Why Call It Anything
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Why Call It Anything
''Why Call It Anything'' is the fourth and final album of original material and fifth studio album overall by English rock band the Chameleons. It was recorded from 2000 to 2001 and released 1 July 2001 on record label Artful. The album marked their first and only release of all-new material since the 1990 EP '' Tony Fletcher Walked on Water.... La La La La La-La La-La-La''. Background ''Why Call It Anything'' was recorded from September 2000 to May 2001 at Chapel Studios, Arc Studios and Woodbine Studios. Critical reception ''The Encyclopedia of Popular Music'' wrote, "''Why Call It Anything'' proved to be a stunning reaffirmation of the brilliance of this unsung band". Track listing Personnel ; The Chameleons * Mark Burgess – vocals, bass guitar, production * Dave Fielding – guitar, keyboard, backing vocals, production * John Lever – drums, backing vocals, production * Reg Smithies – guitar, backing vocals, production ; Additional personnel * Kwasi Asa ...
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The Chameleons
The Chameleons are an English rock band, formed in Middleton, Greater Manchester in 1981. The band's classic line-up consisted of lead vocalist and bassist Mark Burgess, guitarists Reg Smithies and Dave Fielding, and drummer John Lever. The band released their debut studio album, '' Script of the Bridge'', in 1983. They followed it with '' What Does Anything Mean? Basically'' and '' Strange Times'' in 1985 and 1986, respectively, before abruptly breaking-up in 1987 due to the sudden death of the band's manager. After the break-up, Burgess and Lever formed the Sun and the Moon, while Fielding and Smithies formed the Reegs. Burgess also had a short solo career with backing band the Sons of God. The Chameleons reformed in 2000, releasing their fourth studio album ''Why Call It Anything'' (2001) as well as the acoustic albums ''Strip'' (2000) and '' This Never Ending Now'' (2002). Renewed tensions caused the group to break-up again in 2003. Burgess and Lever continued to play Ch ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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2001 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Mark Burgess (musician)
Mark Burgess (born 11 May 1960) is an English singer, bassist and songwriter, best known as the frontman of post-punk band the Chameleons. Early life and education Burgess was born in Manchester. Career In 1981, Burgess (ex-the Cliches) formed the Chameleons with guitarists Dave Fielding and Reg Smithies, and drummer John Lever. After three studio albums, the band broke up in 1987, with the relationship between Burgess and Fielding particularly strained. Burgess and Lever then formed the Sun and the Moon with guitarist Andy Clegg, who had played keyboards with the Chameleons and Andy Whitaker. They released an eponymous studio album in 1988 on Geffen Records before breaking up. In 1993, Burgess released his debut solo studio album (under the name Mark Burgess & the Sons of God), ''Zima Junction'', backed by former Wonky Alice guitarist Yves Altana, among others. In 1994, Burgess and Altana released the studio album ''Paradyning''. In 1997, Burgess and Altana formed Invincib ...
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The Chameleons
The Chameleons are an English rock band, formed in Middleton, Greater Manchester in 1981. The band's classic line-up consisted of lead vocalist and bassist Mark Burgess, guitarists Reg Smithies and Dave Fielding, and drummer John Lever. The band released their debut studio album, '' Script of the Bridge'', in 1983. They followed it with '' What Does Anything Mean? Basically'' and '' Strange Times'' in 1985 and 1986, respectively, before abruptly breaking-up in 1987 due to the sudden death of the band's manager. After the break-up, Burgess and Lever formed the Sun and the Moon, while Fielding and Smithies formed the Reegs. Burgess also had a short solo career with backing band the Sons of God. The Chameleons reformed in 2000, releasing their fourth studio album ''Why Call It Anything'' (2001) as well as the acoustic albums ''Strip'' (2000) and '' This Never Ending Now'' (2002). Renewed tensions caused the group to break-up again in 2003. Burgess and Lever continued to play Ch ...
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David M
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David ...
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Tony Fletcher Walked On Water
''Tony Fletcher Walked on Water.... La La La La La-La La-La-La'' is an extended play (EP) by English rock band the Chameleons. It was released on 1 October 1990 through record label Glass Pyramid. It consists of the Chameleons' final recordings in 1987 prior to their breakup. Content The EP was named after the band's manager from 1986 to 1987, Tony Fletcher. The song "Free for All" was named after an episode of the 1960s television programme ''The Prisoner''. Recording In 1987, the Chameleons were ready to record their fourth studio album, to be released on Geffen. The band recorded four songs which were supposed to be released prior to the full album. Fletcher died of a heart attack just two days before these songs were recorded, and the band broke up acrimoniously soon after. Release In 1990, the band's main songwriter, Mark Burgess, formed the record label Glass Pyramid to help pay off the band's debts. The still-unused tracks from the 1987 Geffen session were to be ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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