are Luther Adler as a crooked lawyer, and Ward Bond and Barton MacLane as two crooked cops. Plot Ralph Cotter is a career criminal who, while escaping from a prison work camp, kills his escape partner, Carleton. On the outside, Cotter ultimately woos Carleton's sister, Holiday, by threatening to expose the fact that she was involved in arranging the prison break. Holiday does not know that Cotter killed her brother. There are hints of a sado-masochistic bond between the two in a scene where Cotter is provoked to whip Holiday with a wet towel, after which she passionately embraces him. Cotter quickly gets back into the crime game—only to be shaken do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Toluboff
Alexander Toluboff (27 August 1882 – 1 July 1940) was a Russian Empire-born American art director. He was nominated for three Academy Awards in the category Best Art Direction. He was born in Lublin, Poland and died in Bloomfield Hills, Michigan. Selected filmography Toluboff was nominated for three Academy Awards for Best Art Direction: * ''Vogues of 1938'' (1937) * ''Algiers'' (1938) * ''Stagecoach A stagecoach is a four-wheeled public transport coach used to carry paying passengers and light packages on journeys long enough to need a change of horses. It is strongly sprung and generally drawn by four horses although some versions are draw ...'' (1939) References External links * *Alexander Toluboff obituary 1882 births 1940 deaths People from Lublin category:People from Lublin Governorate Congress Poland emigrants to the United States American art directors People from Bloomfield Hills, Michigan {{US-artdirector-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stagecoach (1939 Film)
''Stagecoach'' is a 1939 American Western film directed by John Ford and starring Claire Trevor and John Wayne in his breakthrough role. The screenplay by Dudley Nichols is an adaptation of "The Stage to Lordsburg", a 1937 short story by Ernest Haycox. The film follows a group of strangers riding on a stagecoach through dangerous Apache territory. The film has long been recognized as an important work that transcends the Western genre. Philosopher Robert B. Pippin has observed that both the collection of characters and their journey "are archetypal rather than merely individual" and that the film is a "mythic representation of the American aspiration toward a form of politically meaningful equality." In 1995, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry. Still, ''Stagecoach'' has not avoided controversy. Like most Westerns of the era, its depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ford
John Martin Feeney (February 1, 1894 – August 31, 1973), known professionally as John Ford, was an American film director and naval officer. He is widely regarded as one of the most important and influential filmmakers of his generation. He was the recipient of six Academy Awards including a record four wins for Best Director. Ford made frequent use of location shooting and wide shots, in which his characters were framed against a vast, harsh, and rugged natural terrain. In a career of more than 50 years, Ford directed more than 140 films (although most of his silent films are now lost). He is renowned both for Westerns such as '' Stagecoach'' (1939), '' The Searchers'' (1956), and ''The Man Who Shot Liberty Valance'' (1962) and adaptations of classic 20th century American novels such as '' The Grapes of Wrath'' (1940). Ford's work was held in high regard by his colleagues, with Akira Kurosawa, Orson Welles and Ingmar Bergman among those who named him one of the greate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Day's A Holiday (1937 Film)
''Every Day's a Holiday'' is a 1937 American comedy film starring and co-written by Mae West, directed by A. Edward Sutherland, and released by Paramount Pictures. The film, released on December 18, 1937, also starred Edmund Lowe, Charles Winninger, and Charles Butterworth. This was West's last film under her Paramount contract, after which she went on to make ''My Little Chickadee'' (1940) for Universal Pictures and ''The Heat's On'' (1943) for Columbia Pictures. Plot In turn-of-the-century New York City, con artist Peaches O'Day (West) gets into trouble with the law for trying to sell the Brooklyn Bridge, but Jim McCarey (Lowe), a police captain, likes her enough that he lets her off with a promise from Peaches to leave town. She hatches a scheme instead with the wealthy Van Doon (Winninger) and butler Graves (Butterworth) to perform as a singer, calling herself Fifi, disguised in a black wig. Quade (Lloyd Nolan), a chief of police with political ambitions, makes a pass at " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go West, Young Man (1936 Film)
''Go West, Young Man'' is a 1936 American comedy film directed by Henry Hathaway and starring Mae West, Warren William, and Randolph Scott. Released by Paramount Pictures and based on the 1934 play ''Personal Appearance'' by Lawrence Riley, the film is about a movie star who gets stranded out in the country and trifles with a young man's affections. The phrase "Go West, Young Man" is often attributed to ''New York Tribune'' founder Horace Greeley, and often misattributed to Indiana journalist John B. L. Soule, but the latest research shows it to be a paraphrase. Plot Mavis Arden (Mae West), is a movie star who gets romantically involved with a politician. She makes plans to meet him at her next tour stop but her Rolls-Royce breaks down and she is left stranded in the middle of a rural town. Her manager arranges for her to stay at a local boarding house. She immediately set her eyes on the young mechanic, fixing her car, Bud Norton, played by Randolph Scott. West sings the Arthur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mae West
Mae West (born Mary Jane West; August 17, 1893 – November 22, 1980) was an American stage and film actress, playwright, screenwriter, singer, and sex symbol whose entertainment career spanned over seven decades. She was known for her breezy sexual independence, and her lighthearted bawdy double entendres, often delivered in a husky contralto voice. She was active in vaudeville and on stage in New York City before moving to Los Angeles to begin a career in the film industry. West was one of the most controversial movie stars of her day; she encountered problems especially with censorship. She once quipped, "I believe in censorship. I made a fortune out of it." She bucked the system by making comedy out of conventional mores, and the Depression-era audience admired her for it. When her film career ended, she wrote books and plays, and continued to perform in Las Vegas and the United Kingdom, on radio and television, and recorded rock 'n roll albums. In 1999, the American Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
