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Who Killed The JAMs
''Who Killed The JAMs?'' is the second studio album by The KLF#Incarnations, The Justified Ancients of Mu Mu (The JAMs), and the final one under the JAMs moniker before renaming themselves The KLF. Similar in style to the preceding ''1987 (What the Fuck Is Going On?)'', the album is a fusion of hip hop music, hip hop, drum machines and Sampling (music), samples of a diversity of musical works, although in general the samples are more covertly integrated here than they are in ''1987''. Background Early in 1987, Bill Drummond and Jimmy Cauty formed The Justified Ancients of Mu Mu and released their debut single, "All You Need Is Love (The JAMs song), All You Need Is Love". This was followed in June 1987 by their debut album, ''1987 (What the Fuck Is Going On?)'', an "energetic ... [and] loopy dance album" but with "too few ideas being spread too thin". In October 1987, The JAMs destroyed most remaining copies of the album following a copyright complaint from ABBA and the Mechanical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Justified Ancients Of Mu Mu
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop music, hip hop-inspired and sampling (music), sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book ''The Manual, The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out (KLF album), Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechanical-Copyright Protection Society
The Mechanical-Copyright Protection Society (MCPS) is an organisation that collects royalties and protects rights for music publisher, song writer and composer members, when their music is reproduced, in any format – including online, physical and synchronised. The MCPS collects and pays royalties to members when their music is: * copied and used in physical products (such as records, CDs and DVDs) * streamed or downloaded on services such as Spotify, Apple Music, Netflix and Amazon * synchronised into audio-visual entertainment including TV, film, video games and advertising * on radio. The MPA Group owns and operates MCPS on behalf of over 30,000 music publisher, song writer and composer members. History The Mechanical-Copyright Protection Society was established in its first form in 1910, originally known as Mecolico, the Mechanical Licenses Company. This was a reaction to the introduction of the Copyright Act of 1911 which formally accredited copyright to sound recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihilism
Nihilism (; ) is a philosophy, or family of views within philosophy, that rejects generally accepted or fundamental aspects of human existence, such as objective truth, knowledge, morality, values, or meaning. The term was popularized by Ivan Turgenev, and more specifically by his character Bazarov in the novel '' Fathers and Sons''. There have been different nihilist positions, including that human values are baseless, that life is meaningless, that knowledge is impossible, or that some set of entities do not exist or are meaningless or pointless. Pratt, Alan.Nihilism" ''Internet Encyclopedia of Philosophy''. . Scholars of nihilism may regard it as merely a label that has been applied to various separate philosophies, or as a distinct historical concept arising out of nominalism, skepticism, and philosophical pessimism, as well as possibly out of Christianity itself. Contemporary understanding of the idea stems largely from the Nietzschean 'crisis of nihilism', from which d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds Magazine
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left '' Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and '' New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doctorin' The Tardis
"Doctorin' the Tardis" is a 1988 electronic novelty pop single by the Timelords ("Time Boy" and "Lord Rock", aliases of Bill Drummond and Jimmy Cauty, better known as The KLF). The song is predominantly a mash-up of the ''Doctor Who'' theme music and Gary Glitter's " Rock and Roll (Part Two)" with sections from " Blockbuster!" by Sweet. The single was not well received by critics but was a commercial success, hitting number one on the UK and New Zealand singles charts, and reaching the top 10 in Australia, Finland, Ireland and Norway. The Timelords followed up their chart-topping record with a "how to have a number one" guide, ''The Manual (How to Have a Number One the Easy Way)''. Context The release of "Doctorin' the Tardis" followed a self-imposed break from recording of Drummond and Cauty's sampling outfit, The Justified Ancients of Mu Mu (The JAMs). The single continued The JAMs' strategy of sampling and juxtaposing popular musical works. However, unlike the cultish li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Galaxie
The Ford Galaxie is a full-sized car that was built in the United States by Ford for model years 1959 through to 1974. The name was used for the top models in Ford's full-size range from 1958 until 1961, in a marketing attempt to appeal to the excitement surrounding the Space Race. In 1958, a concept car was introduced called "la Galaxie" which incorporated the headlights into pods inline with the grille and a reduced front profile. For 1962, all full-size Fords wore the Galaxie badge, with "500" and "500/XL" denoting the higher series. The Galaxie 500/LTD was introduced for 1965 followed by the Galaxie 500 7-Litre for 1966. The Galaxie 500 prefix was dropped from the LTD in 1966, and from the XL in 1967; however the basic series structuring levels were maintained. The "regular" Galaxie 500 continued below the LTD as Ford's mid-level full-size model from 1965 until its demise at the end of the 1974 model year. The Galaxie was the competitor to the high-volume full sized Chevrol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The JAMS- Who Killed The JAMS? (rear)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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