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Why Do They Rock So Hard
''Why Do They Rock So Hard?'' is the third full-length studio album by the ska punk band Reel Big Fish. This is the only Reel Big Fish studio album where the band line-up has not changed from the previous album. Aaron Barrett has said in two interviews that this was his favorite album until the release of ''Our Live Album Is Better than Your Live Album''. The album was mixed at Scream Studios by Tim Palmer. Track listing ; Notes : A cover of the A-ha song "Take On Me" (2:54) appears on some international releases in between "Somebody Hates Me" and "Brand New Song". : Titled "In the Pit" on subsequent albums. : On the clean version of this album, "Song #3" is stripped of its vocal track and called "Sleep All Day". : Hidden track; begins with 5:20 silence. On the Japanese release, a cover of the Duran Duran song "Hungry Like the Wolf" (3:39) appears in place of this track. Personnel Reel Big Fish *Aaron Barrett – guitar, lead vocals, synthesizer, celesta *Grant Barry †... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The creditin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay Rifkin
Jay Rifkin is an American record and film producer. Rifkin co-founded the company Media Ventures with Hans Zimmer, a childhood friend. As CEO of the company from 1988,Forbes profile accessed 11/29/2013. Rifkin partnered with Zimmer to produce and to compose. Media Ventures is a diverse entertainment group that includes music, new media, film and television. The partnership earned them numerous awards and nominations, including nominations, for the film scores of '''', '' |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crosswalk
Cody Chesnutt (stylized as Cody ChesnuTT; born October 21, 1968) is an American R&B and neo soul musician from Atlanta, Georgia. Biography Chesnutt's music blends elements of rock, funk, soul, hip hop, and blues. After relocating to Los Angeles, Chesnutt found work with Death Row records, writing and producing five songs for the male R&B group Six Feet Deep. Chesnutt and his former band, The Crosswalk with James (Jaime) O'Connell, John Maggio and Jay Gordon, had a brief stint with Hollywood Records, but they were later released from the label. The band subsequently broke up and Chesnutt released a double LP in 2002 entitled ''The Headphone Masterpiece'', which was recorded on a 4-track cassette recorder in his bedroom recording studio, which he calls "The Sonic Promiseland". His closest brush with mainstream success came in 2002, when the hip hop group The Roots remade a song from ''The Headphone Masterpiece'', "The Seed", for their album '' Phrenology'', as " The Seed (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilfers
Pilfers are an American ska band formed in 1997, when former Toasters vocalist, Coolie Ranx, at the urging of Pietaster's vocalist Steve Jackson, joined with former Bim Skala Bim trombonist, Vinny Nobile. To complete the lineup, they recruited the Skinnerbox rhythm section of Anna Milat-Meyer on bass and James Blanck on drums, as well as guitar player, Nick Bacon of The Erratics. History The band released one demo tape and played many New York City area shows, before self-releasing their debut, self-titled album, in 1998. Response was positive enough, that the band was signed to Mojo Records, and they released ''Chawalaleng'', one year later. Soon after their major label debut, Anna Milat-Meyer and James Blanck, left the group. Anna Milat-Meyer took a position, playing bass, in Latin Jazz band, Los Mas Valientes. Carl Barc, of the band Ever Since Day One, took over on bass and Dave Karcich, formerly of Spring Heeled Jack, took over on drums. The band continued to tour, and b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coolie Ranx
Coolie Ranx (born Obiajula Ugbomah; 9 March 1965) is a British-Jamaican actor and singer best known for his membership in the third wave ska bands The Toasters and Pilfers. He is a long-time resident of New York City. Biography Ranx was born in London on 9 March 1965 and was raised in New York City. His mother is from Jamaica and his father is from Nigeria. He was discovered in 1990 when the lead singer and guitarist of The Toasters, Rob "Bucket" Hingley, heard Ranx's dancehall reggae EP. Joining the Toasters in the early 1990s, he toured and recorded two albums with the band, including ''Dub 56'', which features two songs he wrote. After leaving the Toasters, Ranx co-founded a band called Pilfers. In Pilfers, he shared vocal duties with Vinny Nobile. Pilfers played a combination of third wave ska music, punk rock, and reggae that they called "raggacore". After self-releasing their first album, the band signed to Mojo Records, who released the band's second album, ''Chawalalen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flügelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
