Who's Afraid Of The Big Bad Wolf
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Who's Afraid Of The Big Bad Wolf
"Who's Afraid of the Big Bad Wolf?" is a popular song written by Frank Churchill with additional lyrics by Ann Ronell, which originally featured in the 1933 Disney cartoon ''Three Little Pigs'', where it was sung by Fiddler Pig and Fifer Pig (voiced by Mary Moder and Dorothy Compton, respectively) as they arrogantly believe the Big Bad Wolf (voiced by Billy Bletcher) is not a serious threat. The song created a market for future Disney tunes and led to a contract with ''Irving Berlin Publishing Co.'' that same year, securing the sheet music rights over ''Mickey Mouse and the Silly Symphonies''.TIME magazine''Piglets' Tune'' September 25, 1933. The song's theme made it a huge hit during the second half of 1933 and it remains one of the most well-known Disney songs, being covered by numerous artists and musical groups. Re-use by Disney The song was reused in the sequels to ''Three Little Pigs'', and its writing was re-enacted in the "Cavalcade of Songs" episode on the ''Disneyland'' ...
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Frank Churchill
Frank Edwin Churchill (October 20, 1901 – May 14, 1942) was an American film composer and songwriter. He wrote most of the music for films directed by Walt Disney, such as ''Snow White and the Seven Dwarfs'', ''Dumbo'', ''Bambi'', '' The Adventures of Ichabod and Mr. Toad'', and ''Peter Pan''. Life and career Churchill was born on October 20, 1901 in Rumford, Maine, the son of Clara E. (Curtis) and Andrew J. Churchill. Churchill began his career playing piano in cinemas at the age of 15 in Ventura, California. After dropping out of medical studies at UCLA to pursue a career in music, he became an accompanist at the Los Angeles radio station KNX (AM) in 1924. He joined Disney studios in 1930, and scored many animated shorts - his song for ''The Three Little Pigs'', "Who's Afraid of the Big Bad Wolf", was a huge commercial success. In 1937, he was chosen to score Disney's first full-length animated feature, ''Snow White and the Seven Dwarfs'' with Paul Smith and Leigh Harli ...
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Tutti Camarata
Salvador "Tutti" Camarata (May 11, 1913 – April 13, 2005) was an American composer, arranger, trumpeter, and record producer. Also known as "Toots" Camarata. Early life and career Camarata, born in Glen Ridge, New Jersey, United States, and studied music at Juilliard School in New York — a student of Bernard Wagenaar, Joseph Littau, Cesare Sodero, and Jan Meyerowitz. His early career was as a trumpet player for bands such as Jimmy and Tommy Dorsey, Benny Goodman and others, eventually becoming the lead trumpet and arranger for Jimmy Dorsey (arranging such hits as ''Tangerine'', ''Green Eyes'' and ''Yours''). He also did arranging for Glen Gray and the Casa Loma Orchestra, Benny Goodman, Louis Armstrong, Bing Crosby, Nancy Sinatra, Billie Holiday, Ella Fitzgerald, Duke Ellington and many others. He conducted and orchestrated a recording of Jascha Heifetz. During World War II, he served as a flight instructor in the Army Air Forces. London Records In 1944, J. Arthur Rank su ...
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New Jack Swing
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley and Bernard Belle, new jack swing was most popular from the late-1980s to early-1990s. Its influence, along with hip hop, seeped into pop culture. Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues." New jack swing took up the trend of using sampled beats and tunes, and created beats using electronic drum machines such as the then-new SP-1200 sampler and the Roland TR-808 to lay an "insistent beat under light melody lines and clearly enunciated vocals." The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent. Two examples would be "Groove Me" by Guy which samples "Funky President ( ...
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Golden Age Hip Hop
Golden age hip hop is a name given to mainstream hip hop music created from the mid-1980s to early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. An outgrowth of the new school hip hop movement, it is characterized by its diversity, quality, innovation and influence on hip hop after the genre's emergence and establishment in the old-school era,Green, Tony, in Wang, Oliver (ed.) ''Classic Material'', Toronto: ECW Press, 2003. p. 132 and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic. The artists most often associated with the period are LL Cool J, Slick Rick, Ultramagnetic MC's,Linhardt, Alex (June 10, 2004)Album Reviews: Ultramagnetic MC's: Critical Beatdown. Pitchfork Media. Retrieved on December 24, 2014. the Jungle Brothers, Run-D.M.C., Public Enemy, Beastie Boys, KRS-One ...
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A Musical Celebration Of Imagination
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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LL Cool J
James Todd Smith (born January 14, 1968), known professionally as LL Cool J (short for Ladies Love Cool James), is an American rapper, songwriter, record producer, and actor. He is one of the earliest rappers to achieve commercial success, alongside fellow new school hip hop acts Beastie Boys and Run-DMC. Signed to Def Jam Recordings in 1984, LL Cool J's breakthrough came with his single "I Need a Beat" and his landmark debut album, ''Radio'' (1985). He achieved further commercial and critical success with the albums ''Bigger and Deffer'' (1987), ''Walking with a Panther'' (1989), ''Mama Said Knock You Out'' (1990), '' Mr. Smith'' (1995), and ''Phenomenon'' (1997). His twelfth album, ''Exit 13'' (2008), was his last in his long-tenured deal with Def Jam. LL Cool J has appeared in numerous films, including ''Halloween H20'', '' In Too Deep'', ''Any Given Sunday'', '' Deep Blue Sea'', ''S.W.A.T.'', ''Mindhunters'', ''Last Holiday'', and '' Edison''. He currently plays NCIS Spec ...
