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White Light (Gene Clark Album)
''White Light'', aka ''Gene Clark'', is the second solo album by Gene Clark, former member of The Byrds. It only achieved commercial success in the Netherlands, where rock critics also voted it album of the year. Like all of his post-Byrds records, it did very poorly on the US charts. In June 2018, independent reissue label Intervention Records released ''White Light'' on vinyl and as a hybrid CD/SACD. Background Clark's backing band on the album included producer and guitarist Jesse Edwin Davis, bassist Chris Ethridge of the Flying Burrito Brothers, organist Michael Utley, along with pianist Ben Sidran and drummer Gary Mallaber, both of the Steve Miller Band. Although Clark began another album for A&M, the label stopped the sessions before that album was completed. Those tracks were available in the Netherlands on Clark's 1973 album '' Roadmaster'', which was not released in the United States until 1994. Reception Music critic Thom Jurek, writing for AllMusic, wrote that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Clark
Harold Eugene Clark (November 17, 1944 – May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", "Eight Miles High" and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds. Biography Life Clark was born in Tipton, Missouri, the third of 13 children in a family of Irish, German, and American Indian heritage. His family moved to Kansas City, Missouri, where as a boy he began learning to play the guitar and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Mallaber
Gary Mallaber (born October 11, 1946 in Buffalo) is a Los Angeles session drummer, percussionist and singer. He attended Lafayette High School, where he and Bobby Militello, along with other musicians, were mentored by saxophonist Sam Scamacca. Mallaber got his start playing drums in a Buffalo band known as Raven. Mallaber was the drummer-percussionist and backing singer for the 1980s band Kid Lightning, who released an album with Gerard McMahon in 1981 entitled '' Blue Rue''. Mallaber plays keyboards and sings on many albums by well-known rock artists. He is probably best known for his work as drummer-percussionist, backup singer, and co-composer for The Steve Miller Band. He has also played with the Greg Kihn Band. Mallaber was offered the job as drummer in Kiss, as a replacement when Peter Criss had left in 1980 but he did not accept the offer. Mallaber was the main studio drummer for Eddie Money for most of his earlier recordings and has played on some Bruce Spring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobbye Hall
Bobbye Jean Hall is an American percussionist who has recorded with a variety of rock, soul, blues and jazz artists, and has appeared on 20 songs that reached the top ten in the ''Billboard'' Hot 100. Early career, work for Motown and move to Los Angeles Bobbye Jean Hall was born in Detroit, Michigan, and began her career there playing percussion in nightclubs while still in her teens. While playing at the 20 Grand nightclub in 1961 she was approached by Motown arranger Paul Riser to play on a recording session. Using bongos, congas and other percussion, she played uncredited on many Motown recordings in the 1960s. She lived in Europe for a few years during which time she changed the spelling of her name from Bobby to Bobbye, to distinguish herself as a woman percussionist and as a unique musician. She moved to Los Angeles in 1970 where she was one of the few female session musicians in a male-dominated profession, a sometime associate of the Funk Brothers and the so-called W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bottleneck Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben E
Ben is frequently used as a shortened version of the given names Benjamin (name), Benjamin, Benedict (given name), Benedict, Bennett (name), Bennett or Benson (given name), Benson, and is also a given name in its own right. Ben (Hebrew), Ben (in he, בֶּן, ''son of'') forms part of Hebrew surnames, e.g. Abraham ben Abraham ( he, אברהם בן אברהם). Bar (Aramaic)#Aramaic, Bar-, "son of" in Aramaic language, Aramaic, is also seen, e.g. Simon bar Kokhba ( he, שמעון בר כוכבא). Ben meaning "son of" is also found in Arabic as ''Ben'' (dialectal Arabic) or ''bin'' (بن), ''Ibn''/''ebn'' (ابن). People with the given name * Ben Adams (born 1981), member of the British boy band A1 * Ben Affleck (born 1972), American Academy Award-winning actor and screenwriter * Ben Ashkenazy (born 1968/69), American billionaire real estate developer * Ben Askren (born 1984), American sport wrestler and mixed martial artist * Ben Banogu (born 1996), American football player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stand By Me (Ben E
Stand by Me may refer to: Film and television * ''Stand by Me'' (film), a 1986 American drama film directed by Rob Reiner, based on the novella ''The Body'' by Stephen King * ''Stand by Me'' (TV series), a 1998 Singaporean Mandarin drama series * ''Stand by Me Doraemon'', a 2014 Japanese 3D CGI-animated film based on the manga series ''Doraemon'' by Fujiko Fujio * "Stand by Me" (''Grey's Anatomy''), a television episode * "Stand by Me" (''My Little Pony Tales''), a television episode Literature *''Stand by Me'', a 2010 novel by Sheila O'Flanagan *''Stand by Me'', an autobiography by John Kirwan Music Albums * ''Stand by Me'' (Ernest Tubb album), 1966 * ''Stand by Me (Whatcha See Is Whatcha Get)'', by Bernard Purdie, 1971 * '' Stand by Me: The Ultimate Collection'', by Ben E. King, 1987 * ''Stand by Me'', by Ernie Haase & Signature Sound, 2002 * ''Stand by Me'', by Ray Brown Jr., 2007 * ''Stand by Me'', by the Kingdom Choir, 2018 Songs * "Stand by Me" (Atomic Rooster song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Manuel
Richard George Manuel (April 3, 1943 – March 4, 1986) was a Canadian singer, multi-instrumentalist, and songwriter, best known as a pianist and one of three lead singers in The Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1994. Manuel's singing alternated between a soul-influenced baritone that drew frequent comparisons to Ray Charles and a delicate falsetto. Though The Band had three vocalists sharing lead and harmony parts, Manuel was sometimes seen as the group's primary vocalist. Biography Early life and career Manuel was born in Stratford, Ontario, Canada. His father, Ed, was a mechanic employed at a Chrysler dealership, and his mother was a schoolteacher. He was raised with his three brothers, and the four sang in the church choir. Manuel took piano lessons beginning when he was nine, and enjoyed playing piano and rehearsing with friends at home. Some of his childhood influences were Ray Charles, Bobby Bland, Jimmy Reed and Oti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tears Of Rage
"Tears of Rage" is a song with lyrics written by Bob Dylan and melody by Richard Manuel. Dylan and the Band first recorded the song in 1967, but it was not released until 1975 on ''The Basement Tapes'' album. In 1968, the Band recorded it for their debut album ''Music from Big Pink''. Initial recordings The song was first recorded in rehearsal sessions at the Band's upstate New York residence, Big Pink, in 1967, with Dylan on lead vocal and the Band backing him. These sessions were not officially released until the 1975 double-album ''The Basement Tapes'', although they were widely bootlegged in the late 1960s and early 1970s. The first official release of the song was as the first track on the Band's debut, 1968 album ''Music from Big Pink'', with Manuel on vocal. According to Levon Helm, "Richard sang one of the best performances of his life." In a song review for AllMusic, Bill Janovitz compared the two versions: "The Dylan version is a gentle folk-soul reading; he and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
