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Whites Off Earth Now!!
''Whites Off Earth Now!!'' is a 1986 studio album by Cowboy Junkies. It was the band's debut album, and is composed almost entirely of rock and blues covers. Only one song, "Take Me", is an original song by the band. Album development The Cowboy Junkies formed as a band when Michael Timmins and Alan Anton returned to Canada from England in 1985 and started assembling a new band and a new sound. They rented a house on 547 Crawford Street in Toronto and insulated the garage to form their own rehearsal space, later referred to as Studio 547. They recruited Michael's younger brother Pete Timmins for drums and started exploring new sounds, drawing improvisation from jazz musicians Cecil Taylor, Ornette Coleman, and John Coltrane while applying the sound to the early blues of Lightnin' Hopkins, John Lee Hooker, Bukka White, and Robert Johnson. They initially recruited Michael's older brother John, but he left before the group coalesced. Instead, they recruited Michael's younger s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowboy Junkies
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. Cowboy Junkies' 1986 debut studio album, produced by Canadian producer Peter Moore, was the blues-inspired '' Whites Off Earth Now!!'', recorded in the family garage using a single ambisonic microphone. The band gained wide recognition with their second studio album, ''The Trinity Session'' (1988), recorded in 1987 at Toronto's Church of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Cuddy
James Gordon Cuddy, (born December 2, 1955) is a Canadian singer-songwriter primarily associated with the band Blue Rodeo. Early life and education Cuddy was born in Toronto, Ontario. His Mother Jean Cuddy was an English teacher at Monarch Park Secondary School. He attended North Toronto Collegiate Institute, where he met and befriended Greg Keelor, his future bandmate. He also went to Upper Canada College and Queen's University. Musical career The Hi-Fis After graduating from university, Cuddy and Keelor formed a band called the Hi-Fis along with Jim Sublett on drums and Malcolm Schell playing bass. The band released a single in 1980 featuring "Look What You've Done" and on the B side "I Don't Know Why (You Love Me)". The record was not a commercial success, and when they couldn't get a record deal in Toronto, they headed off to New York City. In New York they met keyboardist Bob Wiseman, but were still unable to arrange a recording contract. They later moved back to Toronto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Road Blues
"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". ''Rolling Stone'' placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. Recording In October 1936, Johnson audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Williams
Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby Please Don't Go", " Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992. The blues historian Barry Lee Pearson (''Sounds Good to Me: The Bluesman's Story'', ''Virginia Piedmont Blues'') described Williams's performance: :When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby, Please Don't Go
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft. After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the R&B chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions. By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a rock standard. AC/DC and Aer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me And The Devil Blues
"Me and the Devil Blues" is a blues song by Robert Johnson Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generati .... It tells the story of the singer's waking up one morning to the devil knocking on the door, telling him that "it's time to go". The lyrics concluded with the lines "You may bury my body down by the highway side" / "So my old evil spirit can catch a Greyhound bus and ride." Johnson recorded the song, among others, in a warehouse in Dallas, that served as a makeshift recording studio, on June 19, 1937. It was his final recording session. References 1930 songs Blues songs Songs written by Robert Johnson Robert Johnson songs Song recordings produced by Don Law {{blues-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Springsteen
Bruce Frederick Joseph Springsteen (born September 23, 1949) is an American singer and songwriter. He has released 21 studio albums, most of which feature his backing band, the E Street Band. Originally from the Jersey Shore, he is an originator of heartland rock, combining mainstream rock musical styles with narrative songs about working class American life. Nicknamed "the Boss", his career has spanned six decades. Springsteen is known for his poetic, socially conscious lyrics and energetic stage performances, sometimes lasting up to four hours. In 1973, Springsteen released his first two albums, '' Greetings from Asbury Park, N.J.'' and '' The Wild, the Innocent & the E Street Shuffle'', neither of which earned him a large audience. He changed his style and reached worldwide popularity with ''Born to Run'' in 1975. It was followed by ''Darkness on the Edge of Town'' (1978) and '' The River'' (1980), which topped the US ''Billboard'' 200 chart. After the solo recording, ''Neb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mobile Fidelity Sound Lab
Mobile Fidelity Sound Lab (MFSL or MoFi) is a record label specializing in the production of audiophile issues. The company produces reissued vinyl LP records, compact discs, and Super Audio CDs and other formats. History Recording engineer Brad Miller (1939–1998) released the first recordings on the Mobile Fidelity label in March 1958, a recording of a Southern Pacific steam locomotive. Later LPs included other steam trains, environmental sounds and orchestral music, and a few pop and orchestral recordings. In 1977 Mobile Fidelity Sound Labs was founded and began releasing Original Master Recording LPs, using a half-speed mastering process. In November 1999, Mobile Fidelity Sound Lab shut down after the bankruptcy of M. S. Distributing. In 2001 MFSL's assets were acquired by Jim Davis of Music Direct. Products LPs In 1977, Mobile Fidelity began to produce a line of records known as "Original Master Recording" vinyl LPs. These albums were previously released by other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Keelor
James Gregory Keelor, (born Francis McIntyre, August 29, 1954) is a Canadian singer-songwriter and musician. He is best known as a member of the band Blue Rodeo, where he shares song writing and vocal duties with Jim Cuddy. Keelor has also released three solo albums and appeared as a guest musician on albums by Crash Vegas and Melissa McClelland. He participated, along with Rick White and members of The Sadies, in the supergroup The Unintended. Early life Keelor was born Francis McIntyre in Inverness, Nova Scotia, on August 29, 1954. Though he didn't know until adulthood, his birth parents had put him up for adoption. Keelor was adopted at age three and raised in Montréal. Keelor attended North Toronto Collegiate Institute, and it was there that he befriended football teammate Jim Cuddy in 1971. After graduation, Keelor, Cuddy and a group of college friends, in search of adventure, traveled to Western Canada in a rundown old school bus. The bus broke down in Saskatchewan, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