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Who's Afraid Of Virginia Woolf?
''Who's Afraid of Virginia Woolf?'' is a play by Edward Albee first staged in October 1962. It examines the complexities of the marriage of a middle-aged couple, Martha and George. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated relationship. The play is in three acts, normally taking a little less than three hours to perform, with two 10-minute intermissions. The title is a pun on the song "Who's Afraid of the Big Bad Wolf?" from Walt Disney's ''Three Little Pigs'' (1933), substituting the name of the celebrated English author Virginia Woolf. Martha and George repeatedly sing this version of the song throughout the play. ''Who's Afraid of Virginia Woolf?'' won both the 1963 Tony Award for Best Play and the 1962–63 New York Drama Critics' Circle Award for Best Play. It is frequently revived on the modern stage. The film adaptation was released in 1966, writte ...
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Edward Albee
Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as ''The Zoo Story'' (1958), '' The Sandbox'' (1959), ''Who's Afraid of Virginia Woolf?'' (1962), '' A Delicate Balance'' (1966), and ''Three Tall Women'' (1994). Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified and named the Theater of the Absurd. Three of his plays won the Pulitzer Prize for Drama, and two of his other works won the Tony Award for Best Play. His works are often considered frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage, and sexual relationships. Younger American playwrights, such as Paula Vogel, credit Albee's mix ...
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Johann Christoph Friedrich GutsMuths
Johann Christoph Friedrich GutsMuths, also called Guts Muth or Gutsmuths (9 August 1759 – 21 May 1839), was a teacher and educator in Germany, and is especially known for his role in the development of physical education. He is thought of as the "grandfather of gymnastics" – the "father" being Friedrich Ludwig Jahn. GutsMuths introduced systematic physical exercise into the school curriculum, and he developed the basic principles of artistic gymnastics. Biography He was born in Quedlinburg. He attended the University of Halle from 1778 to 1782, where he studied pedagogy. Sometime after 1785 while a private tutor in Schnepfenthal (where he remained his entire life) he was appointed as a teacher, and it was there he taught gymnastics supervised by Salzmann. In 1793, GutsMuths published , the first systematic coursebook on gymnastics. His literary output on both moral and physical education continued upwards of twenty-five years after the production of his seminal work . ...
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British Bulldog (game)
British Bulldog is a tag-based playground and sporting game, commonly played in schoolyards and on athletic fields in the UK, Ireland, Canada, South Africa, Australia, and related Commonwealth countries, as well as in the U.S. The object of the game is for one player to attempt to intercept other players who are obliged to run from one designated area to another. British Bulldog is characterised by its physicality (i.e. the captor inevitably has to use force to stop a player from crossing) and is often regarded as violent, leading it to be banned from many schools due to injuries to the participants.Caroline Sanderson. "British Bulldog". In: ''Kiss Chase and Conkers: The Games We Played.'' Chambers Harrap Publishers Ltd., Edinburgh 2008, , pp. 15–16. The game is a descendant of traditional chasing games recorded from the 18th and 19th centuries, which partially evolved into collision-sport-related games during the early 20th century by the inclusion of lifting and tackl ...
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Tag (game)
Tag (also called touch and go AG'', tig, it, tiggy, tips, tick, tip) is a playground game involving two or more players chasing other players in an attempt to "tag" and mark them out of play, usually by touching with a hand. There are many variations; most forms have no teams, scores, or equipment. Usually, when a person is tagged, the tagger says, "Tag, you're 'it'!" The last one tagged during tag is "it" for the next round. The game is known by other names in various parts of the world, including "running and catching" in India and "catch and cook" in the Middle East. Basic rules Players (two or more) decide who is going to be "it", often using a counting-out game such as eeny, meeny, miny, moe. The player selected to be "it" then chases the others, attempting to "tag" one of them (by touching them with a hand) as the others try to avoid being tagged. A tag makes the tagged player "it". In some variations, the previous "it" is no longer "it" and the game can continue indefini ...
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Book-and-record Set
Book-and-record sets are a form of entertainment for children, consisting of a picture storybook (often in comic book format, with drawings or photos) and an accompanying recording (originally in the form of a vinyl record; later in cassette tape and compact disc formats) to be played while following along with the book. The record and book complement one another, with the record usually a radio theater-style version of the story or a soundtrack recording, and the book providing visuals and text to the story. Often a tone or other kind of cue in the recording will prompt the reader to turn pages. Book-and-record sets are popular as teaching tools and aids to reading, and as a simple form of multimedia entertainment. Cartoon characters are common subjects (or stars) of the stories, as are comic book superheroes and other media franchises, characters and personalities. Occasionally popular children's or family movies are adapted for book and record; the stories may either be re-pre ...
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